June 29, 2009
They had the bedside lamps on
“Helen can bring herself to the point of weeping just thinking about Cal’s yellow rain jacket that came to his thighs and the rubber boots he wore back then and the Norwegian sweater with the elbows out of it and how he rolled his own cigarettes for a time, which was unheard of (he had other pretensions: he made his own yogurt and tofu, grew pot, experimented with tie-dye), and how he wanted a house around the bay for summers, and how the children came by accident, every single one of them. Cal was a reader, of course; he read everything he got his hands on. They both read. Helen had a book in her overnight bag and so did Cal, and after they’d had sex and showered and looked through the TV channels and eaten and drunk some more beer, they each got their books, and they had the bedside lamps on. They fell asleep like that. Cal with a book over his chest.”– Lisa Moore, February
June 26, 2009
Trouble by Kate Christensen
Kate Christensen writes like a man, which has caused misunderstandings in the past because she also writes like a woman, this misunderstanding compounded when she writes about women (as in her debut novel In The Drink, which, as I’ve written before, failed as the chick lit it wasn’t). All of by which I mean that Christensen’s writing voice lacks a gender, this bringing forth interesting results in her challenges of feminine and masculine notions.
In her latest novel Trouble, Christensen assigns the familiar bottoming-out-down-in-Mexico role (as in Under the Volcano) to a woman, or in fact to two of them. Strait-lacey psychiatrist Josephine has flown down at the last minute to comfort her friend, aging rock star Raquel Dominguez, whose reputation has endured a massive assault via celebrity gossip blogs. Josephine is not in much of a position to comfort, however, having just decided that her marriage is over and determined to immerse herself in the hedonism Mexico seems to offer. Both women have behaved badly, and are not at all concerned with seeking redemption.
‘”All I can say,” said Raquel, “is that it is not fun to be a woman and to fuck up…”
“Maybe women are expected to behave better than men,” [Josie] said, “because we are better than men. The world without women is Lord of the Flies. The world without men is Little Women.”
In Trouble, Christensen subverts any idea of betterness, Josie’s own perspective being rather limited (as Christensen herself has pointed out). For a psychiatrist, her assessment of everybody is remarkably wrong, and it turns out she knows herself just about as badly. She’s not better than anyone, including her troubled friend and the men in their lives, but she manages to remain immune from any real “trouble” by regarding her Mexican experience as an “experiment”. Raquel, however, is more troubled than Josie suspects, and an act of negligence/indulgence on Josie’s part leads to tragedy.
This is a novel that begins mid-conversation, and follows its characters over a very short period of time. The result of this is distance from the characters and the story, Josephine’s first-person narration in particular making no dramatic gestures to draw us closer. As readers, we are given copious description, mundane dialogue, small-talk and gratuitous sex, and it’s hard to find Christensen’s over-arching thesis. I’d posit this is because there isn’t one, or rather because there are several. Numerous literary allusions underline this, to Under the Volcano, to Joan Didion’s work, and to A Passage to India, which I’ve not yet read, but must now, because the end of Trouble suggests it might be the key what Christensen is up to.
As in her first novel, however, it’s clear that one major intention is to play out familiar literary tropes (the bottoming-out character, “in the drink”, plenty of scenes taken up by descriptions of bullfights) with a female cast in the starring role. Moreover, a somewhat-unlikeable female character, which is rare in fiction, and hard for some critics to stomach or understand. That us liking Josephine was never Christensen’s point, and that identifying with her is something you’d only do if you were frightful (or unbearably honest). These are demands not often made of male lead characters, and Christensen plays with this twist to do novel things with her fiction, to tell a story that’s not often told.
Trouble is not her very best work. As Josephine’s perspective is limited, so is the entire book’s, and the story’s shape is too fragmented to be wholly satisfying. Perhaps it’s the nature of Josephine’s solipsism, but the secondary characters she describes remain unrealized, and unreal. But by being a Kate Christensen novel, this book is worthwhile, and probably more worth reading than most of its peers on the shelf. For Christensen writes well and fearlessly, with a dirty sense of humour, and any novel by her is an event nevertheless.
June 23, 2009
Baggage Unloaded
Yesterday, after almost five years of reliable service, my trusty computer died. And naturally, I’d not backed up anything on it. So there goes hundreds of itunes songs, tons of word processing files, and most painfully, five years of photos from adventures near and far. Tears were shed, of course, but there are blessings to count. That, for some reason, randomly, all Stuart managed to save in a desperate attempt before my hard drive died was a file of unpublished yet publishable stories that would have been irreplaceable. And we’ve been pretty diligent about having our very best photos developed and put into albums (including a year’s worth we had developed just in April). Sadly, none have been developed since Harriet was born and we’ve lost some pretty precious ones from her early days, but enough were put on Facebook and emailed to grandparents that we have a considerable record. Things could be worse, and we will have plenty of opportunity to take photos of Harriet in the future, I am sure.
Everything else that got lost, I don’t really need. Sure, Stuart and I will miss our “Books Read Since 2006” files (lame, I know, but Art Garfunkel has had his list since 1970) but we will start new lists. We have lost thousands of photos, but we would never have looked at these, and there were times I felt a bit overwhelmed by the size of my photo library– what does one do with such volume? I’ve lost a meticulous record of submissions, all my published work, story starts and some works in progress, but the published works are already out there, and losing the rest might feel like losing ten pounds. Tomorrow is my birthday, and I begin a new year, a new decade, I’ve got a new baby (who is four weeks old today!). Perhaps the lost computer is baggage unloaded, and now I get to get a new one, and has there ever been a better time for a fresh start? Tabula rasa? It’s inspirational. Seems I’ve got some brand new creating to do.
June 22, 2009
CNQ
Canadian Notes & Queries is one of my favourite magazines, and now you can check out their brilliant new website. In particular, may I refer you to my review of Libby Creelman’s novel The Darren Effect which I enjoyed very much.
June 22, 2009
It's hard to be hip over thirty
I’ve been rereading my copy of poetry collection It’s Hard to Be Hip Over Thirty by Judith Viorst (of Alexander’s No Good Very Bad Day). My edition is a gorgeous Persephone Book (endpaper as above) and I’m rereading because I’m turning thirty on Wednesday, and as I certainly found it difficult enough to be hip under thirty, I need all the help I can get. From the title poem:
All around New York
Perfect girls with hairpieces and fishnet jumpsuits
Sit in their art nouveau apartments
Discussing things like King Kong
With people like Rudolph Nureyev.
Meanwhile the rest of us
Serving Crispy Critters to grouchy three-year-olds
And drinking our Metrecal,
Dream of snapping our fingers to the music
If only we knew when to snap.
But it’s hard to be hip over thirty
When everyone else is nineteenm
When the last dance we learned was the Lindy,
And the last we heard, girls who looked like Barbra Streisand
Were trying to do something about it.
We long to be kicky and camp– but
The maid only comes once a week.
And since we have to show up for the car pool,
Orgiastic pot parties with cool Negroes who say ‘funky’ and ‘man’
Seem rather impractical.
The Love Song of J. Aldred Prufrock,
Which we learned line by line long ago,
Doesn’t swing, we are told, on East Tenth Street,
Where all the perfect girls are switched-on or tuned-in or miscegenated,
But never over thirty
Trying hard
To be hip.
June 21, 2009
A different kind of swim lit
The story is tragic, and I don’t wish to undermine that, but I am so absolutely intrigued by this part: “As her family told The Globe in a lengthy letter responding to an interview request, ‘She even combined her two passions for reading and fitness by figuring out how to read a book while swimming laps.’” I can’t even begin to imagine how this could be accomplished. A book enclosed in plastic wrap? A page skimmed at the end of every lap? An audio book and a waterproof Sony sports walkman? Regardless, I am impressed.
June 19, 2009
Ingesting words with his eyes
“Anthony could talk and read at the same time. But his eyes trumped his ears. He usually remembered what he’d read while talking, but he never remembered conversations he’d had while reading. He was like a sleepwalker who grocery-shopped and paid bills in his sleep and forgot it all the next morning. Most of our conversations were now conducted with a book between us– his book, of course. When I read, I shushed him ferociously, for all the good it did me; he had never accepted the fact that other people didn’t possess his unique facility for ingesting words with his eyes while spewing them from his mouth.” –from Trouble by Kate Christensen
June 19, 2009
Flowers in the window
It was four years ago today that I married my husband and started out on this rather mad journey that has been us as a family. And now we are three! And however terrifying and awful the past month has been very very often, the moments of absolute delight have been sparkling and they’re really all that I’ll remember of it anyway. Stuart’s love and support has been unwavering, his patience infinite, and I couldn’t imagine what this all would have been like without him. He’s as good a daddy as he is a husband, which is certainly something. Harriet and I are a lucky pair, and we love him very much.
From the song we danced to at our wedding, which I heard for the very first time one sunny morning two days after we first met, when I just knew….:
There is no reason to feel bad,
But there are many seasons to feel glad, sad, mad.
It’s just a bunch of feelings that we have to hold,
But I am here to help you with the load.
Wow, look at you now, flowers in the window
It’s such a lovely day and I’m glad that you feel the same.
‘Cause to stand up, out in the crowd.
You are one in a million and I love you so,
lets watch the flowers grow.
June 17, 2009
Seen Reading
Seated at a table on the patio of Sweet Fantasies Ice Cream at the corner of Bloor Street and Brunswick Avenue, brown-haired woman in non-maternity clothes (but only those purchased around 2003 when she was a bit fat, but non-maternity nonetheless), three weeks post-partum with her baby asleep in the carrier on her chest. She is rereading Good in Bed by Jennifer Weiner, which isn’t much of an intellectual pursuit but it’s enjoyable, and she’s eating a cookies and cream ice-cream cone. The sun is shining and has kissed her cheeks, it’s been days upon days since the last time she cried with despair, and we’ve come such a long way since this all started.
