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Pickle Me This

June 12, 2023

PEI Mini-Break

Iris and the Sea

I try not to work too hard to ensure absolutely that my children get everything divided right down the middle, because life isn’t like that, and their needs aren’t always 50/50 either, and who has the time for that? But there are two instances in which it’s been important to me that Kid 2 gets what her sister had—the first was their baby books, and I remember scrambling to add to Iris’s in a sleepless exhausted haze quite convinced that my effort would be worth it once she was old enough to appreciate, and how right I was. And the second instance was the 10th Birthday Trip, a tradition we began with a long weekend in Manhattan when Harriet turned ten—it was magic! And four years later, especially after everyone missing out on so much, I was committed that Iris get her mini-break too, even if the cost of travelling has skyrocketed.

Stuart and the beach shelter he built

And thankfully, a solution arrived. A very cheap flight to the magical land of Prince Edward Island, where we were lucky to have cousins host us for three nights and even lend us the use of their car. It was amazing, and while this was a different kind of island than we visited before, it was no less exciting to experience and also there was a very good bookshop.

The Window at Bookmark in Charlottetown
Blustery Day at Green Gables
Powerful sea at Cavendish
My new mug from Trout River Pottery
First outdoor swim of the year IN THE ACTUAL OCEAN!

June 9, 2023

Soil: The Story of a Black Mother’s Garden, by Camille T. Dungy

With the essay collection Guidebook to Relative Strangers: Journeys Into Race, Motherhood, and History, Camille T. Dungy became one of my must-read authors, although I might have read her follow-up Soil: The Story of a Black Mother’s Garden anyway on the basis of that gorgeous cover (and oh my goodness, wait until you see the inside covers!!). Soil is a book about metaphors, but also about the thing itself and, to begin with, that this is the garden that Dungy designs and brings to life in the yard of her suburban home in Fort Collins, Colorado, a place where the propagation of native plants and a wild-looking garden is in defiance of home owner association standards about such thing as grass lengths, and Dungy and her family are part of the reason that culture begins to change.

This is a memoir about the labour (and setbacks) in cultivating diversity in our gardens, and beyond them. It’s also a story of receiving a Guggenheim grant to write a book whose progress is stopped up by the Covid-19 Pandemic and a ten-year-old child whose home schooling requires supervision. It’s about being a Black person and a Black mother in America in the wake of the 2016 election, whose fallout in a continuation of centuries of struggle and oppression, and what it feels like to be confronted by deaths of other Black people, those names like beads on a string over the past decade and more—Trayvon Martin, Michael Brown, Breonna Taylor, George Floyd. Like a rosary.

She quotes her father’s response to a (white) reader’s question about how Dungy could consider herself an environmental writer when she spends so much time writing about African-American history. Her father (Dr. Claibourne Dungy) answers, “For us, there is no separation between the environment and social justice.” It’s not one thing or another, but instead everything connection, our environment home to the world we choose to build here, and also to the natural elements over which we have no domain (or at least cannot even imagine we do) and here Dungy writes of wildfires across the state of Colorado during that already miserable plague year, where neither indoor air nor outdoor was safe to breathe in the company of others, and disaster seemed perpetually just shy of the doorstep.

This is a book rich with love, wisdom, and humour, a book about neighbours, about community, about marriage and love, about trying to save truckloads of soil from blowing away in a windstorm. It’s about climate change, and weather, and history, and botany, and place, and travel and belonging, and longing, and grieving, and persisting. It’s about faith.

“Faith is the belief in things not seen. Or it is the hope that what has not yet materialized might, someday, manifest… One of the hallmarks of faith is to believe in a promise and—though the promise has yet to come to pass, and may never in my lifetime be fully fulfilled—to find a way to carry on. To discover and honour what HAS come to fruition.

I dig up a lot of awful history when I kneel in my garden, But, my god, a lot of beauty grows out of the soil as well.”

June 8, 2023

AFAF Mood Board: Part Three

Time for mood board number 3 for ASKING FOR A FRIEND, coming September 5 from @doubledayca. This instalment takes us through 2006-2007 as Jess and Clara find themselves back on the same continent for the first time in years, but worlds apart in so many other ways, Rihanna’s “Umbrella,” playing low on the radio in the background: “Said I’ll always be your friend, took an oath gonna stick it out to the end.”

Save the date for a Toronto launch on September 6!!

June 6, 2023

The Opportunist, by Elyse Friedman

There are all the book whose blurbs promise you they’re unputdownable, and then they were the books that are just impossible to put down, and Elyse Friedman’s The Opportunist is both. It’s the story of a woman estranged from her wealthy family whose brothers only get in touch because they want her to help get their elderly father’s fiancee—his twenty-seven-year-old nurse—out of the picture and preserve their inheritance. A single mom of a disabled daughter who ekes out a living working at a domestic violence shelter, Alana agrees to head back into the family fold because she’s promised enough money to buy her daughter an accessible mini-van. When she arrives at the family estate, however, her father’s gold-digger girlfriend turns out to be nothing like what she’d been led to expect, and more savvy than anybody is giving her credit for. Loyalties, much like the ground beneath these characters’ feet, are ever shifting, and just when the reader thinks they’ve got a handle on the situation, the next chapter reveals another unexpected twist, not to mention a whole new level of depravity. I’ve never seen Succession, but I think this excellent novel might fill the void its finale has left in the world of its fans. Taut and compelling, not to mention VERY FUNNY (the line about the orangutan!), The Opportunist is a glorious fuck-you to the patriarchy, and ends on a note as surprising as it’s glorious. Put this on your summer reading list right now.

June 5, 2023

Change Your Story

Ten years ago TODAY, Iris was born, and this photo is of my first glimpse of her, snapped by Stuart, who knew how upsetting I’d found it to never see Harriet until she was cleaned up, wrapped in a blanket and wearing a hat. Because without having seen, it felt impossible to me, that she’d come from my body, how one thing had turned into another. Which was part of the reason I tried so hard to have a natural birth with my second baby—not JUST because I wanted things to be different (though I did!) but really because I wanted to understand and to keep whole the many things that ended up broken the first time. All along conscious that maybe I was failing to learn the lesson I’d failed that first time, which is that these are stories that refused to be controlled and managed , and some submission is required. Which sounds TERRIBLE because it is, and so I’m so happy to report back that that is only part of it. Nope, I sure didn’t get my natural birth experience, but what I got instead was the chance to apply what I’d learned from things being so hard the first time to have an altogether better experience the second time around.

This photo was part of that, this magnificent image that will never stop blowing my mind, just like the seconds old baby at its centre never has either. I can’t possibly express what it meant to me to be able to have a new baby and to be happy during those tender blurry early weeks. How I’d envied other new parents who’d been there, secretly wondering if such a thing was possible. But it was, and it was us, and that extraordinary time (my husband took three months parental leave so we could it all together, our eldest was four years old, we’d been very methodical in orchestrating a situation in which I would be supported and not left flailing like I’d been the first time) was one of the greatest gifts of my life. It’s central lesson being that while some submission is required, we also do (to quote a line from Iris’s favourite musical) have the power to CHANGE OUR STORY. And oh, how I love this story so much.

May 31, 2023

On Momfluence

I was still five years away from motherhood the first time I came under the spell of momfluence, but of course 2004 was a very different time. I was living in Japan then and a blogger I followed about expat life in Japan took part in some sort of exchange with another blogger who was an American mother of three who lived in Malawi where her partner ran educational programming, and I was hooked. On her blog, which was called “Lucky Beans,” she used to have a blog feature called “Corners of My Home” where she could give readers glimpses into her family’s private spaces, which were usually littered with stones and pebbles collected in her youngest child’s pockets. I think her approach was Montessori-based and I was impressed by her household’s toy organization, a bin for everything and everything in its bin. None of the toys in her home were plastic, I think for Montessori reasons, but indeed this also had a particular aesthetic, and I fell in love with it. “When I have a child,” was the thing I thought, “this is the kind of mother I want to be.”

And I kind of was! There is no twist to this story. The internet has always been useful to me for aspirational purposes, but not in an aspirational aspirational way, if that makes any sense. It was never about striving for something unattainable, but instead putting an idea in my mind of an approach to parenthood that would suit my circumstances. And my aesthetic—I still hate plastic toys. But it was also less about aesthetics than practicality—I live in a small apartment and have never had that much extra money. Having less stuff and organizing it neatly just made sense, and also for the planet, because I think of all the exer-saucers that are going to outlive us all.

It helped that she wasn’t trying to sell me anything (like I said, this was 2004; she didn’t even have an Etsy shop!) and even if she was, I wouldn’t have been able to buy it. And indeed there was definitely an element of performance to her online identity (my favourite was the time she went away for a couple of weeks, and her husband took over the blog, temporarily changed the name of “Lucky Beans” to “Tough Beans: Dad’s In Charge,” and showed us a much less idyllic view of their domestic life) and surely there is one too to the fact that I’m writing this at all, and letting you know that even when my children began to acquire My Little Ponys, they were secondhand.

It’s complicated, which is the central thesis on Sara Peterson’s new book Momfluenced: Inside the Maddening, Picture-Perfect World of Mommy Influencer Culture. I have no idea how I would have been a parent before the internet starting throwing inspo my way, or how my own mom helped me figure out science projects, birthday party themes, or Halloween costumes without the help of Google (and to be fair, some of my Halloween costumes were pretty shitty). How performance is baked in to my experience of motherhood, as my blog documented my pregnancy, my bumpy intro to the mothering life, and then social media came along to help me track my children as they grew and grew and grew. Without online life, I would likely be less annoying in many ways, and I might even be less smug about my children’s wooden toys, and would they even have wooden toys at all if Lucky Beans hadn’t convinced me?

I think being an online creator, as opposed to a consumer, even as someone whose online platforms have a negligible following at best, has helped to keep my relationship to the mamasphere more positive and inspiring than soul-destroying; it’s broadened my world instead of depleting it. I wonder if it helped too that I didn’t join Instagram until 2016, by which time I’d found my feet as a parent, was not so lost in newbornland. And while I did recognize myself in some of Petersen’s profiles (I think we went apple picking twice and everybody hated it, and we don’t do that anymore; omg, I also just remembered the cookie bunting I tried to string at my daughter’s sixth birthday, which was definitely for the ‘gram, but I cut the holes wrong, and they fall fell together on a clump on the string before the whole thing fell on the floor) it has helped me that the ways I’ve been inspired by others’ online mothering has been alligned with my own inclinations anyway, that I’ve never been very interested in doing anything that I don’t want to do. (I don’t like crowds, for instance, so lining up for that iconic photo that everything else is doing is really not likely to happen.) I really do think that Instagram has inspired me to look for the spots of beauty in my life, and to try to cultivate more of that, which works to my benefit—it means there will be a bouquet of bright coloured tulips on table all summer long.

But I do wonder what the costs might be. What would my family photos look like if I hadn’t been influenced by other people’s poses? How would I be a different parent if I could be more focussed on the immediate, on the moment, rather than thinking about how it all might look from the outside, how best to capture the light. But see, would I even notice the light then? And I always notice the light. If a string of bunting hangs in the kitchen and no one is there to put it on instagram, does the bunting even bunting? (But it does! I see it every day! And oh, look at the light. Let’s take a photo. Let’s capture time for a moment, sunlight shining through the dregs of a jam jar like a Mary Pratt painting.)

May 30, 2023

Gleanings

May 29, 2023

Books Round-Up

Some books I’ve been reading lately that you deserve to know about!

*

Coq, by Ali Bryan

You can never have too much of a good thing, especially if the good thing in question is an extension of @alikbryan’s smart and hilarious debut novel ROOST. Its follow-up, COQ, is set a decade later as Claudia’s father has just remarried , now it’s her brother’s turn to have a marriage fall apart, Claudia’s ex husband is displaying peculiar symptoms of wanting to get back together, all of this against the backdrop of an epic family trip to Paris to remember Claudia’s late mother. COQ is a romp, deeply felt, a delight.

*

Unearthing, by Kyo Maclear

In her new memoir UNEARTHING, Kyo Maclear’s achinging personal experience—after the death of her father and a chance encounter with a DNA test, she discovers that her father was not her biological father after all, and any attempts to understand the true story of her origins are obscured by her complicated mother whose diagnosis of dementia only makes clarity harder to find; or does it?—turns out not only to be a fascinating mystery to unravel, but also a meditation on the possibilities of story and family itself, about what it means to relate to or be related to some people and not others. It’s also a story of seasons, and gardens, what can be found in the fog, and the importance of leaving room in your list for strange and unexpected things to happen. It’s so good.

*

Rose Addams, by Margie Taylor

I loved this book, a novel that was everything it’s beautiful cover had led me to suppose it might be. A novel that author Margie Taylor wrote with a specific audience in mind, women over sixty who are imagining their lives are set, children are grown, marriage established, when along comes a series of new seismic shifts that change everything. For the eponymous Rose, it all begins with her husband’s abrupt announcement that he’s retired from university teaching, and then her daughter moves home, and then Rose invites a charismatic young man into the family fold who’s nothing like what she thought he was, and suddenly Rose Addams’ comfortable life is turned upside down. A novel about family and friendship and the limits of what a wife and mother can control, ROSE ADDAMS was smart and funny, a delight to encounter, and reminiscent of Carol Shields’ fiction.

*

This Bird Has Flown, by Susanna Hoffs

Susanna Hoffs wrote a novel…and I love it? Which shouldn’t be so surprising, because Susanna Hoffs also wrote “Eternal Frame,” which is a work of art that’s moved me more times than most works of art I can think of. But you know what? I’ve been disappointed by fiction by ’80s superstars before, so I went into this novel carefully, cautiously. The story of a one-hit wonder 33 year-old-old singer whose failure to launch is getting her down…when she is seated next to an impossibly attractive Oxford English Professor on a flight to London, and sparks fly (and then some!). If you’ve got a thing (and I sure do!) for fiction with a lot of swearing and nearly as much masturbation, then this book is for you. It was funny, fresh, and surprising, managing to blend rom-com and Gothic tropes (JANE EYRE! REBECCA!) in bizarre and splendid ways. What smart, smart fun.

*

Darling, by India Knight

At first I wasn’t really sure I NEEDED to read an updated version of THE PURSUIT OF LOVE, by Nancy Mitford, but it turns out that India Knight’s modern day spin is very funny, perfectly delightful. As good as that cover.

*

Song of the Sparrow, by Tara MacLean

I remember Tara Maclean’s “If I Fall” playing on the radio when I was 20 and full of angst, and I remember writing the lyric “It looks like a good place here/ so I think I’ll stay for a while” in the margins of my Norton Anthology while thinking about boys who I wished would love me. (And in my mind, that song on the radio would always be followed by “Love Song,” by Sky. Oh, how music is a time machine.)

I first heard about her new memoir, SONG OF THE SPARROW, from my friend @marissastapley who was blown away by MacLean’s story of her unconventional childhood on Prince Edward Island, born to practising Wiccans who’d become Evangelical Christians who filled her world with meaning and magic and music, but who also left her vulnerable to abuse and neglect. A devastating low point of her peripatetic childhood was when MacLean and her siblings were nearly lost in a house fire that made national headlines.

In a story that recalls the essays in Sarah Polley’s acclaimed memoir RUN TOWARD THE DANGER, Tara MacLean bravely faces down the darkest corners of her history and shows how trauma doesn’t have to be the end of a story. With exceptional grace, generosity, wisdom and faith in her own power, MacLean shows the possibilities of going beyond mere survival and creating a rich and vibrant life of one’s own.

Her stories in 1990s’ music success are also really wonderful to read, filled with familiar names, and perhaps the best kind of namedropping, because each one includes an anecdote or detail about what that person taught MacLean and just how generous or exceptional they are. (Special shout out to Tom Cochrane and his wife Kathy who invited MacLean to give birth in their house!).

A beautiful memoir about what it means to stay steady on ever-shifting ground and even rise above it to fly.

May 26, 2023

Just You Wait…

14 years ago this morning, my daughter was born, but I want to back up about 120 minutes before that when I was being prepped for a cesarean and a nurse was putting an IV into my arm. It was only us two in the room, and she asked me why I was having a scheduled c-section. I explained that our baby was transverse, lying on her side across the womb, instead of in the head-down position that would facilitate actually being born, and was absolutely unbudgeable.

And I still can’t believe that the next part really happened, with me so completely vulnerable and on the cusp of a life-changing experience, and in my mind that nurse was chain smoking as she said this, though that part really isn’t true. And what she told me was, “Kids—if they don’t screw you one way, they’ll find another.”

I said to her, “It’s all worth it though, right?”

And I absolutely swear that she answered, “No.”

*

I thought about that nurse a lot in the days and nights (especially the nights) to follow, as my life was swept up in a hurricane that would last for weeks and weeks. Only in the last couple of years, I’ve realized that I was suffering from postpartum depression through all that (and I was actually the last person on the planet to figure this out; when I confessed my realization to my husband, he rolled his eyes and said, “Um, yeah, we know.”).

The nurse with her IV, a malevolent force, somebody who haunted me, like the bad fairy who turns up at Sleeping Beauty’s christening with her own curse via a very sharp needle. (It was Emily Urquhart’s Ordinary Wonder Tales that made me think of her in this way—such a wonderful book!).

*

“Just you wait” was a line I heard a lot in those terrible early unsteady, ever-shifting early days of motherhood.

In another story that I really can’t believe actually happened (memory is mutable, especially when one is a storyteller; who knows?) I was pushing my stroller down the street when a car slowed down and somebody screamed out the window, “Just wait ’til they’re a teenager!”

*

Just wait…

Those words were always ominous, and I’d also be told to savour my child’s babyhood, a time during which I was often miserable, and usually unfulfilled. It was not the best of times. Caring for babies is demanding, unceasing, exhausting, debilitating, isolating, and generally unsupported by society at large, and worst of all, babies don’t talk.

But, thankfully, babies grow up.

Just wait…

*

“Just wait,” I tell parents now, those who are overwhelmed by the labour of it all, deep in the thick of it. “Because those days are going to go by so fast (hooray!) and one day you’re going to find yourself the parent of a 14-year-old, truly one of the most interesting, hilarious people you’ve ever met in your life. And she’s going to teach you things, and make you think, and she’s going to be taller than you when she has her shoes on and you don’t, so that when she puts her arms around you and you’re enveloped in her hug, you’re going to think, ‘Who is this amazing person and how did we get here?’

She’s going to love reading, and learning, and have very specific ideas about what channel the car radio should be tuned to, and she’ll have strong feelings about politics and JK Rowling (thumbs down, which is fine, because you never managed to get past Harry Potter Book Three), and have her bookshelves organized by genre (romance and murder mystery, obviously, as if there are other genres), and be obsessed with make up, and want to do your eyeliner, and have the best hair you’ve ever seen, and be heading to high school in the fall, and who has consented to have you play the “host” role at her Bridgerton-themed mystery birthday party tonight, which means you must not be too mortifying (yet) and you haven’t even promised not to speak out of turn (but you won’t, because this is a super important gig, the job of a lifetime, and you really want to get it right.)

Just you wait…

May 25, 2023

Snow Road Station, by Elizabeth Hay

An essential part of my writing process is getting to the point where I know my characters well enough that that every bit of dialogue becomes essential to my story, no single line that’s incidental or something that anybody else would say to any other person on the planet. This is especially true with fictional people who’ve known each other for decades: there is no small talk, every sentence loaded with meaning, with freight. In Elizabeth Hay’s new novel SNOW ROAD STATION this can be disorienting for a reader, like walking into a room in the middle of a conversation, but this is also what fiction should be, I think.

I really liked this book, though its effect was more subtle than powerful, which is fine because it’s a slim read and I have time to pay attention.

I really liked this book, a story of late middle age and long friendship (“Theirs was a childhood friendship that had lasted, enduring long spells when it existed out of sight, but then there it was again, like strawberries in season.”) but it was not until its final paragraph, which hits with such a force, nothing subtle about it, that I began to really understand the project, what a complicated fascinating book this quiet story really is.

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