January 10, 2025
Chrystia, by Catherine Tsalikis
It was 2018 and I was riding the subway with my husband and kids toward Bloor/Yonge Station when I started eavesdropping on the family behind us who were discussing the ongoing postal strike, the parents asking smart questions and the kids (who were a little bit older than mine) asking smart questions back, all of them engaging with ideas. Intrigued, I turned around to spy on them, and will admit that the thing I noticed first was that the parents in this very smart family were schlumping about in track pants (ie they were about as well put together as I was). It wasn’t until we’d all disembarked from the train that I realized the mom in question was Chrystia Freeland (my Member of Parliament since 2015; her office sends me a card every Christmas, sometimes two by accident) and by then they’d disappeared up the escalator.
“As her friend,” wrote Katharine Lake Berz a few weeks ago in a Toronto Star about Freeland in the wake of her departure from the federal cabinet, “I have witnessed in her something vanishingly rare in public life: [Chrystia’s] character never wavers, whether she’s addressing world leaders or chatting about her children over coffee.” It was a description that resonated with my own fleeting impression of her in the wild, and which was only underlined by Catherine Tsalikis’s just-released biography.
Chrystia: From Peace River to Parliament Hill, was supposed to come out in February, but House of Anansi Press rushed it into onto shelves just before Christmas following Freeland’s unexpected announcement which led to the Prime Minister’s stament last week of his intentions to resign. And now some are hoping Freeland will step up for Liberal leadership; others crossing their fingers that she gives someone else a chance to go down with the ship before taking on the top job herself. What happens next is anyone’s guess but regardless, Freeland’s story is inspiring and fascinating, and this first book by Tsalikis—an international affairs journalist who became inspired to write this biography in 2020 when she was on parental leave with her first child—does a terrific job rectifying the dearth of stories about Canadian women in public life (as opposed to their quite happily self-mythologizing male counterparts).
Tsalikis traces Freedland’s origins from the stories of her grandparents, on the paternal side, a Scottish war bride who married a farmer from rural Alberta, and maternal, whose lives were defined by European war and turmoil in the first half of the 20th century and immigrated from Soviet Ukraine to Canada in 1948 after their daughter, Freeland’s mother, was born in a displaced persons camp. Freeland was born three weeks premature in 1968, just small enough to be tucked into a desk drawer when her mother—age 20, and finished her first year of law school—returned to work at her father-in-law’s law practice two weeks later. Freeland’s parents would later divorce, but her father’s rural Alberta roots and her mother’s Ukrainian nationalism (and progressive activism) would give their daughter’s character a strong definition. Her brightness shone from a young age, and Freeland would take part in a high school program in Italy, earn her undergraduate degree from Harvard, become labelled as a troublemaker by the KGB during a university exchange in the last days of Soviet Kyiv, and struggle just a little bit to balance the writing of her masters thesis at Oxford (where she was a Rhodes Scholar) with her reporting on the fall of the Soviet Union for the Financial Times.
Chrystia follows Freeland’s story through her years in journalism, her triumphs and professional misses, that unwavering character cited by her friend an absolute through-line, a trait which earns her much admiration and success, but also foes including Vladimir Putin and JAN WONG (who are the true main villains of this story). Tsalikis compiles her story from interviews with friends and former colleagues, and close family members (Freeland’s aunt and sister are key sources), as well as Freeland’s own journalism (she has THOUGHTS about Hillary Clinton as a potential presidential candidate in 2008), and profiles in magazines including Chatelaine and Toronto Life. The result is the portrait of a figure for whom loyalty is a fundamental trait, but who also is unafraid of standing up for what she feels is right, which has included the forces of democracy in the former USSR and as a counter to tyrants all around the world, which puts into context the recent events that didn’t make it into the book, making sense of why Freeland chose to step away from her former boss when she did.
What I loved most about this book, apart from learning the details of Freeland’s extraordinary life and also the finer grains of politics and diplomacy that I may not have understood as well during the years I was watching history unfold via a Twitter timeline, is Chrystia Freeland as an example of somebody who stands up tall before authoritarian forces (which is no small thing when you’re five foot two), how her courage and steadfastness have made her a force to be reckoned with, never to be underestimated. Chrystia Freeland is so far from an ordinary person (however she might ride the subway in such a guise) but there is a lot we can learn from her example about how to respond to our current moment, of how to be clear-eyed and fearless in the face of authoritarianism, and how we might live the values that we know to be true.
January 7, 2025
12 Essential Lessons for Writers from Bookspo Season 2
Bookspo Season 2 was a triumph in all kinds of ways, not least of which was that, in terms of listeners, it grew exponentially over the first season, hitting 4000 downloads by the season finale. Even more importantly, it featured a fantastic group of excellent books published in the second half of 2024 with a terrific range of genres and approaches, with authors celebrating the pleasures and joys of reading and creative inspiration. There is some amazing guidance for writers here, which you can scroll down to get a taste of.
Episode 1: Corinna Chong, Bad Land
The key to a slow-burn plot is building TENSION!
Episode 2: Ayelet Tsabari, Songs for the Brokenhearted
To dare to rewrite old and familiar stories is to be part of a long tradition.
Episode 3: Alice Zorn, Colours in Her Hands
Learn to trust your imagination.
Episode 4: Marissa Stapley, The Lightning Bottles
When you’re basing a character on a real person, it’s only when you let go of their reality in the world that they become truly real in your fiction.
Episode 5: Suzy Krause, I Think We’ve Been Here Before
It’s refreshing to reminded—both in writing and in life—that most people are fundamentally good and trying really hard.
Episode 6: Jennifer Whiteford, Make Me a Mixtape
Give yourself a kind of punk rock permission to create your own vision.
Episode 7: Anne Hawk, The Pages of the Sea
To sit down to write a novel is to be chasing something magical (which can take a long time!)
Episode 8: Kirti Bhadresa, An Astonishment of Stars
Just get started. One can build an entire work of fiction from a list poem! (Who knew??)
Episode 9: Richard Van Camp, Beast
Incredible things can happen when you raise the stakes for your characters.
Episode 10: Priya Ramsingh, The Elevator
A good book makes the reader really care about its characters.
Episode 11: Jenny Haysom, Keep
Fiction allows you to wear many hats and to take on different perspectives.
Episode 12, Andrew Forbes, The Diapause
When you’re writing, it’s useful to keep the books that inspire you close at hand.
January 6, 2025
SPACE
Our Christmas tree was wonderful, lush and redolent until (almost) the very end, and once it was gone, we had so much space it was almost like getting a new room, and so we tidied it. Too many books, as always, so I got rid of a lot of them, and then freed up an entire shelf by relocating my encyclopedia set (circa 1987, Berlin Wall forever) to a space on top of another bookcase that had previously been occupied by crap and clutter. Which means SPACE, my books with room to breathe, my personal library with room to grow. And speaking of SPACE, here is ORBITAL, by Samantha Harvey, which (I will confess!) I was not much looking forward to reading because I’d read her previous novel DEAR THIEF—pitched as a fabulous novel that not enough people were reading, a mark of the state of publishing together—and I didn’t like it at all, perhaps because I don’t actually know the song “Famous Blue Raincoat” on which the novel is cleverly based. So when ORBITAL won the Booker Prize, I didn’t rush out and buy it, but requested it from the library instead, finally sitting down to read it over the holidays, and IT WAS SO GOOD. Yes, it’s me, as ever, with the least hot takes, but I adored this book, which is set on the international space station over the course of a single earth-day, and it really was a love song to our planet and to people and the possibilities when we choose to be our better selves. The image that has stuck on my mind is the floating astronauts at the window watching the earth down below, Harvey giving us the whiteness on the bottom of their very clean socks, which is a perspective I’d never even started to imagine. When I was finished reading, I pushed it onto my teen, who read it in an evening, and then her dad read it too, and we had to buy our own copy because we all loved it so much—and with the relocated encyclopedia there is even room to shelf it now. And I barely know about controversy the book was embroiled in either (it was targeted with bad reviews on Goodreads for supposedly glorifying Russia [um, it definitely does not]) because I’ve spent very little time on social media in the past month, which I’m not sorry about at all, a choice that has freed up mental SPACE for me to read and think and be, and I’m going to carry all that with me into a hopefully spacious new year.
December 5, 2024
The Mighty Red, by Louise Erdrich
I loved THE MIGHTY RED so much, one of those books I managed squeeze in before the calendar year is out, and I’m so glad I did, because it’s easily one of the most wonderful novels I’ve read in 2024. Like the river of its title—which originates in Minnesota and North Dakota, and flows north through Manitoba (where I’ve visited it in Winnipeg!), ultimately to Hudson’s Bay—this novel holds vast amounts of geological time, and history, and sediment, and strangeness, and ghosts, and kindness, and cruelty, and it flows and flows and flows. It begins with Crystal Frechette, who works the nightshift hauling sugarbeets and listening to talk radio, worrying about her daughter, Kismet, and perhaps she should be, because Kismet (who’s just finished high school) has found herself within the sights of Gary Geist, high school jock who’s still not over a recent local terrible tragedy that nobody ever talks about. Even though Kismet is sleeping with nerdy Hugo, Gary proves to be somehow irresistible and the two are married, which feels as wrong to Kismet as it should, but everything has been wrong for her family since her father absconded with the church renovation fund and her mother realized she’s on the verge of losing her house to a very dodgy mortgage. Light, quirky and breezy in places, The Mighty Red is also weighted with substance at the very same time, a story of the land, and the connections to it by Crystal and Kismet, who are Indigenous (Erdrich is a member of the Turtle Mountain Band of Chippewa), Gary’s mother whose family’s farm was lost a generation ago, farmers who are working on an industrial scale and seeing their soil being ruined by Round-Up, other farmers trying natural methods of controlling pests and organic farming, the whole story feeling a little bit Barbara Kingsolver, and I mean that in the best possible way. This is a story about love, and family, and books and reading, and gardens and weeding, and the 2008 economic crisis, which is also the story of how we got to 2024, and it’s really about everything, like the river at its heart. Awesome and eternal.
December 4, 2024
Taking Stock for December
Getting: set to take a break for the holidays, a break from social media and books published before 1963. It’s my favourite thing and a highlight of every year.
Cooking: Nothing at the moment, and I have NO CLUE what we’re having for dinner, but Smitten Kitchen’s Chicken Soup with Dumplings continues to be a highlight. (The recipe is from Smitten Kitchen Keepers but this recipe is pretty similar.)
Sipping: A Christmas tea from last year that I really need to finish up in case someone gives me some for this year. Full disclosure: I don’t actually like the flavour of most things called Christmas tea.
Reading: The Mighty Red, by Louise Erdrich, omg it’s so fantastic. A last minute addition to my books of the year list.
Thinking: I mean, a little bit? But only a little bit. It’s been a bumpy week in terms of sleeping.
Remembering: When I had babies and all my weeks were bumpy in terms of sleeping
Looking: out the window at a grey and dismal day. There is snow on the ground, but it’s not fun snow.
Listening: to the Fast Politics podcast with Molly Jong-Fast
Wishing: That I wasn’t so tired and that the next door neighbour with whom I share a wall was a little bit quieter in the middle of the night.
Enjoying: This fuzzy ugly cardigan I liberated from my teen’s clothing discard pile.
Appreciating: The blue cheese I ate with apple in my lunch, which was on super discount at the grocery store last week.
Wanting: Dona nobis pacem
Eating: I just had a took the last bit of Smitten Kitchen’s Grapefruit Cake from the baking tin, but the other half of the cake is in the freezer.
Finishing: Everything? (See previous point about getting ready for the holidays…)
Liking: Winter clothes against the winter chill
Loving: Deleting Instagram from my phone every day once I’ve done my posting and not wasting time checking it again after that.
Buying: Christmas presents from small businesses, which the current postal strike has forced me to do, and I’m grateful.
Watching: I finally watched Everything Everywhere All At Once last weekend, and I loved it so much. I am looking forward to watching Season 2 of Bad Sisters over the holidays.
Hoping: Proper snow and winter weather (with lots of tobogganing)
Wearing: Wide legged jeans on a snowy day for the first time in years and am concerned I’ve forgotten what bad idea this is.
Walking: to the swimming pool en route to pick up Iris from school this afternoon.
Following: the news from South Korea
Noticing: How suddenly the trees are all naked.
Saving: money for my kid’s orthodontia!
Feeling: fine, but sleepy.
Hearing: Sounds of sirens in the distance, part of the usual city soundscape.
December 3, 2024
COLOURED TELEVISION, by Danzy Senna
TOO REAL is my main criticism of recent publishing satires like YELLOWFACE and now Danzy Senna’s COLOURED TELEVISION, just because it’s personal, strikes close the bone, offering a terrifying glimpse into the parts of my psyche I’d prefer not to look at. Apart from the trauma of that, however, I really liked this novel, even through witnessing its main character’s descent into disaster made me want to yell at the page, “Don’t do it.” COLOURED TELEVISION is a novel about race and class in America, about academia, about Hollywood, and marriage, and parenthood, and precarity, and about everything—possibly to a fault, but by design. After taking ten years of complete her magnum opus, a novel her artist husband has nicknamed “the Mulatto War & Peace,” Jane Gibson reconsiders the many life choices that has kept her family from reaching the middle class stability she longed for in her bohemian childhood. They’re currently spending a year house-sitting for a friend in the Hollywood Hills, and Jane’s been hoping selling her novel will finally turn their fortunes around. When this fails to transpire, she tells some fibs and steals a friend’s idea, hoping to pull off the plot twist and happy ending she’s been waiting for. Unsurprisingly, things do not go well. But they’re biting and funny and the book has real heart.
December 2, 2024
“All I Want Is Everything”
I don’t remember the first time I read The Diviners, but whenever it was, most of the richness of the novel was surely lost on me. February 2000 is the date inscribed below my name on the inside page of my New Canadian Library Edition, from a second-year Canadian fiction course in university, but I’m sure I read it at least once before that too. We’d studied Margaret Laurence’s earlier novel, The Stone Angel, in high school English, a curiosity in the curriculum—I’m not sure that 17-year-olds were ever that book’s ideal readers. And to my (very young) mind, for a long time, there wasn’t a clear distinction between its nonagenarian protagonist Hagar Shipley and The Diviners’ Morag Gunn, both of them untamed women with ugly first names, their characters rhyming (hag and rag), both past their prime, unfathomably elderly.
I reread The Diviners again in 2006, according to the second date on the flyleaf, when I was in my mid-20s, an experience that left no impression. My favourite of Laurence’s Manawaka books has always been The Fire Dwellers, a story of 1960s’ suburban housewife ennui, a novel that’s closer to my cultural and pop-cultural sensibilities, and I’ve returned to it a few times more recently. Unlike The Diviners, which stayed up on the shelf until after I’d gone to see the stage adaptation at The Stratford Festival in September (it was magnificent!) which blew my mind with the revelation that Morag Gunn is 47.
ONLY 47, which is to say in the prime of life. In my early-20s solipsism (um, as opposed to my current mid-40s solipsism!) I’d missed this entirely. Morag doesn’t help the cause by proclaiming, “But the plain fact is that I am forty-seven years old, and it seems fairly likely that I will be alone for the rest of my life…” at one point, sounding like some washed-up old hag(ar), although she doesn’t necessarily mean the fact of her solitude as a bad thing, something I didn’t understand before.
And this was just one of the many things I didn’t understand before, until I reread The Diviners again this month at the age of 45, my first experience of truly being able to access its depths and its wonders…
(The rest is available to paid subscribers on my Substack—you can read it here. And I still have two free substack subscriptions available to my blog reads. Send me an email at klclare AT gmail DOT com to claim one!)
November 20, 2024
Gleanings
- I’m enamoured with the language of small repair and I think that there’s instruction embedded in it from the “how-to” and right-to-repair world in how to live a life. I think of all the tiny repairs to my household just in the last year. I think of the still lifes I’ve made and used scotch tape and sticky tack to hold them in place. I think of the ways things fall into disrepair, that language, too: things fray, give up the ghost, they buckle, collapse, blow, crack, are torn, lose surface tension, become weathered, they fold, sour, unravel. They might fall (a cake, a bridge, a gate). There are kinds of repair: alterations, mending, rebuilding, filling, patching, re-wiring, re-jigging. We overhaul, darn, stitch, refurbish, fix, freshen. We can repair, and repair again.
- Because your house is the home of a quiltmaker and woodcutter, there are warm quilts for the bed and a woodshed full of dry fir and cedar for the fire. You keep replenishing both.
- Window display is still very much advent calendars because we’ll be selling those until the end of the month at which point we’ll fashion all the leftovers into a giant advent paper man and ceremonially burn him with a mince pie inside as an offering to the festive god (Santa) in exchange for good trade throughout December.
- It’s all real—the depravity and the life-affirmation, the distrust and the ride-or-die-ness, the shallowness and the deepness. Don’t let the Internet and all its tentacles (headlines, polls, social media, streaming, algorithms etc.) pull you out of your real, beautiful life and make you feel homeless. You are home among your people and your dreams, no matter what the “state of the world.” And the only way I know to make the “state of the world” less heinous is to trust what deserves trust, to ground on solid, relational ground, to start from there and then move outward.
- It’s when two swimmers move in tandem, like a choreographed dance that I am most amazed. Stroke on stroke, breath on breath; two perfectly synced flip turns. I leave feeling a small bit awestruck by what the human body can do.
- No amount of moving to the country and ignoring the news is going to make any of this change, so it’s everyone’s responsibility to work towards the world we want.
- A short book gives me the chance to travel to another place, be inside the mind of another person, or to learn about something new, but all from the comfort of my couch.
- There are dozens of fucked up things happening globally right now and this issue is not the most pressing, I know—not even close. But if I see another ChatCPT prompt presented as art, news or media, I will probably snap.
- You know that thing, when people ask if you were an animal, which animal would you be? Well, after much strenuous, existential, and deep thought (aka not that much thought at all), I decided if I were an animal, I would be a penguin. An Emperor penguin, to be specific. You wanna know how I came to that conclusion?
- When she opened the door to the fridge repairman, she didn’t foresee all the doors on the other side.
- I eventually decided that I just wasn’t cut out to be a novelist and focused on writing non-fiction pieces, usually about music. But then during the early lockdown days of 2020 I found myself daydreaming all the time, telling myself stories that I ended up thinking I could turn into a romance novel. I’d been reading romance novels for years; I don’t know why it hadn’t occurred to me to try to write one. It took being stuck at home with my two young kids in that stressful, uncertain situation for weeks on end for me to think, ‘What’s the opposite of this?” And the answer to that question turned out to be a romance story about young cute people living in New York. I ended up kind of desperately throwing myself into writing a book and sending out one chapter per week to a group of friends. That was the book that eventually got me my agent, but it didn’t get picked up by any publishers.
- In this world where mostly what I’ve been thinking and wondering and feeling lately is, pardon me, but “what the hell is going on?” again and again, I’m always so surprised when I remember … it’s always just the moments, isn’t it?
November 18, 2024
Garbage Bin
Last Tuesday, someone made me really furious, justifiably so, and there is something so delicious about righteous fury, it’s true, and it was the kind of thing that once upon a time I would have posted about on Twitter, receiving such satisfying feedback, my feelings justified, even rewarded with attention and sympathy. LIKE LIKE LIKE. I was even noticing how difficult it was to hold these feelings all by myself, how satisfying it would have been to post them instead (though I was proclaiming them; many thanks to the people I encountered IRL who got to hear all about it) and I was planning on getting around to doing so eventually on one platform or another (maybe this one) but then after some time had passed, I realized that I didn’t actually need to anymore. Screaming my feelings onto the internet did seem like a convenient way to offload them in the moment, but then it turned out that holding them for a little while did the very same trick, and there was insight in that, for me.
(Being angry on the internet actually only ever made me angrier. One day in 2018, in my peak internet rage period, I received an email from a friend informing me that my Facebook account had been hacked, and someone was posting expletives about men having the audacity to whistle in public…but it was actually just me posting an update. And while I still have the exact same feelings about men whistling in public [honestly, it’s shrill and obnoxious. Shut up], I’m no longer losing my shit about it, and we’re all better for this.)
I have had a sense, for a long time, but during the last thirteen months in particular, that a lot of people’s refusal to sit with their uncomfortable feelings has caused our communities a great deal of trouble, created even more conflict in a moment altogether too rife with it. Where the impulse to project one’s feelings in addition to or in lieu of actually feeling them has spilled over from social media feeds to be plastered on lampposts, where people are literally arguing back and forth via graffiti spray painted onto garbage bins, and I’m so tired of all of it, of other people putting their unprocessed feelings (including anxieties) EVERYWHERE, so screaming loud that I can’t even hear my own sensibilities.
And that’s a ME problem, which I’m going to attempt to solve by taking December and January off from my remaining social media platforms (and also by not joining Blue Sky, because there’s only so many voices I need in my head), in addition to avoiding local garbage bins and dealing with my rubbish at home.
