June 16, 2022

No Second Chances: Women and Political Power in Canada, by Kate Graham

“Democracy is, I would say, so important in our collective lives, in our states, that you never question it even if goes against what you believe.” —Pauline Marois

If politics is messy, actually governing is even worse, the challenge arriving with realities and demands that most of us observing from the sidelines barely understand. And being a woman in government, as Kate Graham shows in her book No Second Chances, based on her 2020 podcast of the same name, makes the challenge even harder. As noted by Kim Campbell, Canada’s first and only female Prime Minister, “When you are not prototypical—when you are not like the others who have the done the job—it becomes very difficult for people to overcome their visceral sense that something is not quite right, so you never get the benefit for the doubt…”

In Canada—even where there was a moment a few years back where half of our First Ministers were women and it seemed like something like equality had finally been attained—not a single female First Ministers has never been re-elected.

Throughout the interviews in this book, Graham teases out a handful of reasons why this might be the case, and none of are that women are necessarily inferior at political leadership. The interviews take place with women across a wide range of the political spectrum too, whose experiences turn out to have far more in common than one might suppose.

These interviews are as fascinating and insightful as they are infuriating, which is sure saying something! Confirming a lot of what I’d already supposed, about how women are often given opportunities for leadership when everything’s about to collapse, about how they don’t receive the same benefit of the doubt as their male colleagues (and even from their male colleagues), about how the media still doesn’t know how to talk about women in leadership in constructive ways, and more.

The most surprising takeaway though, though it’s not explicit in the text, is that so many of us are also responsible for the problem. I think about how I know so many women in these interviews from hearing friends in other provinces express their grievances—Alison Redford, Kathy Dunderdale, Christy Clark, and even Rachel Notley (whose leadership in Alberta would bring with it compromise). I thought about the vitriol directed toward Kathleen Wynne in Ontario, like nothing I’ve ever witnessed before. There is just something visceral in the way these figures are disliked that doesn’t happen with men in similar situations. And while one exception to the rule might be Jason Kenney, I feel like this proves the point—he’s about seventeen times as terrible as any of the women I’ve just mentioned, and only now have things gone wrong for him.

I’m tired of blaming the problems of politics ONLY on the other guys, an idea I wrote about last fall, because this suggests that there’s nothing I can do personally to ameliorate the situation, and also because it just isn’t true. Across the board, I think we tend to have unrealistic expectations for what our governments can deliver—and parties/candidates don’t help the matter by drumming up simple messaging in campaign-mode belying the true complexity of solutions our current challenges require. The truth of the matter is that all this is hard, compromise is necessary, and that we all need each other—and faith in each other—for democracy to function.

June 14, 2022

Gleanings

• To bring a child into this world has always been an act of hope. The past was its own parade of horrors. The best estimates we have suggest that across most of human history, 27 percent of infants didn’t survive their first year and 47 percent of people died before puberty. And life was hard, even if you were lucky enough to live it.
• When I write about Woolf myself, I feel the same anxieties Queyras expresses in their book, about taking Woolf as a subject and about adding to what’s already been written about her. It’s hard not to feel both inadequate and superfluous.
• Some times there are moments when everything hard falls away. You forget you’re tired because the sunlight falls just so across the table you’re sitting at
• the summer pushes me right out of my wrappings and out into the light. I hate it. I love it. (mostly I love it when its over, and I look back on what i have survived.)
• We may think we make ‘airy-fairy’ wishes, then forget all about them. But they remain deep inside us, percolating, finding ways to emerge and become real.
• As someone who has side-gigged at bookstores and libraries most of my adult life, I’ve always been fascinated by how we find books and authors, how sometimes the right book will find us at the right time.
• “I love for people to know more about books and reading, especially Black people,” Nurse says. “I want them to experience the power of their own imaginations. We are not entirely reliant on this crazy white world; we can go places in our heads and make things happen.”

June 8, 2022

Night in the World, by Sharon English

“There’s so much to learn—and to unlearn. It’s urgent yet can’t be rushed. The world stands on the edge of losses so radical no one can fathom the consequences, while possibilities for reconnection and renewal wait to be discovered in the dark.”

I don’t want to read your climate change fiction, that novel you wrote about children afloat on a raft as the world is overwhelmed by sea. I don’t want to read about your desolate prairie wasteland, about drought, about despair, about the impossibility of a habitable future. And not because I don’t think that the climate crisis is pressing and real, but because I know that it is, and I know your post-apocalyptic fiction isn’t going to do anything to ameliorate that reality, or lessen my anxiety. Perhaps also because I don’t think I believe in apocalypse at all, but instead that in the midst of disaster, ordinary life goes on—babies are born, flowers grow, people do their best, and help one another. Reality is not so stark. The story, as always, is complicated.

And this is the kind of story that Sharon English—celebrated author of two acclaimed short story collections—has decided to tell in her debut novel Night in the World, a novel whose disaster setting feels a lot like now, and why shouldn’t it? Freak storms knock out power grids, water levels are rising, toxins are mucking up the waterways, and anyone who speaks out against the pervasiveness of, say, fluoride in drinking water is just dismissed as loony toons. Entire species are being eradicated as their habitats are destroyed in pursuit of profit and development, few people pushing back against the status quo, underlining its unsustainability.

Night in the World is the story of a pair of brothers, one a successful restaurant-owner who finds his middle years are drained of meaning, the other a former environmental journalist who’s thrown it all away for a job that seems less futile, helping to run a gym in East Toronto. And the third character at the centre this story is a late blooming grad student who lives in Peterborough, and is studying moth species around the shores of Rice Lake, and elsewhere, trying to find a way to do her research without damaging the fragile creatures she’s pursuing. Is a little harm excusable if it’s the name of a greater cause?

The novel traces the lines of Toronto’s waterways, the creeks and rivers underlying the modern city, stories that refuse to stay buried, as well as the ever-shifting shores of the Toronto Islands, formerly a peninsula until a storm cut them off from the city more than a 150 years ago, and Rice Lake, an important agricultural spot for Indigenous people…until the radical disruption of the Trent Severn Waterway, all of this conjuring moth’s more colourful cousins, and what can happen when one of them flaps its wings. The infinite ways in which every little thing is connected.

“This novel was over a decade in the making,” English writes in her acknowledgements, and I will admit that sometimes it reads as such, the story big and sprawling with many disparate parts that sometimes fit together awkwardly. In terms of plot, there’s nothing taut, and I wouldn’t say that it’s a great novel, but instead that it’s a very good and wholly worthwhile book, a book packed beautiful sentences and details so fascinating I kept reading facts aloud (the part about the cicadas!), bursting with research, and ideas, and questions, poetry and philosophy.

June 6, 2022

This Time Tomorrow, by Emma Straub

Is novelist Emma Straub overhyped, I wondered, as I pre-ordered her latest novel This Time Tomorrow? And if indeed this is the case, am I part of the problem, pre-ordering her latest novel when the truth is her previous book didn’t really blow me away? I was a big fan of The Vacationers many years ago, and I’ve enjoyed her releases well enough since, but I was kind of resigned to This Time Tomorrow being something of a let-down, as are too many buzzed-about new releases. But oh, I’m so glad I didn’t miss this one, because it’s one of the best books I’ve read so far this year.

Though it matters, I think, that I’m something of a time travel fiend. Tom’s Midnight Garden, Charlotte Sometimes, and A Handful of Time are some of my favourite novels from childhood, and Straub’s references to movies like Back to the Future and Peggy Sue Got Married were absolutely delectable to encounter. It matters too that this is a time travel novel wholly self-aware of its genre and its place in the canon. In this case, it’s personal—protagonist Alice Stern’s father is author of the iconic novel Time Brothers, a time travel cult classic.

When the novel begins, Alice’s father Leonard is dying, silent and still in his hospital bed. Alice herself is on the eve of her 40th birthday, still living in the New York City she grew up in, still working in the same Manhattan private school she’d been a student at. She likes her life well enough, but her father’s condition and her milestone birthday are inspiring her to take stock and wonder how they got there and what else could have been

The novel features amazing Russian Doll vibes—after visiting a bar called Matryoshka, Alice wakes up in her teenage body, and proceeds to relive her birthday again and again, each time returning to the present to find her life very different due to choices she’d made. And while being trapped in a time loop might seem like a problem, to Alice it’s an opportunity to spend time with the father whose humanness and availability she’d always taken for granted when she was young. As one does.

What I love about this book is that almost none of the story was taken up by Alice trying to hide her situation from those around her. No, like any reasonable human, Alice takes advantage of her best friend’s intelligence and her father’s expertise in the area to loop them in and ask for help, so that the story becomes one about bigger questions, about the connections between generations, about the choices we make, and why they matter (or don’t!), plus a wonderful exercise in ’90s nostalgia.

It was smart, warm, and so delightful.

June 1, 2022

This is How We Love, by Lisa Moore

You wouldn’t say that Lisa Moore’s new novel This is How We Love is unputdownable, but I honestly think that’s a lot to ask of a novel . It took me almost a whole week to read it, because it’s kind of long, and I had a lot going on, so I kept picking it up and setting it down again, and the narrative style was doing something similar. The novel far less taut than you’d think for a plot with the stakes of a critical stab wound, an ICU, and a once-in-a-century snowstorm that brings St. John’s to a halt before it buries it under. But taut plots aren’t really what Lisa Moore is all about anyway. Or at least I don’t think so—nine years ago I read the first half of her novel Caught, which of all of them might be a contender for taut, while in labour in the bathtub, and afterwards I had strong aversion to ever reading the rest of it. From the rest of her novels, however, I know she’s all about the sentence, one word after another and how they all flow like waves, but they’re pushing us out to sea instead of drawing us to shore the way that actual waves do. Until we’re stranded on an inflatable raft like Trinity Brophy was before the authorities removed her from her mother’s care and delivered her to live with Mary Mahoney, the foster mother who raised her across the street from Jules’ house.

I wouldn’t say that Lisa Moore’s new novel This is How We Love is unputdownable, but I can say that over a week since I finished reading, I can’t get the story out of my head. About Jules, whose son Xavier is stabbed while she’s on vacation in Mexico and there’s only one seat on the first flight back so she takes it, arriving just as St. John’s is shut down entirely. So she’s there to deal with the peril of Xavier’s condition, and then all the snow, which falls and falls so the doors are blocked, except the back door, but it’s only because there’s been so much snow that the deck fell off the house.

The story moves between Jules’ point of view—her perspective on what’s happening to her son and reflections back in time too, to her mother and mother in law, to the early days of her marriage, her experiences as a mother, a stepmother. This is a book about care, about who we care for and who we don’t, and how some people belong to us, and other people don’t, and what happens to everyone when those people fall through the cracks—and those of Xavier himself, and Trinity Brophy, his childhood playmate who is somehow connected to what happened to him. Moore weaving so many different narrative threads together to begin to answer the question that’s mostly preoccupying Jules, which is WHY? Why did somebody hurt her son? Why would anybody want to do something like that?

Spanning decades and families, This is How We Love underlines the infinite ways in which lives are all connected. Part novel, part guidebook to the wondrous challenges of being a being.

May 19, 2022

Mercy Street, by Jennifer Haigh

I spent a few days last week utterly gripped by Jennifer Haigh’s novel Mercy Street, which I picked up after reading a New York Times review and after someone else had mentioned it to me as being a novel about abortion. A bit like Jessica Winter’s The Fourth Child, in that it’s a novel about abortion as much as it’s a novel about anything, a story propelled by its own internal engine, which is just what a novel should be, I think.

This one beginning at a Boston abortion clinic during a brutal winter in recent times where a woman called Claudia counsels those arriving for various reasons—unwanted pregnancies, birth control, other health concerns. Haigh’s novel underlining the huge range of situations which bring a person to an abortion clinic, to have an abortion at all, some of them brutal and devastating, desperate and tragic, and others much more mundane. What does it mean for the addict who sits before Claudia, for example, to have to continue with her pregnancy? (Abortion in Massachusetts is legal only until the 24th week of pregnancy.)

Claudia enters the novel with her own story, of course—her mother was a teen-mom, she grew up in a poverty, a background she overcame for success writing for women’s magazines and a brief first marriage. She’s still friends with her ex, but her job in journalism is far behind her, Claudia finding more meaning counselling women who come to the Mercy Street Clinic, but the job is a lot, and there’s a weight on her that’s far heavier than the keys she possesses to her late mother’s single-wide trailer in Maine, a property Claudia has put off doing anything about for a very long time.

Claudia finds solace in smoking cannabis, and in the company of Timmy, her dealer, who’s trying to think of a different way to provide for himself and support his teenaged son who lives in Florida, and the narrative moves from Claudia to him, and then to Anthony, one of Timmy’s clients, who’s been on disability for years, still lives with his mother, attends mass daily at a local church, and takes care of local parishes’ websites. His online dealings putting him in touch with an antiabortion crusader called Vince who, over the past two decades, has been radicalized by the white supremacist undertones (and lately overtones) of talk radio, and is setting out a plan that could have devastating consequences.

This is a novel about a butterfly who flaps its wings, about fate, and agency, and how one thing, for better or for worse, leads to another. Gripping, galvanizing, sympathetic, and infuriating, I enjoyed Mercy Street so much.

May 9, 2022

Cambium Blue, by Maureen Brownlee

Oh my gosh, I loved Maureen Brownlee’s Cambium Blue from its first pages, with characters so vivid, sympathetic and familiar that I felt like I was watching a small town TV drama and the story’s spell was never broken. The story moving between the perspectives of Stevie, single mom turned newspaper reporter; her eccentric neighbour Nash, a veteran of the Spanish Civil War; and Maggie, the community newspaper publisher trying to decide whether or not to carry on with her flagging business after the death of her husband. It’s 1995 and changes are already afoot in the rural British Columbia town of Beauty Creek, ever since the sawmill closed down, which has locals are struggling, plus a beetle infestation is threatening the area’s most valued resource and local politicians are determined to add polish and red tape to the way things things have always been done.

A smooth-talking businessman is promising fortune in the form of a luxury resort, but not everybody is convinced he has town’s best interests in mind. Similarly controversial is a crackdown on Nash’s yard full of things he’s scavenged from the town dump, which has Stevie coming to his defence once they’ve developed a prickly connection when she dares to interview him about his history for the paper, but Stevie’s never been an advocate for anybody before, a teen mom who never finished high school, though Maggie sees something in her and has given her a chance to prove herself, the kind of chance Maggie herself might have appreciated once upon a time before her promise had been overwhelmed by that of her husband.

Cambium Blue is a novel about community, and change, its necessity sometimes and other times one must rail against it. It’s also a beautiful ode to community newspapers, situated at a moment just before the advent of the internet made the business seem impossible—though some of defied the odds. (Brownlee’s biography mentions her ten years spent as “variously publisher, editor, reporter, photographer, graphic designer and janitor for a weekly community newspaper.”) There’s a certain amount of small town dynamics that make the story especially compelling, but there’s nothing tawdry about this, Brownlee permitting each of her characters such a fierce dignity and inspiring sense of self that makes the story so alive. Such characterization, along with beautiful prose, resulting in novel that really sings, and reading it was moving, and such a pleasure.

May 4, 2022

New Lane Winslow: Framed in Fire

Being ill last week was not without its advantages, among them: a chance to spend an entire Friday in bed reading the new Lane Winslow. Framed in Fire is the ninth title in this detective series set in and around Nelson, BC, in the late 1940s, and throughout the series, author Iona Whishaw has performed the remarkable feat of tying her plots to so many issues relevant to our present-day experience—racism, xenophobia, domestic violence, rape, ideas about women’s independence, and more. And I suppose it shouldn’t be so remarkable to find such stories in historical fiction, these issues being—unfortunately—timeless. But that Whishaw manages to address them without anachronism is what’s really impressive. And while I’ll admit there might be something just a little too good about the people of King’s Cove—the murderers and dead bodies among them notwithstanding—I am not sure such enlightenment is entirely anachronistic either. Because as much as we excuse egregious deeds and ideas of past figures for being “of their time,” it’s also true that there were always people who knew that all people were deserving of rights, that colonialism was barbaric, the women were people. In Framed By Fire, Lane encounters an Indigenous person for the first time since her arrival in Canada, and has her preconceptions challenged that First Peoples were thoroughly of the past. And while other characters do reinforce the racist and colonial mindsets reflective of the population at large, that Whishaw writes others who challenge such ideas is smart and subversive, and why these stories read as so fresh and fascinating.

April 28, 2022

The Friday Gospels, by Jenn Ashworth

I wanted something new, something different. There’s an award called The Portico Prize, given “for the book that best evokes the spirit of the North of England, open to new works of fiction, non-fiction, and poetry.” I found the 2022 shortlist, and sought out some titles from it when we were at Storytellers Inc, and picked up The Mayflies, by Andrew O’Hagan, whom I’ve read before and which was published in Canada, but it sounded great. And then I also bought a book by Jenn Ashworth, an Lancashire author whose nominated book Ghosted wasn’t on the shelf, but her 2013 novel The Friday Gospels was, a review on the back of it reading “put me in mind of Mike Leigh.”

And oh, I loved it so completely. Instead it terrific when longing ends up in something that so completely satisfies?

The Friday Gospels takes place over a single day in the life of a Lancashire Mormon family whose second son is returning from two years away on a mission, the point of view moving between each member of the family—younger sister Jeannie: troubled older brother Julian; father Martin who’s fallen for a woman he met in the park while out with the dog; his wife Pauline, who’s become a shut-in and struggles to walk, plus Gary himself, whose actual experience and the way he’s regarded by his family are wildly divergent. But then, as it becomes clear, this is the case with all the family members, each one hiding shocking secrets, and just when you think such a character could not possibly have your sympathy, Ashworth turns her story inside out, the most incredible sleight of hand, and she does it again and again.

So that there is bleakness, but also so much humour, and humanity, gorgeous love and redemption, and the most ridiculous-seeming character is brought to life so vividly, flawed and human, tough and tender. With a plot that twists and turns—I read this on the plane and found myself gasping, whisper-shouting “NO!” at the page more than once—I was thoroughly gripped by this story of a single family, but also tremendously moved. I loved this book, and am very happy I also picked up a copy of Ghosted so I have that one to look forward to.

April 25, 2022

The Fell, by Sarah Moss

I am besotted with Sarah Moss’s slim and haunting stories, beginning with Ghost Wall, and then Summerwater, and now, her latest, The Fell, which I read on our plane journey home from England. (Interestingly, the one book I’ve read by her that wasn’t slim [Signs for Lost Children]) I didn’t like at all.)

Our plane journey home from England took place one year from the day that my husband and I received our first Covid vaccines, and while things since that day have not unfolded as neatly as we would have hoped, to have this long-awaited journey finally happening seems like the most fitting anniversary, and I just feel so tremendously lucky.

I think it’s easy to forget how many lifetimes have been contained within the last two-and-half years, so many plot twists, so many steps forward and two steps back. The idea of the pandemic is like an ever-looming dark cloud overhead, even though the reality of the experience has been much more textured, layered, unfolding, and even interesting. Interesting especially because the lack of certainty has been unmooring in fascinating ways, even while people stand resolute in their respective camps. (Whatever news sources you read, whatever your beliefs about vaccines–it’s all a story you’ve been writing alongside other people you trust about what this thing is and how it should shape our lives (or not). And in many ways, The Coronavirus has become a host story for a million other parasitic stories–our politics, our most intimate tensions, our economic ideas, our religious values, our parental aspirations. What a heavy frickin’ story, y’all. What a weight.)

Something that has helped me a lot in the last two years has been paying attention to the ways that life goes on in other places where Covid responses were different from ours here in Ontario—a former classmate in Shanghai, friends in New York City, my sister in Alberta, my husband’s family in the UK. The awareness (which I’ve written about before) that there really hasn’t been a way to get it right, that a virus is a formidable foe, and that most of us are just muddling through and doing our best under leadership that’s not necessarily nefarious (Boris Johnson’s lockdown birthday parties, notwithstanding).

It was interesting to be in England last week, which has decided to be finished with Covid altogether, where every fourth person we passed on the street had a hacking cough. I don’t think that doing away with Covid restrictions altogether is the right thing to do, but I also don’t really know what the right thing to do is, and I know we’re a public who has definitely lost our appetite for extreme lockdown measures. (Also, my youngest child testing positive for Covid yesterday, and her symptoms were a few hours of a low-grade fever and a runny nose, all of which have dissipated, and the rest of us continue to test negative, be symptom-free, FINGERS CROSSED. Hooray for vaccines.)

The Fell took me back to a different time though, when the skies were emptied of planes and the jury was still out on washing your bananas with Lysol. It’s November 2020, and Kate—single mother, waitress on furlough—has been quarantining at home with her teenage son after a Covid exposure, and suddenly decides that she can’t take it any more. And so off she goes on a walk on the fells near her home in the Peak District, strictly against the rules, even though the chances of her running into anybody else are nil. The trouble arises when she doesn’t come home.

Do you remember being irate about the idea of people leaving the house more than once a day for exercise? I sure do! Considering perhaps that even that was excessive? The sheer irresponsibility of young people gathering with their friends in the park!?!? An adherence to “rules” instead of any kind of pragmatism. In April 2020, I ordered a bouquet of flowers from a local business because somebody in my Facebook feed was squawking that any kind of “unessential” purchase was putting lives at risk, and I needed to defy her. Sometimes I was furious at the scofflaws, sometimes I was doing the scofflawing myself. All of it was so annoying, and much of it continues to be so.

The Fell is told from the perspectives of Kate, her son Matt, her elderly neighbour Alice (who’s had cancer, and therefore is considered vulnerable, in need of protection, and thus abandoned to her own company), and Rob, who works in Mountain Rescue and is called upon to look for Kate when her son reports her missing.

So much of the arguments against lockdowns and Covid government regulation has been so terribly idiotic that we’ve been deprived of the opportunity for proper reflection on what these responses have been. On what has indeed been their fall-out, the depravity. I think of elderly people left alone in care homes for months at a time. Of the mental health toll. Looking back, the fact that children in Ontario had to isolate for ten days each time they were exposed to Covid via a classmate seems needlessly excessive. The fact that small retail shops were closed for months in 2021, undermining faith in public health measures in such a dangerous way. It’s all be a lot of not great.

And yet the number of people whose response to this madness was supporting wannabe fascists?

It’s enough to make one’s head explode.

The Fell, however, is in lieu of that. A novel about risks and consequences, about community and isolation, about what it really means to protect each other, to save each other. About the risks of life itself, and what it means to take those risks, and unlike so much of the current discourse, it doesn’t offer easy answers. There are no easy answers, but asking the questions is the point.