August 23, 2023
Another Week in Paradise
A+ vacation reads last week. Laura Lippman never disappoints. I LOVE Sue Miller and am reading through her backlist; this one was my favourite Marian Keyes novel I’ve ever read, about a depressive Private Investigator trying to find a member of a reunited boy band all the while experiencing suicidal ideation; my fourth Barbara Trapido novel, a contemporary story told in the fantastical structure of a Shakespearean comedy; THE GREAT CIRCLE, which I did enjoy but skimmed in parts; Andrew O’Hagan’s truly beautiful story of lifelong friendship; and William Trevor, William Trevor Forever! I love him.
August 10, 2023
Morse Code for Romantics, by Anne Baldo
I was soliciting picks for 49thShelf’s Summer Books lists when Stephanie Small from The Porcupine’s Quill got in touch. “It might not look like one from the cover,” she wrote, “but actually, I think Anne Baldo’s Morse Code for Romantics makes a good summer read,” which is an understatement if I ever heard one. For this is a book that is so steeped in summer, a collection of stories with sand between their toes, set along the shores of Lake Erie, scrappy cottages and rundown motels. With lines like “We don’t know it yet but we will never be bigger, or more real, than we are right here this summer. We will keep fading and shrinking, in small ways, forever always, after this.”
For the most part, these are standalone stories—the exceptions are a handful in which characters reappear—but they’re linked by geography, by recurring imagery, and themes which make this collection such a satisfying book. They’re linked too by being crafted to a standard of real excellence, and I’m thinking of the image on the book’s cover, of the power lines connecting the utility poles, without which I’d probably be employing a metaphor right now along the lines of beads on a string, one gleaming gem right after another.
These are stories of working class people, of people who’ve dropped out of the working class, of Italian-Canadians in the Windsor region. Most are fairly contemporary, the exception being “Marrying Dewitt West,” about the arrogant 19th-century naturalist investigating reports of a sea monster in the depths of Lake Erie who becomes the object of a wily young woman’s affections. And the sea monster image occurs also in “Monsters of Lake Erie,” which begins with an explanation of sonar equipment used in attempts at detecting the Loch Ness Monster: “I thought when you had been lonely for a long time you gained a similar sort of ability with people. To look at them, beaming out a silent pulse, and be able to glimpse the dark, monstrous shapes of their own loneliness lurking underneath the surface.”
There are a lot of lonely people and dark, monstrous lurkings in Morse Code... But peonies too, and shimmering light, a daring to hope, to dream. Magic and mermaids—”But people always forget that mermaids are monsters.” Sparks and fire.
August 8, 2023
Yellowface, by R.M. Kuang
So, I can’t say I’d necessarily recommend R.M. Kuang’s Yellowface to anyone else who has a new novel coming out in 28 days, because it’s just a little too on the nose, a satire that’s so real about the pressures and cutthroat competition of the publishing industry, the high stakes and low odds which “have made it impossible *for white and nonwhite authors alike* [emphasis mine] to succeed…” (to quote from the novel’s white narrator, who steals a manuscript from her dead friend, an Asian-American bestselling novelist, whose CV is not entirely distinct from that of R.M. Kuang herself—there are so many complicated meta-layers of to this work!). Mostly though, what a white author who sees her own experience in this novel is quite likely to miss is that Yellowface is also a satire of the way in which white women are able to put themselves at the centre of every story, wholly accustomed to being “the expected reader” (to borrow a phrase from Elaine Castillo) of every narrative they encounter, and oh, Kuang plays some tricks with that tendency with both her characters and readers alike. Edgy and brilliant.
August 3, 2023
The Damages, by Genevieve Scott
So just say you wrote a novel about the toxicity of sexual politics in the 1990s with a campus setting, a novel with duel timelines, the contemporary story set against the #MeToo movement as the protagonist grapples with allegations of sexual misconduct against her former partner, the father of her child, and the allegations and their fallout stir up memories of a catastrophic event on campus more than two decades before during which the protagonist’s roommate went missing, creating a fallout that left the protagonist’s reputation in ruins and trauma she’s still just beginning to process…
Wouldn’t it be SO ANNOYING when Rebecca Makkai’s smash hit I Have Some Questions for You comes out just months before your pub date?
A novel whose description so uncannily matches your own (there’s something in the water!) and whose enormous success could possibly overshadow your own?
Thankfully, however, there is this: If you liked I Have Some Questions for You (and a lot of people did!), you should definitely pick up Genevieve Scott’s The Damages. And there is also this: The Damages is not derivative in the slightest and turns out to be its own specific literary creature, a book that held me rapt throughout, and also doesn’t suffer from the overstuffedness that weighed down Makkai’s book at times (though I ultimately felt that the overstuffedness of IHSQFY was deliberate, the point).
The Damages takes place at a fictional version of Queens University in the winter of 1998 during a devastating ice storm that cut off power, caused vast damage and left people stranded throughout the northeast of North America. The novel’s narrator is Ros, who’s trying hard to fit in during her first year at university and who is eager to distance herself from her earnest and wholesome roommate who is the antithesis of cool. But when her roommate goes missing during the chaos and upheaval from the storm, everybody around her declares Ros responsible for what happened, and this shatters the tentative place she’d made for herself in that community, leading her to drop out of school.
22 years later, set against the backdrop of the Covid-19 pandemic, Ros and her son are isolating in Ontario’s cottage country as she’s also processing allegations publicly made against her ex-partner, a renowned children’s author. She’s forced to finally reckon with notions of her own culpability, her responsibility, and the possibility that perhaps she’s been a victim too. As with the best books inspired by #MeToo, she doesn’t come to neat conclusions, but instead engages with the mess of it all, teasing out the multitudinous threads, asking questions instead of claiming to have all the answers. A terrific read.
August 2, 2023
Wait Softly Brother, by Kathryn Kuitenbrouwer
The pieces of Wait Softly Brother—a novel about a writer called Kathryn who retreats to her childhood home in Ontario’s Hastings County after fleeing her marriage, she and her aging parents in a relationship of mutual irritation as she pesters them for details of her brother, stillborn before her own birth, desiring some kind of fragment to make the fact of his existence feel tangible, but her mother hands her a letter from a long ago ancestor instead who fought in the Civil War, Kathryn making up HIS story instead as a way to interrogate maleness and brother, and missing pieces of a whole, all the whole torrential rain is falling for weeks and weeks, the family farmhouse an island cut off from the rest of the world—culminate in the richest and most satisfying kind of story, a deep literary mystery. On dwellings, and dwelling, and wells and welling. So so excellent.
July 27, 2023
The Mythmakers, by Keziah Weir
Okay, hear me out: Lily King’s Writers and Lovers meets Meg Wolitzer’s The Wife (which it directly references!), with a healthy and surprising sprinkling of astrophysics and consideration of the possibility of a multiverse. I LOVED this book, The Mythmakers, the fiction debut by Keziah Weir, a senior editor at Vanity Fair (who has British Columbia ties, so the book gets to be Canadian!). It’s about Sal, a struggling magazine writer whose life has just imploded and who is surprised, no, perhaps enchanted, to find herself within the pages of The Paris Review as a character in a story by an older author she’d met at a book launch years before. But then she reads the story’s introductory text to discover that the author, Martin Scott Keller, had recently died, and also that the story is an excerpt from his final novel, a long-awaited text. Well, naturally, Sal wants to read the rest of the story, and concocts a scheme wherein she connects with his widow under the guise of writing a magazine piece about the experience of discovering herself in fiction, but then the story becomes more tangled than that, too tangled for magazine piece, even long-form.
The Mythmakers is rich and absorbing, a fast gripping-thrill, but also deeply literary, about the nature of story and storytelling, and also the nature of the universe, and of marriage, and love, and the way myths—in particular that of the male genius—are propagated and upheld. It’s a story about art, and art-making, and science, and sexual politics, and gender, and it’s also slightly uncanny, it’s narrative voice hard to pin down, sometimes Sal, sometimes Martin, or Moira, his wife, but is it really?
Who’s telling the story? Who’s pulling the strings?
July 26, 2023
Girlfriend on Mars, by Deborah Willis
The premise sounds like a gimmick: Kevin is a failed screenwriter who now ekes out a vague living as a film extra while growing pot in his Vancouver basement apartment, the enterprise—until lately—overseen by his highly capable girlfriend, Amber, the two of them a couple since high school, after which they managed to escape the confinements of their hometown in Northern Ontario (as well as Amber’s dashed dreams of Olympic glory after an injury ends her gymnastics career, the freight of her evangelical upbringing, and Kevin’s overbearing troubled mother) for a new life on the west coast. But that new life never proceeded according to plan, and now Amber is gone, having won a spot on a reality show whose contestants are vying for a one-way-trip to Mars—and it turns out that Amber stands a mighty good chance of winning, of escaping Earth and all the doom inherent in its future. And escaping Kevin too, but he’s just not willing to give up on her yet.
Girlfriend on Mars—Deborah Willis’s first novel following her Giller-longlisted story collection The Dark and Other Love Stories—is really funny, a whip-smart satire, and also intensely moving, even in its more ridiculous moments, because these characters caught in an awfully silly situation have arrived on the page with perfectly tuned back stories providing real emotional heft to a story that otherwise might be so light as to be weightless. This was a story that had me turning its pages with no idea how and where it might possibly end, and a little warily too because I worried these characters existential dread could be a trigger for my own anxiety, but it all came together in a way that was sad, gorgeous and perfect. I heartily recommend!
June 26, 2023
Leaving Wisdom, by Sharon Butala
Leaving Wisdom is the latest from Sharon Butala, author of over twenty books of fiction and nonfiction whose vision of the Canadian west has always made me think of her in the company of Joan Didion, and she continues to remap her familiar terrain in this story of aging and coming to terms with one’s history (and history in general) set in the fictional Saskatchewan town that her protagonist, Judith, decides to the return to in a post-concussion fog.
The concussion occurs after a fall at what was supposed to be Judith’s retirement lunch after a long career as social worker in child protection/family services. In the days that follow, Judith’s brain is confused, her head aches, and she’s overwhelmed by considering the threads of her life, in particular her four daughters, who all continue to occupy her attention in different ways, her two late husbands, and the family she left behind as a teenager when she fled their piety and the suffocating small town of Wisdom, a place in which she realizes she has unfinished business still and so she decides she must return.
Once re-established in Wisdom, Judith tries to ease her way into a relationship with her estranged siblings, continues to worry about her daughters, and discovers her father’s own traumatic history in World War Two, which becomes connected in her mind to a local act of antisemitism. Meanwhile there are strange and troubling goings-on at the house next door which suggest one can never travel far enough to escape the world—let alone family histories and one’s own past.
Leaving Wisdom is quiet, thoughtful and utterly absorbing novel about families, aging, trauma and history, and how all of these factors happen to intersect.
