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Pickle Me This

December 21, 2016

The Little Free Library ™ As A Soul Destroying Exercise

One day this fall, I opened up a Little Free Library in my neighbourhood only to find it empty save for a bitterly scrawled missive: “The point is to leave some books too, people.” It was very sad, and corresponded with stories I’d heard about ownership of Little Free Libraries not being quite as rewarding as one might assume. A situation rife with narrative, I thought, so I decided to write a little story exploring this idea, and the story is my gift to you. 

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Dear Neighbours,

We’re pleased to welcome you to Idlewood Avenue’s Little Free Library ™, a bastion of democratised learning where our property meets the sidewalk. We’ve been amassing volumes that we’re looking forward to sharing with you here in this box which we’ve painted to resemble a Carnegie library. And we welcome your volumes of all kinds—no literary snobbery permitted!

All books are friends here.

Barbara and Stephen Adolphus-Chang

*

We appreciate your enthusiasm during our first week and it was exciting to have the library cleaned out three days in a row. A couple of reminders: we’ve had a lot of takers but please try to leave books too. And if anybody knows who is responsible for the penis drawings administered with Sharpies, we’d like to hear about it.

Although a little bird has suggested that the culprits were from the student rental house—can anyone corroborate?

Barb and Steve A-C

*

A note that this notice board is for Little Free Library ™ related news only—posters for Doggie Do-Walk Dog Walker Services have been removed. Also, while your contributions are appreciated, we would ask neighbours to refrain from donating their VHS collections.

Books only, please!

Barb and Steve

*

Someone has been leaving small lavender-scented bags of dog waste inside our library. Coincidentally, this began when the Doggie Do-Walk Dog-Walker posters were removed from our board, though we are not pointing fingers. Or paws. But this is certainly not neighbourly behaviour.

Barb and Steve

*

We are writing to thank you for a rewarding first month of Little Free Library ™ stewardship, and also to object to allegations that we “traffic in smut.” If you find Judith Krantz’s intimate depictions too titillating, that is down to you.

Further, passing a copy of Scruples to your eight-year-old daughter was a decision you embarked upon of your own volition, so do know we are judging you right back!

B & S

*

The penis problem continues, now in multi-coloured hues. We’ll be repainting, but if it happens again, the phalluses will stand and the tone of the neighbourhood will suffer. A reminder to tenants in the student rental house that this is not funny, and if you ever grow up, perhaps one day you might understand that.

Disappointedly,

Barbara and Stephen

*

Apologies for slandering the residents of the student rental house. We met with them last Tuesday and found them to be upstanding community members, as invested as we are in keeping Idlewood Avenue penis-free. Together, we are coordinating a graffiti removal campaign involving pressure hoses. Stay tuned for details. We’re grateful also for the students’ book donations. Once we weeded out the second-hand chemistry texts, some interesting titles emerged.

Too bad about the highlighted paragraphs and vulgar marginalia (some of which included penis doodles that looked a little familiar. Hmmm….).

But yours in benefits of the doubt!

Babs and Stee

*

THE SHIT LEAVING CONTINUES. What is wrong with people? You paint a box to look like a Carnegie Library out of the goodness of your heart, and then people fill it with excrement? HOW DO YOU SLEEP AT NIGHT? And then the VHS tapes keep on coming. This is all very hard.

I never envisioned Little Free Library ™ ownership as a soul-destroying exercise.

Barbara

*

Rest assured that while Barbara is taking her temporary leave from Little Free Library ™ stewardship in the name of self-care, the library will continue to operate as usual. Stipulations re dog waste and VHS tapes still stand.

Also, to the man who removed all the books and sold them at the shitty used bookshop at the end of the road, we know who you are.

Steve

*

Thanks to those a behind recent generous donation of poetry—we’ve got enough slim volumes there to stock our Little Free Library ™ for weeks. I urge readers to pick some of these up as they’re rich with wonders and also we have a lot of them. Further, please make use of our newly installed garbage bin for any fast food packaging. There has been some confusion about whether or not our Little Free Library is a waste receptacle.

To be clear: it is not.

Stephen

PS: Barb is recovering well. Thanks for asking.

*

I’m thrilled to welcome Daryl Parsley-Hemingway to our Little Free Library ™ team to help me out as Barb continues to convalesce. Daryl is a university student, English major and a distant relative of Mariel Hemingway, who is a noted author of two memoirs, so Daryl has literary pedigree. He has great ideas about how to curate our collection and will be working to enhance our online presence.

Looking forward to seeing you on the information highway!

Steve

*

We’re writing to address last night’s upsetting incident when our entire Little Free Library ™ collection was tossed out into the rain and at least $30 worth of used paperbacks were destroyed. We are grateful to neighbours who’ve come through with emergency donations at short notice. Looking at the library this morning, you’d never suspect anything had happened, but the incident still must be acknowledged. And yes, Larry, we know you did it and we still refuse to stock your self-published memoir.

Sticking to our guns in defense of traditional publishing platforms,

Steve and Daryl

*

Just a reminder that if you’re taking books, take care to leave a few too. Think of our Little Free Library ™ as a kind of conversation—you don’t want to just be a listener! And to that end, Daryl has set up Idlewood Avenue Little Free Library ™ web presences on various social mediums.

We heartily urge you to “check us out” there and find out new ways to be involved.

Steve and Daryl

*

No doubt you’ve been made aware of a “competitor” setting up across the street. We’ve been receiving a lot of love from neighbours who view this Wee Take-a-Book Box as a threat to our own project. But we want everyone to know that this relationship need not be adversarial. Idlewood Avenue has room enough for two libraries, though we wish also to remark that the Wee Take-A-Book Box neither bears the official Little Free Library ™ trademark, nor does its stewards adhere to our literary standards. However, patrons are free to decide for themselves what kind of miniature libraries they wish to see in the world.

It’s a free country.

Steve and Daryl

*

Forgive our sparseness, but we’ve been cleaned out nearly every day, which would be good news, except that all our titles are turning up in the Wee Take-a-Book Box, identical volumes right down to the same dedications. (“Dearest Audrey, Here’s something fun to tide you over until the pleurisy clears up. Love, Edna.”) To consider this a coincidence would be absurd, but even so, police were called and we were banned from the property and then later that night when the Wee Take-a-Book Box’s glass door was smashed, we got blamed for that too—even though Stephen had gone to bed early and Daryl was working on a group project. In all the hubbub it’s been forgotten that we are in fact the wronged party.

We appreciate your support at this difficult time.

Steve and Daryl

*

Thanks to everyone who was there for us last week. We are particularly grateful for those who dropped off books to replace all those that were stolen. FYI: Daryl is very busy with his group project so if things seem slow on the web this week, that’s why.

And a kind reminder too that we are (still!) not a waste receptacle.

Stephen and Daryl

*

It’s a beautiful day and we’ve got a stellar selection for you all, including some rare first editions, kitschy 1980s microwave oven cookbooks, and three copies of last year’s disappointing national book award winner, which sold a lot of copies but proved unreadable. Potential collector items, all of them.

Happy Browsing!

Stephen

*

Dear Neighbours,

I write you with the devastating news that the group project in which my co-librarian Daryl Parsley-Hemingway has been engaged is actually an affair with my wife Barbara. It turns out that Barbara is farther along in her recovery than I understood, and has decided to permanently absent herself both from stewardship of our Little Free Library ™ and also of our marriage.

For obvious reasons, I have asked that Daryl no longer be affiliated with the library, and I will also be taking a temporary hiatus. I hope to return when I am stronger.

Stephen Adolphus

*

For Sale: One Little Free Library ™ box along with official charter status to the Little Free Library ™ organization. $50 or best offer. Must pick up.

May 12, 2016

Throwback Thursday

vinnieI was a compulsive photographer and documenter of days long before I’d ever heard of social media, although it’s true that I didn’t photograph my lunch back then. But it’s true that I used to take photos of everything and everybody, evidence of this being picture after people of lined up in a row looking awkward and confused about just why I am taking their pictures. People sitting around a table looking unimpressed seemed to be my primary focus as a photographer, although I think they’d been happy and engaged enough until I pulled my camera out, this being, of course, why I wanted to take the picture. To capture something. As if that was even possible, and it makes me things of the drawers in Joan Didion’s New York apartment in Blue Nights stuffed with envelopes and documents and things that she imagined could keep her from losing the people she loved. I have engaged with that book, in all its messiness and imperfections, in a way that I haven’t with The Year of Magical Thinking. I say “haven’t” because I imagine that I will some day, that like with Rachel Cusk’s A Life’s Work and motherhood, one day my universe will shatter and I will finally understand what Didion is talking about about. Not that I’m counting down to that. But I understand the impulses of Blue Nights so innately, and not just because it’s May and the nights are blue and we’re coming up to the solstice. And my urge to capture and keep everything that happened to me back in those days between the ages of 16 and 23, say, ultimately would come to nothing. It was always going to be like that.

(For me everything hinges on 2002. I met my husband that year and stopped longing, and have been more or less happy ever since. Everything that ever happened before that year mostly mortifies me to consider now. And I wonder if I was able to shrug off my impulse to document it all and keep everything because from that point on I had someone with whom I could verify that all of these things actually happened. Another idea: that the internet took over my life that year and I started capturing everything online. And that I’m just as a compulsive a documenter as I ever was, and well, you’re kind of reading the evidence of that.)

The other night I had occasion to sort through my boxes of photographs upstairs. I have one from high school and the other from university. There used to be many, many more photographs, but I did a cull about a decade ago because there are only so many photos a person needs of her boyfriend from grade eleven, though I did not think so when I posed for those shots. And what I realized the other night as I was looking through photos from my university years is most of these photos signify nothing now. There are people I love and unbelievably bad haircuts, and I continue to be baffled by everything I ever wore. The decor of all of my bedrooms is also unfathomable: throughout those years I had either a Spice Girls or John Travolta as Vinnie Barbarino post above my bed at all times, plus inspirational quotes written in marker on index cards, an album cover with a picture of Nana Mouskouri on it, and a campaign poster for John F. Kennedy. It was kind of a weird aesthetic.

IMG_20160512_215358And maybe I knew it was always going to get lost. Perhaps it was never about capturing and keeping, but instead about evidence that any of it had ever been. That if it weren’t for the photos, I’d never believe in a room like that, and I’ve got the pictures and I still don’t. And I see my friends and I with our arms around our shoulders in rooms that I don’t recognize, places where I’m sure I’ve never been. There are people in those photos who mean nothing to me now. And there are holes in my memory as big as oceans—did you know that I saw Prince on stage with Sheryl Crow at the Lilith Fair in 1999? I didn’t. I still don’t, really. And even the stranger things, like the photo from my 22nd birthday party, me and three other people, and two of them are dead. Or that during the 2000/2001 school year, I lived in an apartment with a huge black and white photo of the New York City skyline at night hanging over the fireplace. The World Trade Centre, but I never even knew what those towers were called until five months after I’d moved out of there and into another apartment, until the towers were gone and we sat on our roof that night watching the CN Tower gone dark.

Maybe it’s not the photos that turned out to signify nothing that so fascinate me, but instead the ones that ended up telling stories so different from those I thought I was telling at the time.

May 2, 2016

Tana French is Ruining My Life

IMG_20160428_074301I’ve been working my way through the works of Tana French ever since my friend Nathalie delivered all of her books to my house on New Years Day in a Waitrose bag, along with a container of soup. (Remember December, when everybody was sick?) Now usually such a loan would constitute a kind of imposition, but I’d been meaning to get into Tana French, and as soon as I opened the first book (In the Woods), I was hooked: “What I warn you to remember is that I am a detective. Our relationship with truth is fundamental but cracked, refracted confusingly like fragmented glass. It is the core of our careers, the endgame of every move we make, and we pursue it with strategies painstakingly constructed of lies and concealment and every variation on deception…”

And this is what’s most compelling about French’s novels, the slipperiness of her first person narrators, how they’re always just clinging to the edges of things, and totally unconscious of how close they are to falling. The subtlety with which she reveals the true circumstances behind her narrator’s carefully constructed reality, the skilful way she manages to reveal all the things these characters would never, ever tell us. The things these characters don’t even properly know themselves.

I’m reading her fourth novel now, Broken Harbour. (One more title to go before I return the Waitrose bag, and then French has a new novel coming out this fall. And then I fear it’s going to be like Harriet and Amulet, the way she went through the whole series, 1-7, boom boom boom, having no idea that Amulets don’t grow on trees, thinking new ones were an ever-available resource, and now she has to wait an eternity for number 8). And the book is kind of ruining my life, because I can’t stop reading it, staying up far too late and just-one-more-chapter. Because how can I not want to know what happens next?

Both my children are currently undergoing sleep changes and bed experiments and we’re all playing musical beds at our house these days, and the last few nights I’ve been awakened twice or three times before dawn. But I really can’t blame my current stupor on this entirely, on my children. Because the real reason I’m so tired, like words-confusingly tired, should-not-be-permitted-to-operate-a-motor-vehicle tired, is that I’m staying up past midnight reading Tana French, and then even once I manage to put the book down and turn the light off, I’m still immersed in its atmosphere, fearing shadows in the darkness. Awake and lying still, alert to barely perceptible sounds. Perhaps imagined ones. And the distinction doesn’t even matter.

April 21, 2016

Light and darkness, dancing together

IMG_20160421_091515This morning I dropped Iris off at playschool, and noticed pussy willows in a jar on the counter, which took me back to a scary time we went through through just over three years ago now. It was a time in which I learned that it was possible to navigate life even in the presence of one’s deepest fears, and also that doing so sometimes required errands such as an excursion with shopping list consisting only of a bouquet of pussy willows and a tub of chocolate ice cream. I remember that with the pussy willows, I finally began to feel better, and I think I was thinking of A Swiftly Tilting Planet at the time, but I didn’t pick it off the shelf to get the reference.

IMG_20160421_100107But yesterday morning I was walking to school with my seven-year-old neighbour who’s currently in the middle of  A Wrinkle in Time and has the other books in the series before her, and I told her how much A Swiftly Tilting Planet still means to me as an adult. It was the book I picked up in September 2001, after two planes flew into buildings and we wondered if the world as we knew it was entirely gone. I remember the comfort it brought me, the comfort it always has.

Mrs. Murry said, “I remember my mother telling me about one spring, many years ago now, when relations between the United States and the Soviet Union were so tense that all the experts predicted nuclear war before the summer was over. They weren’t alarmists or pessimists it was a considered, sober judgement. And Mother said that she walked along the lane wondering if the pussy willows would ever bud again. After that, she waited each spring for the pussy willows, remembering and never took their budding for granted again. 

I took it down off the shelf this morning to find the pussy willows paragraph, and realize that I absolutely have to reread this book again. And I considered how fundamental it might have been in cementing my understanding of the cosmos, the world.

Darkness was, and darkness was good. As was light. Light and darkness dancing together, born together, born of each other, neither preceding, neither following, both fully being in joyful rhythm.

April 18, 2016

How books talk to each other

IMG_20160418_204344Tonight I was inspired by Sarah’s #ShortStoryaDay post to pick up “Not Her Real Name,” by Emily Perkins, from her short story collection of the same title. I’d first read the collection when I interviewed Emily Perkins in 2008, when Novel About My Wife came out. In her post, Sarah notes that she was surprised to reread this story and discover that two characters share a name with her daughter, and surmises that it was was with this story that she first fell for the name. She quotes a couple of lines from the story: “—Imagine a couple both called Thea, says Thea. —Isn’t it awful? One of the hazards of same-sex relationships I suppose.”

Now right now I’m reading a book called The Name Therapist, by Duana Taha, which is so much fun and absolutely fascinating and I can’t wait to tell you all about it. And perhaps I should have seen it coming, going from such a non-fiction book about names and how they define their bearers to a story called “Not Her Real Name” that I might encounter uncanny connections. And while I didn’t encounter either of my own daughters in this story, what I did find was really kind of strange.

I read the beginning of the story, the part about the two Theas, and then went back to The Name Therapist, in which Taha writes about the possibilities of same-name couples in same-sex relationships and how this idea fascinates her as a name enthusiast. And then there was a bit about a guy named Marc who orders coffee at Starbucks and gives his name as “Marc with a C,” which comes back on his cup labelled, “Carc”. Going back to “Not Her Real Name” then to find another Marc drinking coffee:

“Marc with a c. Cody’s seen it written down by the telephone… Marc. Marc. There’s something disturbing about the name. Like Jon without an h. Or Shayne with a y. Marc. Spelt backwards, it makes cram. A real word. This makes it seem like code. Code for what? Cram, cram. Trying to break the Code. OK, so her own name is enough of a liability. She shouldn’t laugh at other people’s. But Marc—its like biting tinfoil.” 

Cody’s own name is referred to in connection the Jack Kerouac novel, Visions of Cody, which she’s never read, she says, and I haven’t read it either. I’m still a bit confused by the story’s title and what it means exactly, trying to break that code. And maybe this is the point. Earlier in the story, Cody’s thinking about a guy called Francis. “You always thought, Francis, rhymes with answers. Which it doesn’t, really. But you’d change the s of answers to be soft like his name.”

And isn’t all that so weird? I am really not so singular but I suspect that I am the only person in the world who is reading The Name Therapist and “Not Her Real Name” concurrently, two works that speak to each other so clearly, asking questions with answers echoing back. A book that came out the other day with a short story collection that was published twenty years ago by an author on the other side of the world—and they are connected in ways their authors never even fathomed. And this is why I love books and literature so much, that it’s all a code, quite beyond us and quite unbreakable. And the infinite possibilities of these connections too, how books upon books can talk to each other, the libraries of the world abuzz with these private conversations.

October 12, 2015

My grandmother’s china

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“I have your grandmother’s china for you,” her mother said. “She took good care of it.”

I highlighted this line from a story in Kelli Deeth’s The Other Side of Youth when I read it, the china emblematic of all the ways in which the lives of women my age have failed to progress in the manner that previous generations might have foreseen. All these boxes of china wrapped up in paper and boxed up in basements, and it means nothing now. I grew up in a house with a china cabinet, is what I mean, and it is very unlikely that I will ever have such an item myself, let alone a place to stand it.

Which is not to say that the domestic has no hold, that we don’t give any value to stuff. My Pyrex fixation certainly speaks to that (and I realize now that since the photo in the link was taken, I’ve acquired a set of turquoise Cinderella bowls, and also put a halt on all non-essential Pyrex acquisitions to keep things from getting too out of control). But what I don’t need is a massive collection of dishes and cups to be hauled out on special occasions, just the same way that I don’t need a parlour for afternoon callers. What I like about Pyrex is its usefulness, and then it occurs to me that there is a similar way around the grandmother’s china as well—what if I actually used it?

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I have no recollection of ever seeing this china before—I didn’t pay attention to things like plates as a child, particularly if they were patterned with wildflowers. It is also possible that my grandmother didn’t set the table quite so formally when I was coming to visit. Although I do know my own mother’s wedding china intimately. I have no wedding china, but I have a vast collection of cracked and chipped dinner plates that it’s starting to seem shameful to feed my children from, and so I asked my mother if perhaps I could take a look at my grandmother’s china. If we could use them for everyday. Would that be more or less troubling, I wondered, than the plates remaining boxed up until the end of days, or else given away to a consignment store (where I would have totally bought them if I’d happened upon them)?

And so we took them, and now they’re here, unpacked in the kitchen. Some of them need cleaning—the gravy boat is still stained from some dinner more than a decade ago. But for the most part, the plates and cups are in excellent condition. Plates of various sizes, 10 of one, 8 of another, 11 side plates, 11 saucers and 9 tea cups. I wonder what they started with? Only 2 soup bowls—what happened to the rest of them? Or was soup more an intimate course, something best suited to a couple?

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Predictably, I’m now a bit obsessed with my grandmother’s china. Who knew? Spode China in the cowslip pattern with a chelsea wicker design. There turns out to be a busy online marketplace for fervid Spode collectors, and now I’m lusting after Spode eggcups and a teapot. I also admire the buttercup pattern (seen here). The former curator of the Spode Museum Trust blogs about all things Spode here (and this is why I love blogs so: there is almost nothing under the sun that has not been blogged about yet).  Spode was founded by Josiah Spode in 1770 in Stoke-On-Trent—Josiah Spode was almost an exact contemporary of another pottery-maker called Josiah but instead of a Spode he was a Wedgewood.

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We spent this morning at the museum, which re-enlivened my delight in the thingness of things, and it occurs to me how much of my boredom with and dismissal of my grandmother’s things has to do with the idea that this is baggage, something to be carried and put somewhere. (My grandmother never ever put her china in the dishwasher, my mother tells me. We don’t have a dishwasher, so we will quite easily be able to continue in the same tradition.) But with the idea that these things could be used rather than put up on a shelf to be dusted—it changes everything. The best part about things in museums is what they tell us about ordinary life, and so it seems fitting that my grandmother’s china should become part of our ordinary life as well.

Which ensures, I suppose, that each piece will be eventually get broken and never be passed down to anybody, leaving nothing for us to be known by, our ordinary life an enigma to those who come after us, should they even care to wonder. A paradox—the Pompeii exhibit is case in point; does it matter if your frescoes are preserved if you’re dead? But I wonder if it isn’t better to simply live in the moment after all. From a person’s point of view, I mean, if not from that of an archivist.

October 8, 2015

Really Fun DIY Autumn Craft

IMG_20151008_121227A few trees on our street have gone all autumnal, and while the world is not yet awash in golden and orange, the few trees that have turned already have got us in an autumn spirit. Iris had fun playing peek-a-boo with some of them on her way home from school today, and we’re glad she was not picked up by the Ministry of Flagrant Racism and Canadian Values for daring to hide her face no matter how patriotic her covering.

(Halloween is coming. If our government is still in office then, what are they going to do?)

And so we were inspired to partake in an autumn craft this evening for our weekly Fun Night, which is a dinner-hour activity that allows us to hang out and play together for a little while, instead of the rush-rush-rushing that is our regular weeknight routine. I’ve included step-by-step instructions below so you can play along too!

  1. See a link to a DIY Autumn Leaf Bunting tutorial posted on Facebook, and because you have a thing for bunting, actually consider doing it. Even though you hate doing crafts. The site it’s from is called The Artful Parent, but you’re more of an abstract artful parent, if you’re remotely artful, which you’re not.
  2. Gather leaves on the walk home from school. Feel smug and sanctimonious, anticipating the excellent time you’re going to be spending with your family and anticipate the reactions you’ll receive when you post your DIY Bunting on Facebook. Contemplate making strands upon strands of the stuff, and bringing them to Thanksgiving gatherings all weekend long so that people will admire your creativity and quirky bunting ways.
  3. Feel extra wonderful because you even let your kids pick up leaves that were kind of gross and had spots on them. Because it’s about them, really. And my, what a terrific childhood you’re providing them with…
  4. Buy store-brand wax paper at the grocery store.
  5. And now it’s time! You’ve already made cranberry brie chicken pizza for dinner that made the children cry (although this was before they tried it; they conceded it was delicious in the end) and so you’re on a roll.
  6. Press the leaves between two pieces of wax paper. The child who is still upset about the pizza gets upset again because she wants matching colours for each piece of bunting, but you want to mix it up like a rainbow. You’re really fucking insistent about this.
  7. (Read through the instructions for the bunting at The Artful Parent and realize that the Artful Parent actually made HER DIY autumn bunting while her child was at school.)
  8. Your husband pulls out the iron. Your children have never seen one. They marvel at this shiny and new piece of technology.
  9. He begins to iron. It should take a few minutes, the instructions say, for something to happen. Nothing happens. So he turns up the temperature. He starts to iron like no one has ever ironed before. Eventually you realize he is about to iron a hole right through your kitchen table. The leaves are burnt to a crisp. The wax still hasn’t melted. The leaves aren’t pretty anymore.
  10. This is the point when you storm off and start googling “Why won’t my wax paper melt?” This doesn’t actually seem to be something that happens to many people. You get sucked into a hole of websites about weird ways to preserve leaves and really stupid things that people do with them. You wonder what the point of anything is. You are suffering from bunting grief. It’s terrible.
  11. This is the least fun Fun Night on record.
  12. Back in the kitchen, however, your husband has saved the day. He’s poured out glue and everybody’s slapping the non-burnt leaves onto paper. “But what’s the point of this?” you ask him. “What’s the point of bunting?” is his retort, which is blasphemous, but still. And gluing leaves onto paper looks like of fun, so you join in.
  13. The night is saved by your husband’s excellent improvisational skills. And red wine.

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September 29, 2015

Sir John’s Table, by Lindy Mechefske

pudding pre-bakingI could never be a food blogger for all kinds of reasons, one of which is that all my pots and serving dishes are indelibly stained and my kitchen is old and grubby (and poorly lit). The other important reason is that I tend to interpret recipes as general guidelines instead of instructions, but in the case of the new book, Sir John’s Table, by Lindy Mechefske, this turned out to be an advantage. It meant I was unafraid to take on the recipe for Sir John A’s Pudding from a cookbook from the 1880s, a recipe named in honour of the first Prime Minister of Canada, whose instructions included “size of an egg” for butter portioning, no word on what vessel to cook it in, and vague baking instructions as follows: “Bake in oven for a few minutes.”

We really weren’t sure. “This is an experiment,” I kept telling my family, and then asking them, “Isn’t living with me a glorious adventure?” No one answered. They were all a bit irritated that our main course had been roast cauliflower. “I bet none of your friends are having pudding tonight in honour of Canada’s first Prime Minister,” I told Harriet. She looked at me funny: “Mom, do we have any ice cream?”

finished puddingSir John A’s Pudding is from Dora’s Cook Book, by Dora E. Fairfield, published in 1888—one known copy is still publicly available. It is a bread pudding, the bottom made with bread crumbs, egg yolks and lots of milk. Spread on top are stiff egg whites and sugar. I baked the whole thing in the oven for much longer than a few minutes (though I can’t remember how long now—I am as bad as Dora). When it came out of the oven, the topping was nicely browned but the pudding still seemed a little gloopy (“But gloopy means delicious, right?” I asked. Nobody cheered.) However once it had been resting for a little while the pudding was set, and now it was finally time to dish it up and assess the damage.

pudding serving

Guess what: it was totally divine. And everyone conceded that living with me was an adventure after all, a most delicious one. I did my I’m always right dance. I always mostly am.

Though not, admittedly, with my immediate assessment of Mechefske’s book. Sir John’s Table: A Culinary Life and Times of Canada’s First Prime Minister as a concept did not seem at first compelling to me, but then I opened it up and started reading. And what I found was an engaging, light and fun and informative text. So engaging, yes, that it led me to attempt archaic heritage recipes, plus the book is also a really interesting biography of Canada’s first Prime Minister.

sir-johns-tableSince we’re going all Full Disclosure in this post, I will reveal to you that I’ve not watched any political debates during this current federal election. As these debates fail the Bechtel Test on every discernible level, are intellectually stupefying AND we don’t have TV, I’ve felt more comfortable getting my political information from newspapers instead. There is something about the absence of women’s voices and the general feeling that anything concerning women’s experiences is mere frippery that renders most politics (and political biographies) null and void to me. It’s grown-ups acting out playground games, and taking themselves far too seriously. It’s just inherently uninteresting.

Which is not to say that political biographies must necessarily contain a recipe for bread pudding, or that the domestic is anymore inherently a female purlieu, but it certainly was in the 19th century. Which means that “culinary life and times” of Sir John A. Macdonald is going to give special attention to the women in his life and the personal and political roles they played: his mother, his wives, his lifelong friend who was also a pub owner. We learn about the food (bannock!) his mother brought to feed her family on the long voyage from Scotland to Canada. Also about Macdonald’s favourite childhood desserts, how traditional British foods were adapted to North America, wedding cakes from the 1860s, mourning rituals (after the death of his first wife), how the picnics at which he made his famous stump speeches would have been catered (by Mrs. Beeton, at least), and just how a roast duck dinner managed to save the Dominion after all.

For a light book, Mechefske manages to be rigorous about colonial atrocities, juxtaposing a lavish Toronto dinner with Metis and First Nations people starving on the plains at the same time. Her story of the triumph of Sir John A’s railroad also includes a legacy of racism and exploitation of the Chinese workers who built it. She manages to balance her portrayal of the generous and charismatic Macdonald with the dark side of his legacy—also his own propensity for problems with drink: “He joined the Temperance Society  again,” is a sentence that pops up more than once.

My one criticism is that the recipes have not been adapted for modern cooks, and so are more a curiosity than something the reader can use. Although there is value too in these heritage recipes reprinted as they were, for what they tell us about how 19th century cooks did their work, how ingredients, measurements and cooking methods were different, and also the peculiar stylistic quirks of their writers. And my own experience certainly shows (who knew?!) that the intrepid 21st century cook can have success with these recipes all the  same.

September 16, 2015

A ride in the bucket

IMG_20150820_215945I’m something of a pathological truth-teller, which is a line I stole from Lauren Groff’s new novel, Fates and Furies, the book I’m reading right now. The interesting thing about that line being that the character described has a more ambiguous relationship to truth than the speaker supposes. Which is always the way. Truth is fudgy. I think I only have such a strong affinity for the principles of truth because lies are so easy, the slipperiest slope—and then anything one says ceases to have meaning, and then what is the point?

It’s true though I’m often willing to forsake a bit of truth for the sake of a story. Which is why I wouldn’t be surprised at all to have made up the whole thing, the story of my friend Britt and I driving down a country road outside Peterborough during the summer of 2000. How there was a hydro truck pulled over by the same of the road, a crew working on a Sunday. (At the time, I don’t think I knew the song, “Wichita Lineman”, or else I would have been humming it.) We pulled up alongside, and somehow had the nerve to roll down our window.

“Could we have a ride in your bucket?” I asked.

And I’ll never forget the so-perfect response: “I can’t think of a reason why not,” the crewman said.

And he even meant it.

And so the crewmen paused their work for a moment and gave us each a chance to put on a hardhat and take a trip up in the bucket. Violating more health and safety policies than I can dream up, though I was 21 at the time and didn’t think in those terms. Still though, we knew it was amazing. We took pictures. That vivid blue sky, the wispy clouds.

If not for the photo, I really wouldn’t believe it. I’m not even sure I really remember it happened. That ride in the bucket seems more like a figment. A figment of reality, if there exists such a thing. “I can’t think of a reason why not,” that crewman said—has there ever been anybody else with so limited an imagination? And yet. Perhaps he was dealing with a surfeit, head in the clouds literally and otherwise.

And I mention this story here now because for the past few weeks, I’ve been stuck in the past, working on a story whose roots are autobiographical. All this spurred on by my husband’s application for Canadian citizenship, and how I was rooting around in boxes to unearth his university degree (which confirms his competency in English). I found my diary from my final year of university, a diary that begins on September 14 2001 and is written by a girl who was dazzled and devastated by the world at once. And I found the scrapbooks I so painstakingly compiled back in those years, determined to preserve every single moment. Not yet understanding then that there are so many moments, if we’re lucky, more moments than ever could fit in a storage locker full of scrapbooks. Not understanding then either that I mightn’t want to hold onto everything forever. That there would be so much I’d want to let go.

When we moved back to Canada ten years ago, I got rid of a whole bunch of stuff. Diaries, scrapbooks, yearbooks, tossed out in black plastic bin bags. There wasn’t room for all of it. Who wants to go through life with so much baggage? But I didn’t get rid of all of it. Enough to fill a couple of boxes, from the years that were most monumental. So there would be gaps, big gaps, but I don’t regret it now. I don’t regret the bits I kept either, which become more and more precious all the time. But so too are the gaps, which allow me tremendous freedom both as a writer and as a human being. To let stuff go, to be allowed to forget, but also to fill those gaps with other things—creation.

To go for a ride in the bucket, I mean, whether it happened or not.

August 19, 2015

In the continuing story of our garden planter

In the continuing story of our community garden planter, it appears that fairies have suddenly and mysteriously set up shop there.

fairies

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Mitzi Bytes

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