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Pickle Me This

December 1, 2020

Gleanings

*Last two picks feature Waiting for a Star to Fall!

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November 30, 2020

Smitten

I loved EVERYTHING about this profile of Deb Perelman in The New Yorker. I had no idea that she was an old school blogger before she was a food blogger proper, but I should have guessed—and it’s possible that this is why I love her blog as much as I do.

Incidentally, my blog (if not this blog, but rather my blog in general) turned twenty years old last month. To mark this occasion, I just went back and found my OG blog in the Way Back Machine Internet Archive—the first archived post is VERY EMBARRASSING and possibly not anything to celebrate or commemorate. To be so obviously needy. It’s a miracle I had any friends—and not surprising that I didn’t have a boyfriend.

But—it’s hard to altogether rue the person who got me here, which is not a bad place to be. She was trying (really, really, REALLY hard).

Some sensibilities of old school blogging are totally baked in though, integral to my process. I recognized this from Deb Perelman: “I try to have a schedule, but I’m extremely bad at keeping schedules. I have watched corporate blog after corporate blog go to crap, because there was a posting schedule where you had to write five posts a day. I think that everybody would rather just write when you have something good to say.”

Or even when you have nothing good to say, but feel like checking in anyway.

November 27, 2020

Emperors

From Caitlin Moran’s More Than a Woman: “It is an unfortunate truth that, sometimes, it takes true horror to make you realize something you should have known all along: that a normal ordinary life is the most covetable thing on earth. A day in which nothing happens but breakfast, and school, and peeling potatoes, and monopoly, and sudden laughter over nothing really, before a sleepy movie and bed, is like paradise, relocated to a house in the suburbs. We feel beyond royal. We smile at each other like emperors ruling a whole continent of joy.”

November 25, 2020

The Seasons of My Life

Back in the Day

I have outgrown picture books…again.

Which I feel nervous even writing. If you can’t say anything nice, don’t say anything at all, and all that jazz, and I have learned through my interest in kids’ books over the last eleven years that those who create these books can be a bit sensitive about their work, about its relegation to the world of childish things. Wonderful children’s literature appeals to readers of all ages, and readers who restrict themselves to a certain age group (or genre, etc.) are missing out. All of this is true.

But it’s nothing not-nice that I’m trying to say here. Instead, it’s a matter of practicality. That for a long time, picture books were my primary way of engaging with my children and this opened up whole worlds to me, and some of those worlds seemed as real as the one I walk around in every day—but time makes you bolder and children get older, and I’m getting older too?

We still read them sometimes. Iris is only seven and we have so many great books on our shelves that all of us enjoy, books we can recite by heart. There are picture books in our library I’ll never be able to part with, and yet—we’re reading them less and less. I used to blog about picture books weekly, but now I hardly do. Everybody in our family is firmly into chapter books now, books we read on our own and the ones we read together. Picture books don’t have the same integral place in our daily life that they once did.

And none of this is remarkable. Children outgrow a lot of things, and families do too. We used to go on road trips listening to the same CD on repeat, this song with a barking dog in the chorus, because Iris cried in the car otherwise, and we don’t do that anymore. I used to get a big kick out of reading Go Dog Go in ridiculous accents, but these days the dog party is over.

But I feel a little bit disloyal, admitting to giving up on my allegiance to picture books. Or rather, moving on from it—although the new frontier, for me, is middle grade and also graphic novels, and I’m getting the same pleasure from relating to Harriet through some of the novels she’s reading as I once did when we used to examine the illustrations in Allan and Janet Ahlberg’s Peepo together, her gummy baby fingers pointing out the dog in the corner that shouldn’t be there. But I’m also trying to give her space to develop her own relationship with books and reading, one that has nothing to do with me.

And this is what happens, of course, the way things come and go. And how when they go, new things grow up in their place, which I keep reminding myself of in these moments of unprecedented change and upheaval. As businesses shut down in my neighbourhood and city and it’s enough to drive one to despair sometimes, the extent of the loss, all of it so overwhelming and hard. But even harder is trying to hold on to it all.

(And remember: a blog needs space to grow and room to wander!)

It’s okay to grow. It’s okay to change. It’s okay to change again, is what I’m thinking, and for the thing that used to define you so much and mean everything to become a spot of the horizon. And those things we loved will always be a part of who we are, because of the way that we wouldn’t have become ourselves without them.

November 24, 2020

Gleanings

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November 23, 2020

More Stars!

November 19, 2020

Two Trees Make a Forest, by Jessica J. Lee

Yesterday, just the day after I’d finished reading it, Jessica J. Lee’s second memoir, Two Trees Make a Forest: In Search of My Family’s Past Among Taiwan’s Mountains and Coasts, was awarded the Hilary Weston Writers’ Trust Non-Fiction Prize. Lee is also author of Turning: A Year in the Water, a book that literally changed my life (after reading about her breaking ice with a hammer to swim in the dead of winter, how can I ever not just plunge into summer water ever again? There are no more excuses…) and which is distinguished by being one of the few books I’ve ever gotten rid of to regret. I have lots of books and live in an apartment, so I pass along most of my books once I’ve finished with them, but it turned out that I wasn’t finished with Turning after all. One of these days I’ll be replacing my copy, but in the meantime, there is Two Trees… which I’m never giving up. I learned my lesson the first time.

Lee’s work is an entrancing blend of nature writing and memoir, her stories grafted onto the landscape in a way that illuminates everything. And she’s got an eye for metaphor, or maybe it’s obvious. The book begins with the idea of “island,” which in English is defined by its relationship to water, but in Chinese (a civilization grown inland from the sea) the character for island includes a bird sitting on a mountain. Taiwan, from which her mother came (her parents fleeing there from mainland China after World War Two, an island that had always seemed particularly remote and distant to Lee, who felt more connected to her father’s culture in the United Kingdom, and was unsure of her own relationship to Taiwan and its culture.

The book braids together the story of Lee’s grandparents, which she discovers from a letter written by her grandfather and recordings she’d made of her grandmother before she died, along with a travelogue of Lee’s own discovery of Taiwan during trips during her 20s and 30s (including one with her mother, and another longer stay to improve her Mandarin), and the natural landscape of Taiwan, with mountains, and forests, rivers and coast. The land is fraught, prone to earthquakes and landslides, exacerbated by deforestation in Taiwan during its period of martial law until the 1990s. (In those years, Lee writes, conservation was suspect. Binoculars could be a tool of espionage…)

I know always nothing nothing about Taiwan, and its complicated history. I knew a bit about the Sino-Japanese War of 1937, which prompted a ceasefire in China’s civil war between the Communists and Nationalists and pushed mass populations westward and the Japanese invaded, because I’d read Janie Chang’s The Library of Legends in the spring. I’d been accustomed lately to thinking of Taiwan as “the good guys,” and had no idea about its oppressive history throughout the second half of the 20th century, its own kind fraughtness in addition to the earthquakes and landslides.

Lee’s eye for detail, her beautiful prose, and broad depth of knowledge (underlined by her remarkable curiosity) about the natural world make Two Trees Make a Forest a remarkable read. Her ability to see and weave patterns from disparate materials make the story surprising and engaging, and results in a book with considerable depth, a book fascinating in its specificity but also rich with general knowledge.

This is a book for anyone who ever wondered where they belong, who feels detached from stories of family, who revels in natural spaces and the stories they tell, and the incredible illuminations these spaces can grant us as we yearn for connection in the world.

November 18, 2020

I’ve Had the Time of My Life

Brooke had never seen an abortion in a movie before, and it was surprising, because Dirty Dancing was over thirty years old. So it should have been a throwback, but it was something very new: the character who wants an abortion. There is no other alternative, it doesn’t even make her sad, and she doesn’t change her mind at the last minute, or have a miscarriage as a convenient trick to avoid being an agent in her own destiny. She isn’t even sorry… [And] it seemed symbolic that no one had to live in shame. You could be a fallen woman, and then get up on a stage and dance. This was a huge revelation for Brooke, who had never even considered the possibility, the number of ways a script could go.” —Waiting for a Star to Fall

I introduced my children to Dirty Dancing this summer, and decided that maybe modern parents overthink things too much.

There had been a brief period after the movie’s 1987 release when I’d been forbidden to see Dirty Dancing, though this was mostly a theoretical forbidding since we didn’t have VCR to watch it on. But in the next couple of years, I somehow managed to see it anyway, most likely at a sleepover. I don’t remember my impression of the movie at all, except that the title itself was pretty suggestive, which is why the movie had been judged as unsuitable for my audience, I supposed. And really, it was the soundtrack that loomed largest in my life, my first introduction to the Ronettes, You Don’t Own Me, and Eric Carmen, plus Patrick Swayze actually singing. (Is there anything that man couldn’t do? I am on the record as declaring his autobiography as excellent.) There was also a second soundtrack to Dirty Dancing, with the “Do You Love Me ?” and the Kellerman’s Anthem, but I never had that one.

And now: the million dollar question. How old were you when you realized that Penny was having an abortion? What Billy was talking about regarding the guy with a rusty knife and folding table? What it meant that Penny was knocked up by Robbie the Creep?

The other million dollar question: Why were all the parents totally okay with their nine year old daughters watching this movie over and over again? And could they have known what a gift this movie was to those girls, once we’d worked out the puzzle of what all these different pieces were about—or were they just too busy sitting around worrying about Michael Dukakis and the end of the Cold War?

A movie where a girl has sex and doesn’t die. Where another girl has an abortion and doesn’t die, and is even going to go on to have children if she wants to. Where the woman who has an abortion is treated by a medical authority with kindness and care. Where a girl who has been bonking Patrick Swayze and everybody knows it has absolutely no compunction about dancing with him at the end of her holiday to a mega-smash hit by Jennifer Warnes and some guy who used to be in the Righteous Brothers?

(Later on, the Righteous Brothers would be a big deal when Patrick Swayze was in Ghost, and it makes me wonder if Swayze ever felt he was haunted by the Righteous Brothers?)

Dirty Dancing is on my mind right now because Clementine Ford celebrated the movie in one of her Instagram Deep Dives this weekend (SO GOOD!) and THAT sent to me to the Dirty Dancing episode of the podcast Why Are Dads?, by Sarah Marshall (who’s also co-host of You’re Wrong About, a podcast that isn’t about Dirty Dancing, but lately has had some TOP NOTCH Princess Diana content…)

And because the movie features prominently in my new novel, Waiting for a Star to Fall, and is a point upon which the entire plot turns. If Brooke hadn’t watched Dirty Dancing that afternoon with her roommate Lauren, her life (and the ending of the book) would have gone in a wholly different direction.

Which is why I showed it to my kids in July. Deciding not to think too much about whether or not it was “appropriate.” They’re seven and eleven and talk about abortion around the dinner table more often than other kids their age, because I’m their mother, so I knew the Penny story-line wouldn’t come out of left-field. We’d rented a cottage for a week with nobody else around and only a DVD player for diversions, so I blew the dust off my Dirty Dancing DVD and packed it along with Mary Poppins and The Incredibles.

I wanted them to see it. This iconic summer film, uncanny scenes about a family of four stuck in a cabin while it rains (“Remind me not to get married at Niagara Falls.” “So, you’re go to Acapulco. It will be fine.”) The Schumachers (Sidney and Sylvia?), and the stolen wallets, and the soundtrack, of course, and the romance, and the class dynamics, and the dancing, and the log, and the lake, and lifts. The lifts!

And yes, to know the murderous legacy of illegal abortion, and one of the many ways that abortion becomes part of a person’s life, and how it doesn’t always have to be the point on which the entire plot turns—except that if not for the abortion, Baby wouldn’t have had to dance with Johnny at the Sheldrake, so yes, it’s irrevocably woven into the script, but it’s not everything, is what I mean. A piece of a larger narrative, always.

I want these to be the things my daughters take for granted, just like I did.

November 17, 2020

Gleanings

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November 16, 2020

Normalize THIS

Something I struggle with is how to express my discomfort with people being eternally scolding in their politics and on social media without being scolding myself, which is pretty much impossible, and so this is why it’s great to have a blog, because here’s a place to put these sentiments but no algorithm is going to send anybody to read them and therefore my blatant hypocrisy will be less of an issue.

But seriously! If I read one more post demanding we normalize something, my head is likely to explode. STOP YELLING AT ME.

And do you know what very ambitious but in fact still a far more achievable goal than demanding that everybody you encounter accept your point of view?

Deciding to give absolutely no fucks about what what anybody thinks of you.

None. Nada. (And it helps to be at least 40.)

Normalize your existence by unabashedly existing. Everybody else can suck it.

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