March 13, 2008
Degrees of theft
A piece at the Guardian Books blog about stealing books, which you might remember I covered properly in my post on bibliokleptomania at the Descant blog. I’ve stolen quite a few books in my time, not so ashamedly. I think I stole my copy of Happiness is a Warm Puppy from a dentists’ office, and Love Story from a desk in my geography class when I was twelve. During the last month I have actually stolen a copy of The Animals of that Country by Margaret Atwood, or rather I liberated it, for it was being ill-treated by its former carers, stuck on a shelf with Barbara Cartlands and its cover torn off. I promise you that they will never even know that it is missing. And that I only steal from those weird sad dump-off libraries that nobody loves. And that once I committed the utter opposite of book stealing, which was donating my books to a charity shop and then deciding that I couldn’t live without them and buying my books back again.
March 12, 2008
Dance dance dance
Stuart surprised me with a present today, and a tea accessory at that! A porcelain tea infuser, as seen on this rather fabulous tea blog. I also ate a raspberry white chocolate scone at work. Today the sun is shining, hinting spring, and Marian M. seems outdated again.
I just finished reading The Outcast by Sadie Jones, which presents a tonier 1950s British austerity than I’d ever before glimpsed. “If she had been a drawing, she would be drawn with a few lines, and strong ones”, and all its characters seemed as such. And quietly cinematic.
And speaking of cinema, I watched Once on the weekend, particularly due to my friend KD’s endorsement. It was truly extraordinary, and I don’t think I’ve been so convinced by a film in a long time. Any writer could learn loads by understanding the dynamics in that love story, a story where plot seemed secondary to human nature. If that makes any sense. And it’s been on my mind for days and days since, running through my head and not just its music. I think I had forgotten the possibility of fundamental goodness in a film.
Do note that my favourite song right now is “I’m Not Gonna Teach Your Boyfriend How to Dance with You” by The Black Kids. And I like that their chosen tracks include songs by Sloane and Lauryn Hill.
March 12, 2008
Lately
Everyone I know is in a rage lately. For some of us it’s because we keep reading reader comments in the Globe & Mail, and we should probably stop, but the fact is that lately I’ve been identifying with Marian McAlpin, which is a bad bad sign.
March 12, 2008
All print, no demand
Last week in his Globe column, my friend Ivor Tossell wrote about the internet and self-publishing. Putting forth that the internet has begun to eliminate the stigma of vanity presses– “after all, the Internet is a giant vanity press full of self-published content. The spirit of the Web is to put whatever you’ve got out there, and see if it sticks.”
Ivor explores the exciting potential of online print-on-demand– small runs of textbooks, bad love poetry collections just in time for Valentines, keeping obscure books from ever being “out of print”. But, he writes, “At the same time, it means that books will lose their special status. The mere existence of a book with your name on the spine will no longer mean as much; nor will putting out one of your own make you look hopelessly self-absorbed.”
But I am not sure that I agree with him. Perhaps I just get riled at suggestions of the book losing status, but this seems to me one of those cases in which a book isn’t a book, after all. Poetry may be a different story, but I’m thinking in terms of fiction. Though of course I’ve not been round the world on this one, I hold fast to a belief that good books tend to get published– a belief I can hold if only because I read so many of them. And that a published book is the product of significant investment, not only by a writer, but by editors (and more editors, hopefully), and book designers, and art designers, and by publishers at the top who were willing to take the chance on it.
There are exceptions of course, and instances in which print-on-demand is the best route for a writer, but my suspicion is that any book devoid of such investment would be lacking. The lack would show in the look of the book and the reading, and any wannabe author could probably find these instructions a cheaper way to the same results. Economics being the point, which is where Ivor’s analogy between self-published books and blogs break down. While both are probably equally vain, awful and substandard, at least blogs can be accessed for free.
March 11, 2008
It's not just me
My husband is now reading Nikolski, inspired by my exuberant praise for the novel last week. So of course I was a bit apprehensive: I had declared Nikolski “perfect”, what if it failed to measure up?
Last night when I came to bed, I tried to ease him into the story. Saying things like, “The beginning’s a bit strange, I know. It’s hard to tell what’s happening but it will make more sense soon, and you’ll get used to the writing style, and soon the prose will string itself right through your mind, and the fish!!” (For it happens that I am going through a period of being obsessed with fish).
And Stuart said, “I love it already. But be quiet, I’m trying to read now.”
It’s rarely such a pleasure to be shushed.
March 10, 2008
Digging Out
Heather Mallick on the fake memoir craze: “The phenomenon is interesting, but the reasons behind it are fascinating. Is it mere animal spirits? Or is it what P.G. Wodehouse called the craze for notoriety, the curse of the modern age?”
Ali Smith on Carson McCullers: “She was capable of reading so deeply that she wouldn’t notice her own house go up in flames around her, as once happened when she was lost in Dostoevsky. Unable as a child to stop reading Katherine Mansfield’s stories when she went to the store for groceries, she carried on as she asked for the goods at the counter, then under the street lamp outside. As a fledgling writer, she was sacked from her day job as a book-keeper for a New York company when the boss found her deep in Proust’s Swann’s Way under the big ledger.” (I am going to try this trick, and hopefully be sacked from my day job too.)
The Monsters of Templeton, which I adored upon reading, is called “a pleasurably surreal cross between The Stone Diaries and Kind Hearts and Coronets” in The Guardian. More on Alan Sillitoe on his 80th. Janice Kulyk Keefer’s wonderful novel The Ladies’ Lending Library is awarded (and you might recall I adored that one too).
And I am very excited because I just put Katrina Onstad’s novel How Happy To Be on hold at the library, as well as Rebecca Rosenblum‘s favourite novel Weetzie Bat, and Mom the Wolfman and Me (for old time’s sake). Now reading Zoe Whittall’s novel Bottle Rocket Hearts.
March 9, 2008
Underlining my point
Check out this photo (I assume it to be stock) from the front page of yesterday’s Globe & Mail. Yesterday at the Descant blog I wrote about the resonance of 1970s YA fiction, and the effect of writers like Norma Klein on our formative years. More of an effect than I imagined, however, if this photograph is anything to go by. But then Girls Can Be Anything was published in 1973! I wonder, are we holding onto these books out of nostalgia, or has nothing as good or better come along since then? I’ve not actually been paying attention, and hope indeed something else has come along. These are things that can’t get lost. Liberal propaganda it might have been, but then my own indoctrination into Free to Be… You and Me, for example, only ever had the effect of teaching me how to be happy.
March 9, 2008
Better late than nevah-evah
I’m now reading Michael Redhill’s Consolation, the book chosen for Keep Toronto Reading One Book 2008. Which, of course, was in February. I am never terribly good at these communal reads– like Canada Reads, just barely mentioned here though it went on last week (and was very well documented by others). Though I do delight in them– bookishly saturated media and all that– and so I’m a bit ashamed to never take part.
But then not ashamed enough to start (alas the Tournament of Books will have to go on without me.) I blame the weather, mostly. I use up too much energy trudging through snow and slipping on sidewalks to be so focussed. I suspect that any Bookish Extravaganza during sunlit months might enthrall me, but now I’m just too tired. Further, I’m pretty choosy about what I read. You may notice the overwhelmingly-positive nature of my reviews, which is a product of me never ever reading books I don’t want to read, or books I think I should.
Finally, my t0-be-reads are stacked to the roofbeams (note: oh wow, in my new bedroom roofbeams will no longer just be metaphorical!). I’m pretty inflexible when it comes to said stack (someone once loaned me a book without asking and I almost had a nervous breakdown). I don’t have a lot of space to play with bookwise, my life span being limited and the number of brilliant books out there decidedly not.
So yes, I am blaming my own mortality for me not having read Consolation when I should have. And indeed, I should have read it in February, not only because The Toronto Public Library is my world favourite institution, but because the book is wonderful. I was a bit apprehensive because I’d thought it was historical fiction. (I don’t like historical fiction. This annoys people, as does the fact that I refuse to read books containing dragons. I am way more willing to bend on the historical fiction, however.)
However Consolation turns out to be about the engagement between modernity and its history– my most beloved literary pre-occupation! (The reason I love British fiction). And you get so little of that stuff, really, in CanLit, perhaps there not being quite enough history yet to go around yet. (The few exceptions I can think of are books I didn’t like). Sure we are focussed on our past here– you can’t go 5 miles without falling over a pioneer house– but only in the sense that it’s “there”, set up behind a velvet rope. Whereas in Consolation, history is right here– almost literally, in my case. Which is something I find tremendously exciting.
March 8, 2008
Glorious Girls
To honour International Women’s Day, at the Descant blog I’m thinking about the girls in the feminist YA novels I came of age on.
