May 19, 2008
Good news
My good news of today is that my short story “On a Picnic” will be appearing in the Fall issue of The New Quarterly. TNQ is an amazing magazine, and I feel so lucky to be included.
May 19, 2008
Sally J.
I continue to be obsessed with Fine Lines by Lizzie Skurnick, but my obsession was mammoth this week as she reread Starring Sally J. Freedman as Herself, which is one of my favourite books ever. I last read it when I was 24, and enjoyed it more than I ever had. It’s a fascinating book, which I’ve forever linked with Ann Marie McDonald’s The Way the Crow Flies in terms of point of view, dramatic tension, and certain thematic concerns. Sally J. certainly meets my requirement for children’s books worthy of adult rereads: that it becomes a whole new book when you encounter it again, this change providing elusive insight into your childhood perspective. In this book especially, Judy Blume writes from way way up over her readers’ heads, and they end up constructing her world in the same misconstrued (and wonderful) way they approach their own.
I am also excited because Lizzie Skurnick is writing about The Girl With the Silver Eyes next week. I used to love this book, in hope that pharmaceutical-induced mysticism was the key to my social ostracism but alas, my eyes were brown. Further excitement: that Skurnick promises Norma Klein to come (and it is common knowledge that we love Norma Klein here at Pickle Me This).
May 17, 2008
Rebecca by Daphne Du Maurier
I’ve not had much to say lately, suffering from a sudden dearth of original thought. Hoping to ease myself back into consciousness, however, I’d like to touch on Rebecca. The image at right being from the copy I read, a mass-market paperback passed on by my friend Bronwyn (who’d ended up with two).
I knew very little of Rebecca previously– had one impression that it was a ghastly florid romance with no literary worth, and it was also confused with she of Sunnybrook Farm. My interest sparked, however, when one of my favourite book-bloggers began her “Daphne-Fest”. She’d just finished reading Daphne by Justine Picardie, and I’d fallen in love with Picardie’s non-fiction back when I lived in England. I was also intrigued by DuMaurier’s ties to the Brontes, and I was reading Tenant of Wildfell Hall at the time. So round-aboutly, I came to read Rebecca. Quite late too, as everyone else I know who has read it did so in their early teens, and found it somewhat pivotal. I can certainly see why.
I enjoyed the juxtaposition of nineteenth-century gothic with modernish times– like Jane Eyre with automobiles! Naturally, I’d always associated such a narrative sensibility with all things archaic, and so to see it in this context made it new to me. The Jane Eyre references coming often related to this book, though I must assert I thought Rebecca more original than it was made out to be. Connections between the two books were a bit tenuous, incidental– this is a book that stands up on its own. And a fascinatingly constructed novel for a variety of reasons– that we never learn our narrator’s name for one, “the second Mrs. De Winter”, though we learn it’s an unusual name, difficult to spell. The love story’s trajectory less predictable than might be imagined, and the arc of the novel itself, for I have never encountered an ending more perfect. Unexpected and expected at the very same time, and that we do not come full circle. Of all the gaps throughout this novel, particularly this: “And the ashes blew towards us with the salt wind from the sea.”
May 17, 2008
Always being taken for a librarian
“I had always assumed that a certain sense of identity would be strong enough within me to communicate itself to others. I now saw this assumption was false. Tout simplement, in a tarts’ bar, I looked like a tart. I tried to cheer myself up by thinking that after all this was a very good thing for an actress. But it was depressing, anyway. Not so much the thing of looking like a prostitute. I mean, except for the inconvenience of the moment, I found that rather thrilling, but the whole episode was forcing me to remember something that I’m always trying to forget and that is, that in a library as well, I’m always being taken for a librarian. No kidding. My last Christmas in New York, I had an English paper to write over the vacation, and there was this public library I used to go to, and no matter where I sat, people were always coming up to me and asking me where such and such a book was. They were furious too, when I didn’t know. It was eerie I began to feel that I actually was a librarian. The wood growing into my soul and stuff. I suppose I am rather an intellectual.” –Elaine Dundy, The Dud Avocado
May 16, 2008
The girl still can't dance
The girl still can’t dance. When she’s had too much to drink she still flails her arms, knocking drinks out of hands and poking tall people in the eye. Sometimes she abandons fluidity altogether, and jumps up and down on the spot instead— a terrible legacy of Kris Kross and Cypress Hill. When she’s dancing sometimes, people think she’s kidding but she’s not. Celtic is all the rage right now, but when the girl gets her knees up, someone always gets kicked.
May 14, 2008
Born full grown, or make room for a hero
“For a writer those things are what you start with. You wouldn’t have started a story without that awareness– that’s what made you begin. That’s what makes a character, projects a plot. Because you write from the inside. You can’t start with how people look and speak and behave and come to know how they feel. You must know exactly what’s in their hearts and minds before they ever set visible foot on the stage. You must know all, then not tell it all, or not tell too much at once: simply the right thing at the right moment. And the same character would be written completely differently in a novel as opposed to a short story. In a story you don’t go into character in order to develop him. He was born full grown, and he’s present there to perform his part in the story. He’s subservient to his function, and he doesn’t exist outside it. But in a novel, he may. So you may have to allow for his growth and maybe hold him down and not tell everything you know, or else let him have his full sway– make room for a hero, even, in more spacious premises.” —Eudora Welty, The Paris Review Interviews, II
May 14, 2008
Unless
This past weekend has ruined me, and I remain in a coma. Or perhaps I just can’t stop reading Rebecca long enough to focus on anything else. And I have a stack of books-to-be-read up to my elbows, so thankfully this weekend is a long one and I can fill it well.
Last evening I attended the Fiery First Fiction event, and it did not disappoint. I particularly enjoyed hearing Nathan Whitlock read from A Week of This (which I read last month), Shari Lapeña read from her book (which I’ve got upcoming), and then there was Claudia Dey who must have sold her book a thousand times. Personally I’m not sure how I’d live long without it– her reading was unbelievable. Coach House is publishing wonderful books these days; remember Pulpy and Midge? And I also want to read Girls Fall Down by Maggie Helwig.
Read Claudia Dey profiled in The Toronto Star. Watch “the list of books that make the best use of their type” at Baby Got Books. Lorrie Moore’s Collected Stories reviewed. Margaret Drabble is characteristically excellent in “The beginning of life should not be a subject for a crude polemic”.
Today whilst reading The Danforth Review on A Week of This, I was surprised to see my own review referenced. Bryson’s points are interesting, and I found quite illuminating his assertion that novels “are fictional inventions of imagined worlds. They are performances of language, and the references they make to each other– explicitly or implicitly– are of greater interest than a novel’s photo realism.” True enough, perhaps, but then isn’t the novel quite a multitudinous thing? And don’t we all approach it differently?
And like Heather Mallick, I’ve noticed this month’s issue of The Walrus is decidedly short on women writers. “Apparently you can’t have a good magazine unless women are writing it,” writes one of Mallick’s avid readers. But you sort of can’t, actually, in this day and age. Not if you’re writing a general interest/current events magazine, and women are writing practically none of it– is this really surprising? The only pieces written by women are two of four “field notes”, one of four book reviews, a poem by P.K. Page, and one of nine letters to the editor. (Perhaps the whole issue is the answer to Austin Clarke’s story title, “Where Are the Men?”) What all this signifies exactly, I cannot venture to say. But then to me the facts appear as such, I don’t actually need to say anything.
In related news, I’m looking forward to reading Why Women Should Rule the World by Dee Dee Myers. Check out coverage at The Savvy Reader.
May 13, 2008
Same jeans
Things are mad here. We would suggest that when you’re organizing your mother’s surprise 60th birthday party, you actually bring the bag filled with those party things you’ve spent weeks preparing to the party. This way you don’t leave them in your backyard, discover this after driving two hours to the party venue, and then have to drive all the way back to Toronto (and then back to the venue again) which means you’d drive about 600 km in one Saturday afternoon. This would probably also ensure that you’re not insane at said party, spearheading its descent into rampant debauchery. Who would ever have thought a 60th birthday party could get so out of control? It really truly did, my mother perfectly surprised, particularly to see my sister who lives on the other side of the country. A house full of bright lights, loud music and garish prints, and full of friends, and full of family, and we’re truly fortunate these last two are one and the same. (I would post pictures, but they’re unsightly).
May 10, 2008
Fiery First Fiction
Oooooh– Fiery First Fiction! A fantastic promotion by the Literary Press Group. Events are being held across the country, and I’m looking forward to attending Monday night’s in Toronto at Supermarket. FFF is promoting 14 first novels published by Canadian small presses. Buy one at participating independent bookstores and get a free durable book bag– I just got mine, and durable IS the word. I love it. Though I could only get one book today (I am trying to curb book buying habits to no more than one daily) so I selected Things Go Flying by Shari Lapeña. And yes, I chose it by its cover, but I think I’m on to something good.
I was at the bookshop with my friend Bronwyn, which has always been one of my favourite experiences. She’d also brought her spare copy of Rebecca to pass along to me, so it’s been an evening of fine new acquisitions.
May 8, 2008
What I have been waiting for
Last night I got to attend the Kama Reading Series again, with superstar readers Lawrence Hill, Anand Mahadevan, Kelley Armstrong and Miriam Toews. It was such an impressive assemblage, though I must say the ladies stole the show. I hadn’t heard of Armstrong before, but she really took that whole “I write vampire fiction” thing and ran with it– she was fabulous. Truly, I don’t get enough vampire fiction. And then Miriam Toews– I’ve only ever read her incredible memoir Swing Low: A Life, which is one of very few books that have ever left me sobbing. So I knew she was a good writer, but I hadn’t yet been exposed to how funny this woman is. She was hysterical, deadpan, right-on, and I could have listened to her read for ages. I would like to pay her to sit in my house and entertain me. And now I absolutely have to read her fiction– what have I been waiting for?
This week I’ve been reading Geek Love by Katherine Dunn, and getting ready to tack a huge stack of periodicals that have arrived in the post. Also enjoyed rob mclennan’s essay “Rereading Sheila Watson and Elizabeth Smart at the Garneau Pub, Edmonton”.
