May 29, 2008

Is it not too late to become a New Romantic?

My remarkable bookish encounters of late:

• With Once by Rebecca Rosenblum, upon seeing it now available for preorder at amazon.
• With Victory by Joseph Conrad, upon reading (in The Believer Book of Writers Talking to Writers) that Joan Didion always rereads it before starting a new novel, and then says Shirley Hazzard, “[it] travels with me.” So I got it out of the library, and soon I shall read it soon.
• With Atmospheric Disturbances by Rivka Galchen, which I just finished reading today, and isn’t it serendipitous that Baby Got Books has been interviewing said author? Part 1 today, and Part 2 follows tomorrow.
• With the unlikely trio of The Confessions of Phoebe Tyler by Ruth Warrick, 2001 Canadian Slavonic Papers, and Economics in a Canadian Setting by Mark Inman, piled and abandoned on a park bench outside Varsity Stadium.

May 27, 2008

Revolution is a Daily Task

“Even now you will hear, from female critics as well as male, a regular complaint, a bleat – and I call it a bleat as one who, like Gray, knows nothing of sheep farming – that even today women writers play safe with small, domestic novels. They have forgotten that grand truth we learned, or relearned, at the close of the 20th century: the personal is political. The domestic novel need not be small, or tame. Homes are very unsafe places to linger. The crime statistics will tell you the streets are safer. Everything, even warfare, happens first in the kitchen, in the nursery, in the cradle, and no one grows up without a coup d’état against the powers that be; revolution is a daily task, a common story, the narrative that drives all others.” –Hilary Mantel, “Author, author”

May 27, 2008

Links for Today

Links for today: we’ve got Emily Perkins’ Novel About My Wife racking up great reviews in The Guardian and in The Toronto Star. (Read my review, and interview. An aside: very exciting, my copy of Perkins’ first book Not Her Real Name arrived in the post today.) Somewhat dissimilarly bookish, how to make a hardback into a handbag (via The Pop Triad) and I’m going to do it! Baby Got Books celebrates the death of the death of online criticism. Mrs. Dalloway Digested is funny. Hilary Mantel remembers 30 years of Virago. Lizzie Skurnick rereads The Girl with the Silver Eyes.

And one of the many highlights of my weekend was reading the actual printed Guardian Review, particularly Zadie Smith on Middlemarch. Citing Henry James’ 1873 review: “It sets a limit,” he wrote, “to the development of the old-fashioned English novel.” Writes Smith, “It’s strange to see wise Henry reading like a dogmatic young man, with a young man’s certainty of what elements, in our lives, will prove the most significant.”

May 26, 2008

Stunt by Claudia Dey

I’ve approached Claudia Dey’s novel Stunt so differently from the other books I read, and this has been the case from the very start. Because I must confess that I didn’t actually ever intend to read it. For though I admired it from afar, I like my realism, thank you very much. I didn’t really care to read about tightrope walkers, postcards from outer space and strange-named girls who age in a night. Until I heard Claudia Dey read from her novel, at the Fiery First Fiction fete just a few weeks back. And it occurred to me that my presuppositions were all wrong, and probably yours are too, because I don’t know that I’ve read encountered a book like this before.

Dey read from the beginning of her novel at the reading, and I was immediately entranced by her narrator’s perspective. So solidly fixed inside the head of this small strange person, noting her neighbour, “Mrs. Next Door”: “She matches her lawn ornaments. She walks like she is figure skating. She carries a first-aid kit. She is always calling out the time. Bath time. Suppertime. Homework time. She is the cuckoo bird of mothers…”

This narrator is Eugenia Ledoux, devoted daughter of Sheb Wooly Ledoux who disappears one night leaving a note that says, “gone to save the world/… sorry/ yours/ sheb wooly ledoux/ asshole”. He’s addressed it to her mother, to her sister, but Eugenia’s name isn’t there, and so clearly, she believes, he meant to take her with him. She’s waiting for him to come for her. Find me is her whisper.

And then, of course, her mother disappears, Eugenia and her sister double their ages in one night, Next-Door’s house burns down and there begins a perpetual lawn sale. Eugenia runs away to a houseboat on Ward’s Island, following clues towards her father’s whereabouts, which are contained in a library book, the unauthorized autobiography of a tightrope walker.

Naturally. I was explaining the plot today, and everyone looked confused, and somebody sought a label for it– “magical realism”? But no, not really, though there is magic magic and realism in abundance (all the detritus of the earth) but it’s not the right template. I really have no idea what to compare this to, but I can say that it works. That I think of the tightrope, hovering miles into the air, but how taut it is, how strong and sure. The strength and sureness key– you might call this book a bit of whimsy, but never has whimsy been so controlled, so calculated. The language is so fundamental. Every word, every sentence, every symbol in this book means something, and even the ones that don’t.

My approach to Stunt was different in that I couldn’t break the spell. I couldn’t make notes in the margins, think too much about connections, because I was reading. I couldn’t break this novel down into parts, because it would ruin everything, for now at least. No doubt the parts are essential, but right now the whole seems so complete.

May 25, 2008

Life in a Tree

It pleases me to no end that this is the view from my door. Made all the more significant by the fact that I live right in the middle of a very large and busy city, but out here on our deck, we could be anywhere. We bought a table and chairs yesterday, and this morning I was sitting out with a cup of tea and a paper, listening to birdsong and drinking up the sun. We’ve been barbequing regularly for the last month, but last evening was first when it was warm enough to be outside. The last two weekends have been full of friends, fun and potato salad, and luckily, it seems, time enough for everything.

May 25, 2008

The Wait is Over

“The earliest recipes for this vegetable are about 2500 years old, written in ancient Greek and Egyptian hieroglyphics, suggesting Mediterranean as the plant’s homeland. The Caesars took their asparagus passion to extravagant lengths, chartering ships to scour the empire for the best spears and bring them back to Rome. Asparagus even inspired the earliest frozen food industry, in the first century, when Roman charioteers would hustle fresh asparagus from the Tiber River Valley up into the Alps and keep it buried there in snow for six months, so it could be served with a big ta-daa at the autumnal Feast of Epicurus. So we are not the first to go to ridiculous lengths to eat foods out of season.” — Barbara Kingsolver, Animal, Vegetable, Miracle

Last summer it was well-documented when three events coincided to change our lives. The first was the garden, our first, and through some miracle it grew, bearing melons, tomatoes, lettuce and cucumber. Second was our local farmer’s market, which we started attending at the end of July, and these visits brought us yellow tomatoes, blue potatoes, abundant squash and extraordinary cheese. And third was that we both read Animal Vegetable Miracle, an extraordinary story, from which we learned about seasons, how we’re connected to them and to the earth through the variety of things we eat. Because we’d really had no idea before, and coming to understand was the most amazing (and delicious) education. I’d missed twenty-seven asparagus seasons by that point, and so I swore I’d never miss another.

Ontario asparagus appeared in our grocery store last week, and we’ve been eating it by the bundle. Looking especially forward to the local farmers market here in our new neighbourhood starting up in less than two weeks, so we’ll be able to catch the end of the asparagus crop there.
And then we’ll follow the culinary season, as we’re learning to do, feasting on the vegitannual. I’m rereading Animal Vegetable Miracle too, but taking it slow, following its seasons as they mirror our own. We’ve also got a garden here at our new house, albeit in pots–the plants of which some failed to survive a run-in with squirrelly types sometime last night. Such are the challenges though, and how pleased we are to face them. Here at our house we’re looking forward to a delicious summer ahead.

Below, check out the pie I baked last weekend, made with the localest of rhubarbs. And do note that we’re going to see Barbara Kingsolver on Tuesday, reading at This is Not a Reading Series. I think that tickets are still available.

May 24, 2008

Epizoodic

From Bryson’s Diction for Writers and Editors:

Epidemic. Strictly speaking, only people can suffer an epidemic (the word means “in or among people”). An outbreak of disease among animals is epizootic.

May 23, 2008

A Nice Cup of Tea

My first tea ceremony took place in a crooked Tudor house in the English Midlands, a sign outside indicating which seventeen century king had once stayed there. The tea was simple, Cream Tea, pursued mostly for the sake of scones and jam. Made with PG Tips pyramid bags, the tea steaming in its pot and too hot yet to drink so I prepared my scone– spread the Devonshire cream thickly, topped it all with a dollop of jam.

Such an initiation into Englishness was not at all lavish, would even have been austere if not for the jam and cream indulgence. But it was a sacred ritual undeniably, every element essential, from the currents in my scone to the teacup’s rattle in its saucer. To the reverence bestowed on that steaming pot of brew, steeped to perfection. Poured to be admired: a nice cup of tea.

Tea in England is remarkable for its permeation into ordinary life. While I lived there, I studied the soaps and I soon learned “I’ll put the kettle on” would be the first response in any crisis. I’ve always loved the news stories of power surges following pivotal episodes of Coronation Street or EastEnders, Britons rising from their sofas to put their kettles on at the very same time.

I was pleased, however, upon marrying an English man and becoming part of his family, to gain a view onto Englishness beyond the television’s. And though the soaps’ depiction of ordinary life turned out not always to have been accurate, the tea thing was spot on.

At my in-laws’, we partook in the tea ceremony eight to ten times a day. Without ornamentation, of course (scones and jam are special occasions), but the steaming pot stayed fundamental. Each day was constructed around its tea breaks, a cup taken with meals and then to follow them. Tea was the bedrock of our everyday, plus a pick-me-up in a pinch (“I’ll tell you what you need right now— how about a nice cup of tea?”).

When my husband and I moved to Japan a couple of years later, I was only vaguely aware of the Japanese tea ceremony, a thousand year-old tradition rooted in Zen Buddhism that is, like so much of the culture, hard to explain. Practitioners enroll at Tea Schools and study for years to become proficient both in the actual preparation of the tea and in the ceremony itself. They must also study calligraphy, flower-arrangement, the art of wearing a kimono, among other things.

As tea lovers, we were both interested in Japanese tea and with great enthusiasm, we’d soon prepared our own ceremony. Purchasing a round Japanese teapot and a big bag of green tea leaves, and of course we knew how to brew it— pouring on the leaves (we do like our tea strong), adding boiling water, and we waited for it to steep.

When the time came, we poured our tea into mugs and sipped, not even tentatively. The bitterness was troubling but, trying for cultural sensitivity, we ignored it. And even after we realized the tea made us sick to our stomachs, we continued to make it. Reminding ourselves of the health benefits, that we’d get used to the taste, and as Japan was where we lived now, stiff upper lips would be maintained.

My Japanese tea experiences were an initiation into Japaneseness only as much as they affirmed that I’d never really belong there. Affirming that we were outsiders, for otherwise wouldn’t we have known that green tea is to be prepared weak, with water past boiling to avoid bitterness? We should have let the tea steep for just a minute or two, consuming it in small quantities— in cups more like thimbles than our cocoa mugs.

This was all properly demonstrated when we attended an actual tea ceremony. Kneeling on the tatami mats in our proper places as guests, with our host dressed in a kimono, her quiet demeanour setting the tone. She purified the tea bowl with a special cloth, added green tea powder and then hot water, and stirred it with a bamboo whisk. No scones, we received a small sweet instead, the colour of cherry blossoms and made with pounded rice. We bowed as we received our tea.

But when I say that we didn’t belong in Japan, I don’t mean that it didn’t become home to us. As in the tea ceremony, the two of us were guests taking part in a ritual we would never fully understand, but it was our everyday life for a while. That it couldn’t have gone on forever doesn’t mean we miss it any less.

In Canada, where we live now, our tea ceremonies continue. We put the kettle on first thing in the morning, and it’s the first thing we do upon arriving home at the end of the day. We can do caffeinated or herbal, and we now know how to make green tea delicious. Our ultimate indulgence is High Tea at a posh hotel downtown, but we save these occasions for fear of spoiling ourselves.

And tea at our house is certainly not without its own charms— I can whip up a batch of scones in twenty minutes, and we eat them with jam made from strawberries we picked last summer. The tea brewing in our little white teapot, the very centre of our household.

Tea remains a sacred ritual, undeniably— the world stopping for pleasures we’ve come to know by heart. Linking our past and present, the places we’ve been to how far we’ve come. A delectable definition of home.

May 22, 2008

An attentive reader

“It takes a lot of work, writing, writing, and rewriting to get the music exactly the way you want it to be. That music is a physical force. Not only do you write books physically, but you read books physically as well. There’s something about the rhythms of the language that correspond to the rhythms of our own bodies. An attentive reader is finding meaning in the book that can’t be articulated, finding them in his or her body. I think this is what so many people don’t understand about fiction. Poetry is supposed to be musical. But people don’t understand prose. They’re so used to reading journalism– clunky, functional sentences that convey factual information. Facts… just the surfaces of things.” –Paul Auster, The Believer Book of Writers Talking to Writers

May 21, 2008

Why Women Should Rule the World by Dee Dee Myers

I decided I had to read Why Women Should Rule the World after I heard Dee Dee Myers interviewed on CBC’s The Current last month. Her intelligence and experience made a remarkable impression, but it was her optimism that was so inspiring. Coupled with the absolute sensibility of her message: that empowering women is good for everybody. The title is provocative but Myers means it, defining world-ruling as “[taking] advantage of all that each of us has to offer.”

This book’s strength is its fusion of disparate ideas to form a comprehensive whole– so refreshing. Part of it is the politically sensitive nature of Myers’ material– she’s doing a lot of elaborate sidesteps on the way towards her arguments, in order not to be read as in attack mode.

But more than sidestepping, Myers articulates her ideas well beyond polemics. Part of this is her book’s hybrid nature: part memoir, part treatise. She is able to illustrate her own experiences in politics, the ways in which being a woman hindered her own advancement– as White House Press secretary she was given more responsibility than authority, which seems to be a typical story; how she was told, when she protested a subordinate colleague being paid a higher salary, that he had a family to support; the struggle to be likable in authority, which men are rarely faced with. Myers worked as Press Secretary in the Clinton White House for two years, worked in writing and television afterwards, and then got married and had a family.

She writes, “That’s my story, but…” The “but” being key, that hers is not the only choice. “Women want and deserve not only the flexibility to manage work (and family) from day to day, but also the ability to make choices that allow them to pursue their goals across a lifetime.” Her focus remains on power, however, because “[a]ssuming that women– even women with children– don’t want the top jobs means that too many women will never get the chance to make those important decisions for themselves.”

Myers’ reality is complex, and she asserts that women need to accept and support women whose choices are different from their own. She thinks of herself as a feminist, but from watching her son and her daughter she’s certain– “[it] isn’t nature or nurture: It’s both.” She acknowledges aggressive tendencies inherent in men in particular, but realizes these inherited traits aren’t our destiny. Dealing with the example of Margaret Thatcher: that it is too much to expect one woman to change everything, and surely her position altered the world’s opinion of what women were capable of.

That different can be equal: “That doesn’t mean that every man should be expected to behave one way, nor every woman another. Rather it means that women’s ideas and opinions and experiences should be taken as seriously as men’s– regardless of whether they conform to traditional stereotypes.”

Through her own experiences, statistics, and interviews with other women, Myers illustrates the various ways women can be systemically excluded from power. Showing that this is dangerous, not just in principal, but in terms of economics: she shows women as “the engine driving economic growth worldwide,” and not just with their immense consumer power, as she cites studies showing that Fortune 500 companies with the highest percentage of women on their boards have significantly higher returns on equity, sales and invested capital.

Myers explains that men and women experience the world differently, and she demonstrates how traits typical to women, such as negotiation skills and collaborative strengths, can be highly effective in business. Moreover that women’s own lives are strong training grounds for management experience– motherhood in particular. She cites examples of women playing key roles in peace processes around the world. That in achieving “critical mass”– wherein women are not token, but a strong enough force to actually make a difference– everybody wins.

Myers is not overtly prescriptive– the general nature of her arguments ensures her book’s relevance is wide. Surely different institutions must find their own way towards solution, by Myers’s book is undeniable impetus for them to do so. I would like to think a man would read this, and find it as fascinating as I did– and not get defensive. That women could cease slinging internecine arrows for a little while, and understand that ganging up on each other is part of a game we don’t have to keep playing. The world can be better.

“This isn’t what I think,” writes Myers. “It’s what I know.”