November 3, 2023

Four Books I Really Loved

These four books are going to have spots on my Favourite Books of the Year list for sure, so I want to make note of them them here, but (apart from Penance, which I read last weekend) they were also books just so thoroughly read for pleasure that I didn’t want the work of writing a proper review….

Penance, by Eliza Clark

I bought Penance after reading a review in the New York Times and I was so glad I did. Set in a desolate English seaside town (is there any other kind of English seaside town?) on the literal eve of Brexit, it’s the story of a teenage girl who is set on fire by a group of her peers, the novel framed as a Capote-esque true crime expose by a male author who has interviewed the girls involved in the incident, as well as the mother of the victim. Although by the end of the book, readers will be asking who isn’t the victim here, and while the dead girl hardly had it coming, this also isn’t a typical story of bullies gone homicidal—there are all kinds of dynamics at play, and there’s a centuries old curse, a legacy of witch trials, a haunted amusement park, and more, which made it a pretty satisfying read for near Halloween.

*

Games and Rituals, by Katherine Heiny

It’s possible that loving Katherine Heiny’s work could constitute a very large part of my literary identity if I let it, and a highlight of 2023 for me was that a new Heiny book was in it, just as I’d read everything else she’d written (and I guess it’s time to reread now). I didn’t love Games and Rituals as much as I did her earlier collection Single, Carefree, Mellow, but that’s a high bar, and I did love it enough to read an advanced copy during a snow storm in December and then buy a hardcover and read the whole thing again in April. All these months later, I’m still thinking about the story of the women dressed inadequately as she’s helping her husband’s ex-wife move, hauling boxes in the freezing cold, a woman she’d first encountered years before when the two of them worked a overnight suicide hotline together. Heiny gets compared to Laurie Colwin (I encountered her first as emcee of a literary event celebrated the reissue of Colwin’s work in 2021), but she also has Sue Miller vibes in mapping unconventional emotional terrain and reinvention of the family tree as family is made and remade. I love her.

*

The Rachel Incident, by Caroline O’Donoghue

I read this one over the August long weekend, partly on the beach, and it was incredible, twisty and full of surprises. It’s about an Irish journalist who lives in London covering Irish issues, their abortion referendum in particular, and she happens to be quite pregnant with her first child, all this the backdrop to a story of something that happened years before when she was a student in Cork and shared a house with her friend James, who’d been her colleague at a bookstore where they’d finagled a professor she’d had a crush on into holding a book launch for his academic book that really wasn’t of interest to anyone, but what happens that night changes the course of everybody’s life. A story of class, love, and friendship. I loved it.

*

Tom Lake, by Ann Patchett

I bought the hype, and the book lived up to it, but also I wasn’t resisting, and I think that’s key. A slow and cozy book, set during Covid lockdown. A mother’s three grown daughters return home to help with the family’s cherry harvest, and she tells them stories of her experiences playing Emily in productions of “Our Town,” the daughters still scarce believing that once upon a time, their mother was almost a movie star. This is a novel about mothers and daughters and their unknowability to each other in fundamental ways. It’s also an ode to Thornston Wilder’s “Our Town,” which I know absolutely nothing about (I think it’s quintessentially American…), and I enjoyed it anyway. Plus I found a used copy of “Our Town,” which I’m looking forward to reading soon.

November 3, 2023

All Souls

Halloween is always a wild week. Just a couple days late to wish you spooky wishes from The Annex!

October 30, 2023

Taking Stock

With thanks to Pip Lincolne for the inspo!

Getting: a new pair of goggles in the mail this week as my last pair…disappeared!
Cooking: Sweet potato leek chicken casserole from this crummy one pot cookbook I bought in 2006 that I will keep forever in spite of the crumminess for this one recipe, which I love, and which I thought was very complicated back in 2006, but now it isn’t.
Sipping: tea! Yorkshire tea (but not Yorkshire Gold because of inflation)

Reading: Valerie Kaur’s See No Stranger and Lesley Krueger’s latest Far Creek Road
Thinking: Of every stupid thing I’ve ever done or said…and it isn’t even four in the morning!
Remembering: yesterday in the soft light of my friend Jennie’s house and a glorious afternoon with my bff’s and our families.
Looking: Out the window as the leaves change from orange to brown
Listening: to 1989 Taylor’s Version, which my teenager plays on her phone as she walks around the house
Wishing: That military grade weapons would spontaneously evaporate
Enjoying: Watching Derry Girls for the third time, but for the first time with my kids

Appreciating: My daily swims, and also one more homegrown bouquet from my garden!
Wanting: to go to bed early tonight so that I can read
Eating: maple flavoured almonds, my most expensive treat, which are on my long list of reasons why I will never be able to afford a house.
Finishing: my work day, which had a different shape because my youngest child had a sports practice at 8am so I took her to school and swam first thing.
Liking: Having my winter coat at the ready this morning.
Loving: reading Halloween stories with my family
Buying: new sheets for my kids’ beds as there are holes in the ones they have now and I would like “providing my kids with unholey bedsheets” to be my legacy.
Watching: Not Ted Lasso, whose third season I haven’t been able to finish because I don’t really like it?
Hoping: to remember to cancel my Apple TV subscription. And also for a movement away from this not great time of right-wing demogogues. And that it doesn’t rain for trick-or-treating.
Wearing: A cardigan, OBVIOUSLY
Walking: the same route daily, from my house, to pool, to kids’ school. Living the dream.

Following: The Turning the Page on Cancer fundraiser, which has raised more than $60,000 this year. Thanks to everyone who helped me surpass my goal and raise $1180.00
Noticing: That it’s getting so dark in the morning.
Saving: the depth-of-my-bones feeling of summer to last me through the darkness of the months ahead
Coveting: Not much! Everything I’ve want, I’ve got. I would like the world to take a chill pill.
Feeling: Like everything is really heavy, but grateful for every single bit of LIGHT.
Hearing: The silence that is my 15 year old fridge no longer making a rattling noise, but also (inevitably) a leaf blower. Tis the damn season.

October 27, 2023

One Week

Publishing a book, as I’ve said before, tends to be weird and embarrassing, and the hardest thing about it (the struggle is REAL) is that there are almost never weeks like this one.

Weeks where a room full of people come together for a fabulous night of fun and conversation, and book buying, and wonderful friendly people line up for my autograph. (Thank you so much to the Book Drunkard Festival for a very good night!)

And then on Wednesday, I got to dress up in an actual sequinned ball gown and be feted (and bring along the most HANDSOME and CHARMING plus-one) to the Writers’s Trust Storytellers’s Ball. We had the best time, and it was truly a night to remember.

And if all that wasn’t enough, I received a message from my publisher at Doubleday Canada yesterday who’d seen a certain gorgeous novel being read on public transit, and she’d even snapped a photo, and that’s even more dazzling than the ball gown.

October 25, 2023

Gleanings

• The bottom line is this: I don’t want to pretend to know more than I do or care less than I do. I want to live in this world awake, gentle, fierce, thoughtful, realistic, other-oriented, intentional, standing up for the least structurally and materially powerful. I don’t want to be pressured into performance or assuaged by box checking.
• I told him how I used to ride in the backseat of my Dad’s car every Sunday night listening to Neil Diamond, how Diamond is my Williams. It’s funny how music weaves its way into a soul, how twenty, fourty years later, we listen to the music from our childhoods and remember.
• As it turns out, the secret to loving yourself is to observe any emotions that surface, no matter how uncomfortable—sadness, fear, guilt, shame, anger, hurt—and just… hold on and brace yourself for this, because it’s kind of revolutionary… Let yourself feel them.
• All the energy being spent on attacking and unfollowing and disparaging each other online can and should instead be spent validating our own feelings and giving ourselves the space to move through them.
• I will continue to talk to strangers. 
• I’ve been thinking about this a lot lately in my quest for nicer times – and in my quest to be a better pal/human. Then I figured YOU might be thinking about this kind of stuff, from time to time, too. So in the name of nicer times and more friendly friendship (or family-ship!) here’s a list of things that might be slightly less jarring than the age-old ‘Cheer up!’
• Watching one tiny body bag after another being carried from the annihilation in Israel and the Gaza Strip has cut me to the very marrow.  Every night watching the news I feel gutted. All life is precious and finite, but the massacre of children in their kibbutz homes and armageddon at the Al-Ahli Hospital are overwhelmingly soul-wrenching. Childhood innocence stolen by hatred. The promise embodied in those wee souls forever unfulfilled.  It’s so much worse than heart-breaking.  
• All of this mothering has been calling me more and more inward, into myself, to take responsibility for what’s mine. To feel, to heal, to be. To carry what’s mine to carry.

October 19, 2023

Landbridge: life in fragments, by Y-Dang Troeung

“In the image of the land bridge, the ingenuity of refugee survival is laid bare alongside the scourge of permanent war. Backward from Cambodia to Laos, Vietnam and Korea, and forward to Afghanistan, Syria, and Yemen—how far can this bridge wind on?” —Y-Dang Troeung

This week was a sadly fitting week to read about war, about the terrible violence that human beings inflict on each other, what it means to survive it, what survival even looks like. And in the posthumous memoir by Y-Dang Troeung (a UBC Professor of English who died from pancreatic cancer in November 2022), survival looks like a life—a world—in pieces, in fragments, including letters to her young son, reflections on her experiences in Phnom Penh where she visits tourist attractions devoted to attempted genocide, contemplation of a tangle history of colonialism and Asian connections, news clippings from her own refugee family’s arrival in Canada in 1980 where they were personally greeted by Pierre Trudeau, this contrasted with images of his son—now Prime Minister—greeting refugees from Syria in 2015, and these are supposed to be happy endings, but the true experience runs much deeper and is more contemplated, and also war trauma never ends. Troeung shares photos from her family’s time in refugee camps, where she was born after her family’s survival of “Pol Pot Time,” the horrors branded on the psyches of her parents and her brothers, what it means to be just removed from that. She writes about growing up in Goderich, ON, and falling in love with the work of local writer Alice Munro, wondering if she’d ever see people like her and her family in any of Munro’s stories. “Now, over twenty years since I left Goderich, I have stopped waiting for stories like mine and my family’s to be written by the national artists. When, little by little, these stories do emerge, they come from refugees who write in poems and fragments. We, the children of refugees, let the stories we could never write drop through our fingers.”

October 18, 2023

Something Borrowed: The Epigraph Edition

The SOMETHING BORROWED series is back, in which I share items and ideas that I used to create my new novel, ASKING FOR A FRIEND. In this case, used with permission! My novel’s two epigraphs are from work by Erins Wunker and Noteboom (the latter also known as children’s author Erin Bow). From Wunker’s NOTES FROM A FEMINIST KILLJOY, a few lines about friendship as an uncanny mirror. The poetry by Noteboom (which I originally read in The New Quarterly and was published this year in the collection a knife so sharp its edges cannot be seen) lines about what gets lost to history and what survives, the chance of that, tying into ideas about long friendship and also my novel’s consideration of museums. I’m grateful to both these writers for providing such inspiration.

October 18, 2023

Clara at the Door With a Revolver, by Carolyn Whitzman

A sad reality of my life is that there are more books than time, which means that many review copies that arrive on my doorstep don’t end up getting read (and for many of these, I was never the target audience anyway). And usually my calculation for what to keep and what to pass along works out fine, but it sure didn’t in the case of Carolyn Whitzman’s Clara at the Door With a Revolver, which I may have even received two copies of, but I don’t read a ton of nonfiction anyway, and never got around to which I was terribly sorry about once I’d attended the Toronto Arts and Letters Club’s panel for the Toronto Book Awards and listened to Whitzman read from and present about her book, which was a side project to her academic work on housing policy. Because the presentation was fantastic and Whitzman made clear that this story of a Black woman in 1890s’ Toronto who dressed in men’s clothing and famously carried a gun who managed to be acquitted by an (all white male, obviously) jury for the murder of a wealthy young man has a lot to tell readers about both its time and our own.

All of which primed me to be altogether ready to be hand-sold a copy of this book by the amazing Mary Fairhurst Breen (whose memoir I read awhile back!) at the Spacing Store on Saturday, and am I ever glad I bought it. I had my Covid booster on Saturday afternoon and spent a grey and blustery Sunday resting it off and speeding through this fast-paced story that’s gripping and fascinating, but also so rich with historical detail about, say, what life was like for a Black woman in 1890s Toronto, how the city’s robust newspaper scene (there were seven dailies) helped to define the stories they told, or that boathouses were notorious scenes of carnal activity (who knew!). There is also a cameo by Arthur Conan-Doyle, and lots about housing, and my suspician that Whitzman’s work would turn out to be fresh, engaging, vivid and relevant turned out to be spot on.

October 17, 2023

Gleanings

• I learned the word, Weltschmerz this week, which in German literally translates as, “world pain.” It’s a feeling triggered by the inexplicable pains and evils of the world, when our ideals of how the world should be collide with the darkest of realities.
• Look At Me offers no such consolation, especially if you recognize anything of yourself in “Little Orphan Fanny.” Fanny is a tortoise to the end, but her only victory is having the last word.
• What a gift. This completely changed my internal rules of engagement — from expectation to empathy, from pointing the finger externally to checking in with my own self.
• The next day at work, they asked us to play Nimrod before our concert in honor of Viv. I understand the sentiment behind this, but I don’t think the people who made this decision fully thought it through?!? Like, have you ever tried to play a brass solo while you were ugly-crying?!? I prepped in the bathroom beforehand by making myself a giant scarf made of toilet paper, and you bet I needed it. I wonder what Viv would have thought of it all—I’m pretty sure she would have laughed, with a very subtle eye roll.
• Why bittersweet, I wonder, not sweetbitter? How did this compound noun come to be created in this order, putting painful first and pleasurable second?
• Does this inevitably lead to passing judgment and evaluation on people? Do I consider a seamstress less admirable or valuable than a poet? Yet, there are people who evoke admiration even though I have no desire to do what they do:  Firefighters, doctors, nurses, teachers.
• Jack and steam – forever linked by their common attributes of invigoration, restoration, and danger. 
• Memory is wild and memory association is wilder, still. I think I will always associate Stop Making Sense with Ric and 1984, but I was really glad I got to experience it again, almost forty years later, with Chuck. And I think Ric would appreciate that, too.
• The ping of an incoming email. A friend, who ends her note with, “You are brave and good.” I hope she is right. I hope that I am brave and that I am good. I’m grateful that she can see those characteristics in me, especially on the days when I cannot. 
• Now here’s a store novel that is not twee or earnest; it’s funny and mostly realistic, with mentions of working conditions of regular women, and the perils that face single women in the 30s. 
• As women gather more years we become disinterested in trying to live a perfect life as defined by popular theories and philosophies.  Freed from those expectations and efforts, we’ve acquired a new freedom, a stronger self-confidence and greater contentment.  Instead, our passions are directed at nurturing and enjoying our relationships and friendships, at hobbies and sports and at activities – travel, theatre arts, volunteerism.  Our energies are focussed on living an intentional and thoughtful life.
• This morning it’s raining and I’m inside, quiet, wishing I had my mother here to talk with, to offer her the gift or curse of this story to in a way that was loving. So much was withheld from her in her life, particularly during her childhood; she was marked by it. She was a good mother, maybe better than I deserved, because I wasn’t always much of a daughter, or at least not the daughter she might have wished for. Nearly a hundred years ago she was wrapped in a blanket and handed off to a household in Halifax where she was considered a boarder. One name was dropped and forgotten, until now.
• The thing about the plot of an ordinary life is that it’s only revealed slowly and partially even to the one living it!

October 17, 2023

Synthesis

If you’ve been around here for a while, you know that my blog is most useful to me as a place to work through my thoughts, ideas, and confusements, a place to try to synthesize ideas that seem disparate, contrary, and that this process is a way to calm my busy brain.

Synthesizing is what I do, as a human being and as a storyteller, and not long into my experience in therapy (for anxiety) it became very clear to me that every book I’ve ever published exists as an attempt to complicate binaries, to inhabit grey areas, and to bridge divides. And by extension, that I feel a responsibility to bridge divides, to manage conflict, that I feel a tremendous amount of anxiety about any conflict or disagreement that I’m not charged with mediating, and that I take on the role anyway in my own mind and fry my brain cells in an attempt to get it all sorted out.

Social media is really hard for me because of all of this. First, because I have a hard time understanding that not every message is directed at me personally—synthesizing is what I do, and so I’m using all the data, plotting it, trying to understand it, making it all make sense. And second, because it doesn’t all make sense, it can’t, and no amount of understanding or management can form all that noise (most of it charged by other people’s emotions) into a cohesive narrative—which, of course, doesn’t stop my brain from being wide awake at 4am trying to make it so.

That I can’t control how other people think or feel or emote—I don’t think I’m unique in finding this impossibly difficult. For me, that lack of control feels like a real threat to my security, even if it isn’t in practicality. Learning to let other people think what they think and feel what they feel has been an important part of my progress in terms of mental health, to learn to understand another even if I disagree. Also to sit with pain and suffering and their realities, instead of trying to fix it, or deny it. because it makes me feel better. To accept that there is not just one narrative (and also maybe that someone has more chance at arriving at what I believe to be the truth if I give them the space to get there themselves, rather than insisting on their arrival). That just because someone has a different story than mine, it doesn’t mean they’re wrong, or even that I am. I have become disillusioned with a politics of self-righteousness (along with hierarchies of suffering), because I don’t think righteousness is politically self-defeating (and also/and-by-extension, righteousness itself becomes a a silo in which one loses touch about what one is right about in the first place).

I don’t know where I’m going with this. And maybe that is the point.

And course, I sort of do know where I’m going (if not where I’ll ultimately arrive), which is that in the last week and a half on social media, I’ve been witness to conflict like I’ve never seen before. (Which, OBVIOUSLY, is the least important fact of all of them regarding conflict in the last week and a half, but, see, they’re not covering my mental state at the New York Times, so I’m sorting it all out here, and I know my three loyal readers will understand.)

So much CERTAINTY has been really impossible for me to grapple with. Of course, the proverbial “It’s complicated” is an obfuscation, for sure (as well as, in almost every instance in which it’s employed—mostly an excuse to do nothing, an acceptance of the status-quo) but I think “It’s simple” can be just as much. Especially when presented by both sides who are using identical language—of pogroms, of genocide, of being on the right side of history—and insisting that their opponents are simply presenting lies and propaganda.

How does one begin to synthesize that?

Partly, I suppose, by understanding that both sides are using this language inspired by genuine fear, by terror. Terror that’s justified by historical precedent, borne through inter-generational trauma, and justified by anti-Semitic and anti-Muslim acts of hate and violence. As a person who lives with anxiety, I actually understand a tiny fraction of what this must feel like. I felt it this week as my community centre heightened security, as I received updates from my child’s school in response to threats real and imagined.

But it’s the dehumanization I’ve struggled with, the reaction of so many to take sides, to post flags, the impulse to debate about just how babies were murdered, or justify the deaths of thousands more children. As though there was no other choice, that this is just the way. As though any of this will make anybody safer in the end. When you’re fighting a monster, and your enemy puts you in a place where you’re justifying the death of somebody else’s children (as though there were any such thing as “somebody else’s children), you’ve become the monster you’re fighting and your enemy has won.