August 10, 2009
T is for Toronto books
Oh, no one tagged me, but I want to play too. To join Rebecca and Kate in compiling their top Toronto books. I’m not sure I can come up with fifteen, but this is the best I can do off the top of my head. (Update: Fourteen. I’ll do my best to think of another. Update Update as inspired by Rebecca: YES! BOOKY! Update 3 see below).
1) A Big City ABC by Alan Moak: I have the original edition of this book, with Exhibition Stadium instead of the SkyDome under “B is for baseball”. And I is for island ferry indeed. The illustrations are beautiful, and I remember spending considerable time examining them closely when I was small. (This book was re-released in 2002, and will be coming out in paperback in October).
2) The Robber Bride by Margaret Atwood: I love the depictions of Ward’s Island (I is for island ferry, see above) especially, but the entire book captures the city’s neighbourhoods brilliantly. I was also quite fond of the university setting when I was getting ready to become a student in Toronto myself.
3) Cat’s Eye by Margaret Atwood: Shows the fringes of the city back when the fringes were newly constructed bungalows in a sea of mud up around St. Clair Avenue. And the ravines! And then revisits to find the city changed by the 1980s, with grey skyscrapers that were like tombstones.
4) Headhunter by Timothy Findley: For a course I took called “Reading Toronto” in university, I read works including some Morley Callaghan, Fugitive Pieces, Alias Grace, The Swing in the Garden by Hugh Hood, and this book. I’m not cheating by stocking this list with my course syllabus, but Headhunter has to be included as it’s stayed with me ever since I read it, particularly the scenes in the Toronto Reference Library.
5) Stunt by Claudia Dey: I is once again for island ferry, and P is for Parkdale. Eugenia Ledoux’s narrative is Toronto as an underwater dream.
6) Muriella Pent by Russell Smith: The reason I ever took a walk to Wychwood Park, Smith’s most recent novel is Russell Smith the novelist coming into his own. Also notable for Brian Sillwell’s basement apartment.
7) Helpless by Barbara Gowdy: Once again, the neighbourhoods. Here is Cabbagetown, the dodgy end, portrayed as a place where people live and where community happens.
8) Girls Fall Down by Maggie Helwig: Toronto underground, in the deepest ravines and down in the subway’s depths. Helwig creates an unfamiliar city out of Toronto in the grip of panic.
9) When I Was Young and In My Prime by Alayna Munce: P is still for Parkdale, and for poetry too, Munce’s poem/fiction hybrid an extraordinarily rendered feat. Toronto stands for onward and away as the narrator grapples with her grandparents’ decline.
10) The Killing Circle by Andrew Pyper: Terrifying! And you could plot it on a map, which is Terrifying! doubly.
11) How Happy to Be by Katrina Onstad: Here is great urban fiction, undeniably set in its place. Which is Toronto ’round the turn of this century as lived in by a media/culture/cool savvy journalist who’s less savvy about where her life is headed.
12) Minus Time by Catherine Bush: I found this to be an imperfect novel with so many perfect components, one of which is its depiction of Toronto. Particularly a Toronto not-too-long-ago already lost, the Robert Street tennis courts/ice rink which had been the home of the narrator’s now-demolished childhood home. And not just because it’s around the corner from my house.
13) In The Skin of a Lion by Michael Ondaatje: I know it’s cliched, we’re supposed to hate this book, and though I’ve loved it less with each reread, it still makes the Bloor Street Viaduct magical to me, as well as the majestic RC Harris Water Treatment Plant (which I despair they no longer offer tours of).
14) Unless by Carol Shields: Much of it takes place in a fictional small town north of the city, but the heart of it is set on the corner of Bloor and Bathurst, just across from Honest Ed’s.
15) The Booky Trilogy by Bernice Thurman Hunter
15.5) Jonathan Cleaned Up and Then He Heard a Sound (or blackberry subway jam) by Robert Munsch
August 10, 2009
Not my bag
I hate jazz. I’ve never liked it, there was a time when I pretended I did and tried to learn to like it behind the scenes, but I never managed. I gave up pretences and decided to just hate it hands down the day a jazz-loving former co-worker walked into the staff lounge where someone else had put a bit of The Great Satan on the stereo, and co-worker waggled his head in a be-bop style, looked confused and said, “Hey, I thought this was my bag.” Which summed it all up for me, and that was the end. My beloved Tabatha Southey illustrates her jazz-hating experiences in this week’s column.
August 7, 2009
Now reading/not reading/etc.
I am now reading Shelf Discovery: The Teen Classics We Never Stopped Reading, and I’m loving it, loving it, loving it. The “book reports” it contains remarkable, not just because Lizzie Skurnick indulges in good nostalgia, but because of the subtext she unearths the second time around– her treatment of classics, including Daughters of Eve, Harriet the Spy, Nothing’s Fair in Fifth Grade, and The Cat Ate My Gymsuit demonstrate something wildly substantial (and subversive) going on in YA literature back in the day.
I’ve not managed to read through a single magazine/periodical since my daughter was born, and so I’ve got a stack beside me on my desk right now and no clue when I’m going to get to them. (FYI: my “desk” is now an end-table beside my gliding chair in the living room, which actually works out quite handily.) There are so many books and so little time that periodicals hardly seem to factor into the equation. I should probably make a new blog label called “Not Reading” and then I could write about it all the time.
Last Friday I had to spent two hours waiting at the Passport Canada office, and they’d probably never seen anyone happier to wait. Mostly because I HAD A BOOK IN MY BAG and BABY WAS ASLEEP IN HER PRAM. Baby stayed asleep for two hours (and then, having exhausted her patience/goodness resource, proceeded to be horrible for the rest of the day, so much so that I was destroyed by evening, but alas) so that I had more uninterrupted reading than I’d had in 2.5 months. It was extraordinary, particularly as I was reading the marvelous Between Interruptions: 30 Women Tell the Truth About Motherhood. Only problem with that being that the book was so engaging, I felt like I’d lived the lives of 31 mothers that day, which probably contributed to my destroyment by 5 pm.
Anyway, speaking of waiting, Rona Maynard on waiting-room lit and Marilynne Robinson’s Home. Rebecca Rosenblum’s submission tips for aspiring writers is also worth a read. The great Lauren Groff, illuminatingly, on rejection notices. What’s wrong with charity book shops? is an interesting (though not conclusive) response to questions raised in the thought-provoking article “Selling Civilization” from Canadian Notes and Queries.
Now, must wake baby, feed baby, change baby. For we’re off to a program at the library that promises songs, and stories and “tickle rhymes” for all. (I’m not sure if it’s sad or amazing that this is my life now.)
August 5, 2009
Family Fun
Harriet can’t wait to learn to read so that she can join in the family fun.
August 3, 2009
Weed whacking?
From Alex Good’s piece on negative book reviews: “Critics in this country are often accused of enviously cutting down our tallest poppies. For the record, I don’t see a lot of this happening, but even if I did, I would be inclined to think it good horticulture rather than conduct motivated by one of the seven deadly sins. The tallest poppies are precisely the ones that need the attention of a critical weed whacker. They suck up all the oxygen and take the most nutrients from the soil, crowding out all of the up-and-coming green. Better to pull such plants out of the ground, shake the dirt from their roots and toss them on the weed pile.”
Inarguable. The problem, however, is that Good’s metaphor is all too apt, and “whackage” seems to all too often pass for literary criticism in Canada, all clumsiness, frantic motion and violence implied. Is a poppy always necessarily a weed either? All thoughtfulness and consideration go out the window, and we’re left with paragraphs such as the following (from here):
“For Atwood, despite her dowager status in Canlit, is a writer who, with very little in the way of linguistic flare and visionary intensity, writes (or wrote) a kind of period poetry that gives the impression of having long passed its “best before” date. As with most of the characters in her novels, so with the words in her poems: predictable, unvarying, wooden, truncated, connotatively flaccid, oddly nasal in their timbre, and devoid of real signifying power because relying for their effect on a near-perfect correlation with the cultural temper of an audience desperate for corroboration. Owing to this bizarre resonance, Atwood was spared the labour of development as she was exempted from the struggle with language. She had only to be herself as she was – facile, clever, priggish – for the reader’s easy identification with a recognizable and idealized self to occur – but a self not qualitatively different from the one already in place. Atwood owes her success to the fact that the reader does not transact so much with the poetry or the fiction as with a privileged double with whom she or he merges and assimilates, doubt assuaged and dispossession overcome, whether as a woman, an intellectual or a Canadian. Readers of Atwood merely impersonate themselves at a slightly higher elevation but undergo no spiritual change or evolution whatsoever.“
I have chosen this one example (which, admittedly, comes not from a review, but from an essay about Canada’s critical climate) because it’s so typical. The writer engages not at all with said poppy’s work, but instead their reputation. One could get the sense from these generalities and such immediate dismissal that the writer has read very little Atwood, actually, or none at all, relying instead on quipsy barbs overheard at literary dinner parties. This sort of thing is boring, lacking substance, and also alienating to readers who will read it and, no doubt, regardless of where their sensibilities lie, will then “merely impersonate themselves at a slightly higher elevation but undergo no spiritual change or evolution whatsoever.“
Whacking, no. Pruning, perhaps, which in lacking bombasticism will earn the reviewer far less attention, but might begin a literary conversation that actually takes us somewhere.
August 3, 2009
No one told me how crazy
“No one told me how crazy you can become in those first few months, when your body chemistry is changing, when your entire life has been altered from the moment the baby was born and nothing will ever, ever be the same again. People don’t talk about these things, perhaps because they don’t want to scare you. Perhaps they don’t tell you because these things fall away so quickly after the baby arrives that those who would tell no longer remember. And if they do tell you these details before you have had a child, they have no meaning, and no context. These are truths you must seek and know alone, in the quiet late-night hours when you are rocking the baby, breathing in the tender newborn scent.”– Christy-Ann Conlin, “Wired at the Heart” from Between Interruptions: 30 Women Tell the Truth About Motherhood
July 31, 2009
New feature: songs blasting by outside my window #1
An ideal feature for a nursing mom, and short enough for one-handed typing. Even if today’s track is a little less than remarkable: Blue Rodeo’s “Till I Am Myself Again“.
July 30, 2009
Bookish books in the post
I only just noticed that the two books I received in the post today both have books on their covers. On the left, we have The Incident Report by Martha Baillie, a library-set novel. I’d actually requested it from the library, which was fitting, I thought, but when I found I was 146 on the holds list, I decided to buy the book instead. I discovered this book via Melanie’s review— it’s structured as a collection of incident reports logged by employees at a public library. As a former library employee myself, I can vouch that these might be as bizarre as you like, and wonder if the fiction will be as wild as fact is. The other book is Shelf Discovery by Lizzie Skurnick, whose Fine Lines column I absolutely adore. As she does in the column, Skurnick rereads “teen classics” in this new book (with guests columnists including Meg Cabot, Laura Lippman and Jennifer Weiner). The reviews are hilarious, insightful and bring back long misplaced memories.
I think that both of these books are going to prove delightful in their own particular ways.
July 29, 2009
Two months
On Sunday we celebrated two months of Harriet being born, of me being a mom, and of ours being a family of three. And even a month ago, I could not have forecast how full and rich life would become again, so I’m so proud of how well we’re all doing. Of course, chaos reigns, but it’s at a level I can live with comfortably. One qualm being that I am not managing to read nearly as much as I’d like to be, and yet I keep buying books/requesting books at the library at much the same pace as ever, and it’s a little overwhelming. Unless board books count– my favourite is On The Day You Were Born by Debra Frasier. “On the day you were born/ gravity’s strong pull/ held you to the Earth/ with a promise that you/ would never float away…”
