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Pickle Me This

December 1, 2022

Holiday (Good) Burdens

We can pick and choose our seasonal (good) burdens. Halloween, for instance, for me, is barely a blip on the calendar, except for the week or so afterwards replete with tiny chocolate bars. No seasonal decorations at my house, I don’t dress up, my children dress up just barely—this year my youngest put an old shade on her head and went out as a lamp. I’m just not that invested in the rituals, which is not to say that they’re not meaningful, but just that they don’t hold meaning for me, and that’s fine. (I return once again to the ancient pre-internet art of not liking something without it being a manifesto.)

Christmas, on the other hand, I’m big into, in a secular fashion, but still I’m picking and choosing where my energy goes, and it doesn’t go as far as, say, homemade advent calendars. I actually aspire to be a creator of homemade advent calendars, but I’ve accepted that I’d need to be a different human for that to happen, someone more fond of shopping and crafting than I am. And speaking of crafting, homemade gifts are another item that won’t be ticked off my list anytime soon. I’ve accepted my limits, the realities of ROI, and—as Christina Cook writes in her book Good Burdens, which I think about a lot—deciding not to do certain things (JOMO—the Joy of Missing Out!) leaves room for those other things that really matter.

Which, for me, include writing and sending Christmas cards, something that’s particularly important to me as we live far from so many friends and family. I’ve been writing Christmas cards for 20 years now, since the very first Christmas I spent away from home, and I continue to see these cards—even with their notes rather hastily scrawled!—as a way to show people near and far to us that they matter. (It also means that we get a lot of Christmas cards in return, though I also completely understand when other people don’t reciprocate, in fact I respect those who’ve made deliberate choices and peace with Christmas cards being on their JOMO list.)

I also love Christmas baking, and creating a homemade gingerbread house, and reading Christmas stories with my kids, and the coziness of winter knitting projects, and fashioning the leftovers of a roasted turkey into every kind of leftover imaginable. These are the kinds of jobs I like to be doing.

One further thing that’s important to me during the holidays is small tokens of appreciation for members of our community, my kids’ teachers, and piano teachers, and crossing guards, and girl guide leaders, and sometimes I drive myself a little bit crazy trying to cross everything off on this list and something I adore about my husband (on a very long list of things) is how he saw that I was finding this good burden a little overwhelming but didn’t use my overwhelm as an excuse to devalue this labour. Instead of saying, “If it’s stressing you out so much, why do you do it?” (a too familiar pattern in heterosexual partnerships, I think?) he supported me in finding ways to make the job easier, which is why, for the past three years, I’ve purchased holiday gift bundles from local fave Carolina’s Brownies, and my husband has shrugged and said, “Yes, of course, you’re spending hundreds of dollars on gourmet brownies for the crossing guard.” (He also made the address labels for my Christmas cards. He’s truly the best, and goes out of the way to help me with my good burdens, even when they’re not as important to him, but, you see, *I* am important to him.)

“Let’s make this a season of humble gestures that light up the world,” is a thought that occurred to me this morning as I photographed a green Christmas bauble fastened to a twiggy tree, someone else’s gesture that added sparkle to my morning.

There can be meaning in all these things if we choose to be deliberate in our choices.

How wonderful that we get to pick and choose our seasonal (good) burdens.

November 30, 2022

Flight, by Lynn Steger Strong

“What were the rules for loving people who were not obliged to love you? How did you know when and how to trust they wouldn’t destroy you too?”

Readers who were drawn to Lynn Steger Strong’s articulation of parenting and family life amidst an age of anxiety in her previous novel Want will find the same frantic tension in her follow-up Flight, but with an expanded canvas exploring the psyches of eight different people, including three siblings celebrating their first Christmas since their mother’s death, their respective spouses, and a local woman and her daughter in the rural town where they’re all spending the holiday with the looming question of what to do with their mother’s house hanging over their heads.

And oh yes, anxiety abounds, including financial anxiety, and parenting anxiety, and climate anxiety, and the existential drama of trying to be in the world when the one person who’d held that world and all its meaning together…is gone.

The book resonated, and I devoured it, the plot taut and so compelling as the siblings come together in a moment of extra-family crisis, but I also read it with great interst in and respect for its crafting, for the cumulative depths of so many different points of view, for how so many parts culminate in such a rich and satisfying whole.

Of course, there’s obligatory bitchiness and bad behaviour, all delicious and readable, inevitable when any family dynamic gets put under the microscope, but where Steger Strong really succeeds is in making her story more than that. Imagining something better, the possibility of warmth and connection persisting, of mutual understanding.

November 29, 2022

Gleanings

November 23, 2022

Postcards to the Future

A few weeks ago, we received a postcard from our friends Paul and Kate who live in Vancouver. I will admit that I did not read the note on it very carefully (the image on the front was a diagram of the respiratory system?), but it read something along the lines of that they’d written the card at a street festival “where they mail postcards to the future.”

Which was kind of remarkable, I guess, but then aren’t all postcards letters to the future after all?

The salient part for me, however, was the way the postcard concluded: “…and we will eventually be there, in the future with you!” Because we haven’t seen Kate and Paul since 2019, but this month they’ve finally returned to Ontario for a whirlwind visit, and we’ve been lucky enough to be part of it, which is what I’d so been looking forward to when I received this postcard at the beginning of November.

Tonight we all sat together in my living room eating Thai food, celebrating Stuart’s birthday, Kate and Paul, and our friend Erin, and 3 year-old Clara whom we last saw as a baby, and her little brother Gabriel, who has just learned to climb stairs, and who we’ve been overjoyed to be meeting for the very first time.

“Oh, I got your postcard!” I exclaimed suddenly, remembering. Kate and Paul were both confused. They hadn’t sent us a postcard. “No, you know. The one from the street festival? Where you were sending a message into the future.” They had no idea what I was talking about. “It’s on my fridge!” I insisted. “Here, I’ll show you.”

I went to get it…and realized the most important thing I’d missed when looking at it before. The date at the top: June 23, 2018. The people at the street festival really weren’t kidding about the future thing. I realized too that the note was only signed from Kate and Paul, because Clara and Gabriel didn’t exist then. We hadn’t had a pandemic then. None of us had had any idea of what was coming. And yet.

“…and we will eventually be there in the future with you.” A line that might have hit very differently if this letter had arrived at any other moment during the last few years. But it was a promise.

What are the odds of this very postcard to the future arriving on the cusp of the first time we’ve all been together in so long?

But here we are. I feel so lucky. And looking forward to what other wondrous things the future has in store.

November 22, 2022

Gleanings

November 21, 2022

Ordinary Wonder Tales, by Emily Urquhart

‘I don’t think I just imagined her, the woman I was left alone with in the last few minutes before I was taken into surgery. I don’t know if she was a nurse, or some kind of technician, but she seemed terribly official, sitting at a table with paperwork while I contemplated the IV needle stuck in my hand. “Section?” she asked me, and I told her yes. “What for?” I said, “The baby’s transverse.” Lying across my womb, its little bum wedged in at the top and refusing to budge no matter how much I stood on my head, played soothing music into my pelvis, or shone a flashlight into my vagina. “Well,” said the woman at the table, sorting through her papers. “Kids will screw you somehow. If it wasn’t that, it would be labour, then they’d grow up to be teenagers. They always find a way.” “But it’s all worth it, right?” I asked her. “No.” She put down her papers. “I don‘t think it is.” Then she got up, left through a different door, and I never saw her again.’ —from my 2010 essay LOVE IS A LET-DOWN, first published in The New Quarterly

“She was a witch,” I said to my husband on Friday night as I was reading Emily Urquhart’s essay collection Ordinary Wonder Tales. (Our baby from the essay is now actually a teenager and was out babysitting somebody else’s children down the street.) “The woman from the hospital who told me that kids always screw you. You remember.”

And he did. Even though he hadn’t been there when it happened, had already been whisked away to get read for the surgery that would deliver our first child into the world, even though these were throwaway comments that someone had made almost fourteen years ago now, but those commets had haunted us, especially in those difficult months after her birth when I was afflicted with what I now know was postpartum depression, and they’d felt like a curse.

“If that was a story, she would have been a witch,” I said, Urquhart’s stories blowing my mind with their illumination of the links between ordinary and extraordinary, how the otherworldly lessons of fairy tales (or “wonder tales”) have much to teach us about our own experiences. Experiences including pregnancy, parenthood and living through a pandemic underlining that we’re all more connected to these stories than we might have imagined, to all that came before us, to superstition, signs and omens, and folklore. We’re all old wives, at heart, is what Urquhart is saying.

Urquhart, whose academic background in folklore informed her first book Beyond the Pale (she is also author of a celebrated book inspired by her artist-father), brings that same approach to these beautiful essays exploring the sublime edge of ordinary experiences including an ectopic pregnancy, childhood memories of a ghostly presence, sightings of her elder half-brother after his death in his 30s, a violent assault delineating the dynamic of woman as prey, an amniocentesis in an essay called “Child Unwittingly Promised,” a radioactive house in Port Hope, Ontario, and her father’s dementia against the backdrop of the Covid-19 Pandemic.

These essays—beautiful, rich and absorbing-will change the way you see your place in the world, and they’ll leave you noticing all the magic at its fringes.

November 21, 2022

Grapefruit Cake is Back

Tis the damn season! (Get the recipe here!)

November 17, 2022

Francie’s Got a Gun, by Carrie Snyder

I loved Francie’s Got a Gun, a new novel by Carrie Snyder, whose Juliet Stories was a finalist for the Governor General’s Awards in 2012, and whose debut, Hair Hat, was part of a Canada Reads spin-off I ran in 2010. (Her third book, Girl Runner, was a finalist for the Writers Trust Fiction Prize.) It’s a taut, tension-filled story of a young girl who’s running with a gun in her hand, the question of “where did she come from” taking precedent over “where is she going?” because maybe the ending it inevitable. But is it? The story moving between Francie on the run and the story of what led to the events that sent her running, this latter told through a variety of voices—Francie’s family, her teacher, friends—and it’s a story of community, and responsibility, and how we do and don’t belong to each other, how we stand by and/or fail each other, and these voices weave a gorgeous tapestry of life and heart, a treatise on story itself. How one thing leads to another, for want of a nail the shoe was lost, etc. I started reading this book and found it hard to put it down, but refrained from posting about it until I’d reached the very end, so I’d be able to tell you with certainty that Carrie Snyder has pulled off, with flawless execution, a rich and sprawling story, and she really, really has.

November 15, 2022

Gleanings

November 14, 2022

Palmerston

(A stack of books we borrowed in early 2021)

On Saturday we didn’t have a lot going on (a treat in itself), but I had to buy some berries (in preparation for guests on Sunday for whom we would be making breakfast, a friend and her beautiful family who we haven’t seen since 2019!) so we all walked over to Gold Leaf Market at Palmerston and Bloor (which is always the first place in the neighbourhood to get fresh rhubarb in the spring), and we decided to also stop by at the library. All these parenthesis, I hope you’ll understand, underlining the resonance of what I’m talking about, these local streets we’ve been circling through these difficult years as we’ve walked our way toward better times. No trip down the street is ever a straight line.

There are places we walked in the Covid times where we can’t bear to walk anymore—the small patch of woods at the university, the grubby little ravine just south of St. Clair and the ravine proper, any back alleyway and don’t even care about the garage door murals, nope. We walked those walks to save our insanity, and only managed it, JUST, or maybe we really didn’t, which is why we refuse to do it now. Nobody in our family can stand ice skating anymore, not that we really liked it very much in the first place.

Palmerston Library, however, is very different. A Covid destination for sure—our home branch was closed for a very long time beginning in 2020 and when the library reopened for circulation that summer, our holds were routed to Palmerston, which was the next closest—but it represented something different than walking in sad circles and feeling hopeless. I remember going to pick up a stack of books we’d requested and getting rhubarb on the way that spring and thinking what a miracle were both these things, how we were truly lucky.

“Remember when we had to put our cards on a tray?” I asked Stuart, and there was fondness to these memories, instead of despair. When the library opened again, we’d go pick up our books at the front door where plastic barriers were set up, and we’d hand over our library cards on a plastic tray that was slid back to us at the end, all of it slightly illicit, like a speakeasy, except books instead of booze. There were some weeks where going to pick up our library holds was the only item on our agenda, and so it was a big deal, and the librarians inside found even more ways to bring the books to us—there were grab bags geared to different age groups and genres, and also new releases in the window, each one numbered, so you could request the numbers you wanted, and somehow I ended up getting my hands on all kinds of new releases, like Beach Read, by Emily Henry, and The Girls Are All So Nice Here, by Laurie Flynn, and Sweet Sorrow, by David Nicholls, which I only chose because I liked the cover but I really really liked it.

I love to think about all this, about the treat of these wonderful novels in such a difficult time, about how much it meant to have a destination and not be aimless, and also about adaptation and ingenuity and the amazing ways that library staff found ways to make things work. (Remember when all circulating materials had to quarantine for a week before going out again, which meant it took SO LONG to get a book in demand, and also how we eventually determined that Covid was not being spread by library books, which was wonderful news?) I love to think about all this because it’s a story of trying things, daring to be different, of how much libraries and books meant to our communities, of being brave and taking chances, and how some of those chances work out exponentially (by which I mean that I am probably FAR from one of the only people you’re going to meet who think the library helped save her life).

Eventually, we could go inside again. I recall that we weren’t permitted to browse, but could pick up our own holds, and that computer terminals were available for those who needed them. I remember the first time I walked into a library again after so so long, and how I could have cried, and maybe I even did, because I was moved a lot in those days. And then when we could go back again and select our own books from the shelves, a little further down the line, and masks were required, though there would often be someone who didn’t have one (usually a person who was having other kinds of trouble), and we learned to be okay with that, which wasn’t easy, but it became easier, an essential lesson in sharing space with other people and how we can’t always (ever?) be in control of what other people do.

Our home branch opened again, and what a thing, and I can’t even remember when that happened, because it was just so ordinary, to stop in and pick up our books on the walk home from school, the kind of luxury I’d never thought twice about before, but it felt so wonderful after so long, and of course, things were not so straightforward. There was a while when our branch closed, and we were back to Palmerston, two steps back—albeit without the book quarantine and speakeasy card slide, so this was progress. But not every setback is a total disaster (something I often have to remind myself about after what we’ve all been through), and our branch reopened, and it had been such a long time since I’d been to Palmerston Library until this weekend.

And—unlike so many other things—it felt good to remember.

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