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Pickle Me This

April 25, 2023

Gleanings

April 24, 2023

There Was a Good Man Named Paul Revere

On Friday evening, a raccoon got into my kitchen. (Not for the first time; also this was not the only raccoon intruder in the neighbourhood this weekend!). And whenever I told anyone about it, they’d ask how the raccoon got in, and I would reply, “It came in the door…” And then I’d have to resist the impulse to finish off the sentence with, “I said it before/ I think I’m over you, but I’m really not sure.” Which is a problem much more rare than Toronto raccoons are, which is that I am absolutely obsessed with the song “Summer Girls,” by LFO.

And the weird thing about this is that everyone else isn’t. I don’t get it. A few years ago, back when Twitter was not a terrible place, I shared my shocking discovery that two out of the three members of LFO (aka, “The Lyte Funky Ones,” whose “Summer Girls” was pretty much a one-hit-wonder in 1999, though they tried hard to follow it up) had died of cancer. Because what kind of a statistic is that? Cancer, robbing the world of 66% of the ones who were lyte and funky, and now there is just one. The Lyte Funky ONE, and I partook in such banter with exactly TWO people, and it seemed like nobody else on Twitter cared about LFO, or even remembered the song at all.

But the lyrics to that song are wired to my brain in a way that I just can’t kick, and I don’t even want to. Which is kind of ridiculous, because the lyrics are so random and weird, but unbelievably catchy, and I just can’t help walking around the house muttering lines like, “Call you up, but what’s the use?/ I like Kevin Bacon, but I hate Footloose.”

Part of the problem is that I have two amazing daughters, and so it comes up a lot, a line like, “You’re the best girl that I ever did see.” Multiple times a day, I’m not even kidding, to which my children reply, without missing a beat, “The great Larry Bird, Jersey 33!” And HOW can I not follow that up with, “When you take a sip, you buzz like a hornet, Billy Shakespeare wrote a whole lot of sonnets”? Not a single one of which I can recite, by the way, and yet I know all the words to this bizarre and remarkably song in which “hornet” and “sonnet” rhyme!

When I do online yoga classes, I’m sometimes instructed to “shake and wiggle,” which puts “Summer Girls” back in my head yet again...as if it even needed planting: “In the summertime, girls got it goin’ on/ Shake and wiggle to a hip hop song.”

And I don’t know a better expression of love than telling somebody, “There was a good man named Paul Revere/ I feel much better, baby, when you’re near.”

Stayed all summer, then went back home
Macaulay Culkin wasn’t home alone
Fell deep in love, but now we ain’t speakin’
Michael J. Fox was Alex P. Keaton

I honestly don’t understand why any other song has to exist!

I am not the only person who has thought quite extensively about this song, and Rob Harvilla “How ‘Summer Girls’ Explains a Bunch of Hits—and the Music of 1999” was such a joy to encounter, explaining a lot about just how this song has been running through my brain for almost 25 years. (The summer of 1999 was one of the most vivid and insane periods of my life, and I remember every song that was ever on the radio, which was this one, and “I Want it That Way,” by the Backstreet Boys, and “Living’ La Vida Loca,” and “If You Had My Love,” my Jennifer Lopez, and and and, and Harvilla does a formidable job summing up the absolutely bananas musical year that ’99 was.)

I had never heard of Abercrombie and Fitch until that song, whose video had a similar vibe to “Steal My Sunshine,” by Len, and we all watched videos then, and I put my hair in cute pigtails and wore tank tops and aspired to be admired by boys with frosted tips.

“One of the subtler pleasures of “Summer Girls” is that it exactly replicates the experience of trying to talk to a young human male, driven mad by lust but still driven to constant distraction. He’s listening to you, baby, honest. He’s doing the best he can.”

One day I’m going to be old and senile, and just repeating these lyrics on a loop.

Boogaloo Shrimp and pogo sticks
My mind takes me back there oh so quick..

April 19, 2023

The Story of My Garden

There were a few seasons during which I might have told you that I had a greenish thumb, more than fifteen years ago now, back when I was a newlywed and my husband and I lived in a second floor apartment near College and Ossington. I’d never had a garden before, but, with the help of our downstairs neighbour, we planted one in the backyard where tomatoes already grew, their vines winding around the cinderblocks and other construction debris that littered our yard.

The tomatoes should have been a sign, but I didn’t know enough to know that…

(Read the rest of my piece in the Harbord Village Gardeners e-newsletter!)

April 18, 2023

Gleanings

April 17, 2023

Birnam Wood, by Eleanor Catton

True confession time: I’ve never read Eleanor Catton’s Man Booker Prize-winning novel The Luminaries, and I likely never will. Reportedly, it’s very lengthy, set a long time ago, and all about a man staking his claim in a gold rush (yawn), and no doubt it’s extraordinary and brilliant, but each of these makes for three counts on my NOPE NOPE NOPE list, and there are so many other books in the world.

My interest in Catton’s latest Birnam Wood, however, was piqued by critic Lauren Leblanc’s enthusiasm for the project, which was also the reason I went to see Catton at the Toronto Public Library’s Bluma Salon event in early March, which was really fantastic, and I bought the book there. She kept talking about plot, and about how “character is action; we are what we do,” and I was intrigued, though I’ve got to say that even though this novel clocks in at only just over 400 pages, I picked it up thinking of a doorstop, and what have I gotten myself into? There was not a lot of white space. Will I be reading this novel for the next 900 years?

But reader, I sped through it in two days. This book! This book! Speaking of plot… Though it didn’t take off immediately. I was interested in the story and surprised to find that it was so much more intimate and immediate than I was expecting, deeply embedded in the experiences of characters ranging from the leader of the gardening collective, her loyal sidekick, a renegade citizen journalist, a pest-control mogul who has recently received a knighthood, his wife, and a reclusive American billionaire seeking refuge in middle of nowhere New Zealand for reasons that aren’t bound to be honourable. I thought this would be a more sprawling book, individual people at a distance, more a book in general than this one, which is so exactly, specific. Even though the paragraph-long sentences were hard to parse at first, so many clauses, and semi-colons. Like making one’s way through the weeds and the bramble, and then suddenly there I was at the heart of things and the novel was unputdownable.

“She was still looking for a villain. She was still trying, desperately—and uselessly—to find somebody more monstrous and despicable than her.”

Who is the villain of this story? Who is the hero? Such murky distinctions (if any are to be made) are what make Birnam Wood such a fascinating puzzle of a story. I loved it.

April 14, 2023

It’s All Happening

It’s all happening! Not just spring even (though spring is happening too—there is forsythia in bloom in my front garden!) but everything else, the weekends filling up like in old times. And I’m running two community events in the next three weeks, as well as supporting another one in June, and while I may have reached the “crying because I’m frustrated and no one will help me” and having periodical hissy fits stage in the organization process, in general I am doing okay, which is a big deal, because when I was having a really hard time with my mental health last year, I wasn’t sure I’d be able to take on these sorts of responsibilities again. I have a much harder time with stress these days, sometimes my anxiety turns on out of nowhere, and a year ago I was still was suffering so much, but since then I’ve rebuilt so much of my mental strength, and it feels really good. I’m proud of just how far I’ve come.

And something else good that happened to me last week was sitting down to write a little piece for our neighbourhood’s community gardeners e-newsletter. I’m at a moment in-between with my new novel nearly ready to go to print, and another novel that’s still in progress but I’m not stressing out too much about getting that next draft done, and I’ve taken a break from doing manuscript evaluations (though I’m returning to that delightful work next month!), which means that I’m temporarily between deadlines, as they say, and finally had a moment to devote to writing something for the Harbord Village Gardeners, which I’d been meaning to do for months now.

And it felt so great! To write and write and to get to the end, so richly satisfying. I’ve been writing my novel since 2015 and while getting it out there finally will be incredible, it’s still a long and complicated road to take, but this was different, and it had been so long since I sat down to write something like an essay (or a story). A creation I can (metaphorically) hold in my hand, and I was so pleased with myself, and pleased with the result. Looking forward to sharing it soon.

April 13, 2023

Diagnosing Minor Illness in Children, by Kerry Ryan

There is a line from Kerry Ryan’s first poetry collection THE SLEEPING LIFE that I’ve been thinking about for almost a decade and a half since I first read it, the line about the click of her partner’s glasses on the bedside table at the end of the day: “I wait for it all day.” And what remains just as true about Ryan’s vision all these years later as I picked up her latest DIAGNOSING MINOR ILLNESS IN CHILDREN (and read it in a single sitting) is the way she manages to capture those moments of every day existence so fleeting that most of us fail to notice until we see them articulated in a line of her poem, and declare, “Yes, THIS. The miracle of existence in a nutshell!”

Or, as I wrote in my blurb for the book: “Once again, Kerry Ryan’s singular vision and attention to perfect details works to render the ordinary absolutely extraordinary, the world shown anew through these poems about bodies, birth and motherhood, and the wildness of all of it.

Meeting Kerry Ryan at my husband’s colleague’s wedding fifteen years ago (he was marrying her sister!) was such a fortunate event for me, which I was not wholly expected when I was introduced to “another Kerry who likes books.” What are the odds that that other Kerry’s debut poetry collection would be so dazzling, speak so clearly to my soul? That she would end up contributing one of my favourite essays to the anthology The M Word: Conversations About Motherhood, “Confessions of a Dilly-Dallying Shilly-Shallier.” That she would introduce me to the wonderful Ariel Gordon! We’d also hang out in her home of Winnipeg in 2014 where lines from her second collection Vs. (about being a bookish non-sporty girl who takes up boxing) were displayed outside her gym.

So I’ve been waiting a long time for a new book by Kerry Ryan, and I’m thrilled that DIAGNOSING MINOR ILLNESS IN CHILDREN (with gorgeous cover art by Julie Morstad, who is my favourite!) is entirely worth the wait, Ryan turning her eye to parenthood and its excruciating wonderment, to losing a parent, to love and marriage in middle age, noticing everything, those perfect details. This is truly a book to savour.

April 12, 2023

The Burgess Boys

Running away on my own personal reading projects is perhaps my favourite fascination, the time I spent rereading Madeleine L’Engle’s Austin series in 2019 a case in point. (I talk about it all the time, like some people’s version of where they were when JFK was shot. Where were you when I was reading A Ring of Endless Light? Omg, remember when I was reading A Severed Wasp in New York City? Somebody ought to put up a monument!) And the best thing about these sprees, like most things I do, is that they’re never planned, they just have to happen, and when they do the moment is so absolutely perfect, serendipitous, infusing my life with light and meaning, spiritual, an epiphany. I am not being facetious or hyperbolic in the slightest.

And lately, it’s been the Lucy Barton books, which I’ve been rereading these last few months and wrote about here. These books not blowing my mind quite like the L’Engles did (“every single one of them words rang true and glowed burning coal/ pouring off of every page like it was was written in my soul…”) but rearranging my thinking in a more subtle way, a quieter way. How I’d dismissed them at first, and then going back to see what I’d been (dis)missing, and how exploring Elizabeth Strout’s books is a bit like being handed a key to a literary universe where the reader is omniscient, making connections the characters themselves don’t understand—though it seems like the inverse when one encounters the Lucy Barton books, it’s true, where the connections are elusive, and it’s hard to understand just how she (both Lucy and her author) got from there to here.

But I think that Strout’s 2013 novel The Burgess Boys might just be the bridge.

I first encountered Bob Burgess as a secondary character in Lucy By the Sea, and had the same response to him that Lucy did, which was that I loved Bob Burgess. And so, when I realized that Bob Burgess had his own book (albeit one shared eponymously with his asshole brother Jim) I placed a library hold immediately. (The best thing about becoming obsessed with the Elizabeth Strout books in 2023 is that most of the library holds come in pretty quickly…)

And so Bob Burgess came away with me last weekend, and the coals were glowing again. Oh my gosh, I loved this novel.

The most remarkable thing I can say about it is that I knew its big twist, that Bob had revealed his story to Lucy during their time in Maine, and still the story was not spoiled in the slightest. The other thing I particularly loved was that I got to see Bob (Oh, Bobby!) meeting his second wife for the very first time, and neither of them had any idea!

The Burgess Boys is the first conventionally-structured Strout novel I’ve ever read (the Lucy Barton books are a study in interiority, while her Olive Kitteridge books are the same but with…exteriority [is that a thing?]). And The Burgess Boys really is the bridge between the two, all the scenes of the Lucy Barton books just planted in its soil. Parts of the novel are narrated by Bob’s ex-wife Pam (whom we’ve also met in the Lucy Barton books) and her feelings about her first husband are a quiet preview of what Lucy will feel for William. (There is also, indeed, a line from her perspective: “Oh, Bobby!”

And the scenes in which Bob is looking out the window in his New York City apartment, wondering at all those different lives going on, lighted windows offering just the smallest glimpses of other people’s private worlds—a preoccupation of the Olive and the Lucy books alike. The mystery of other people’s experiences and understandings.

The Burgess Boys is also deeply concerned with the fabric of American society, as the Lucy Barton books are against the backdrop of the 45th President, Covid lockdowns, and the George Floyd/Black Lives Matter protests in 2020. But so unbelievably presciently considering how much I hadn’t seen coming in 2013. The novel is set around 2007, the shadow of the Iraq War and torture in prison camps still very present, and a major part of the plot involves an act of violence on the property of a mosque in small town Maine, where the Burgess boys hail from, where the locals in this dying town are decrying the arrival of Somali immigrants whose culture seems to represent a threat to their way of life. As with the Lucy Barton books, as with, well, everything, the challenge: how do we learn to live with difference? How do we learn to live with each other? Strout refusing to look away from class, either, and how poverty can come to define one’s experience. The ways in which all of our experiences make us either harder or softer. How it’s never not complicated.

April 11, 2023

Gleanings

April 6, 2023

AFAF Mood Board: Part One

Yesterday marks five months before the release of my new novel, and to celebrate, I’m sharing a mood board for opening chapter, set from 1998-2000. So excited to share this book with you!

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