October 4, 2007

So much history

“Was there so much history in Britain that it could be treated casually? There weren’t enough glass cases to hold it all”. –Kate Grenville, Search for the Secret River

September 30, 2007

No Nuit Blanche

Here is a photo of Stuart and I experiencing our urban landscape. Alas, we did not get to Nuit Blanche. On the way home from a brilliant night at Rebecca Rosenblum’s (with such good company as Chapati Kid), I shared public transportation with people going to Nuit Blanche, and their company made me want to go home to read. I’m glad I did.

And now we’ve just arrived home from The Word on the Street, which was a brilliant afternoon. I should have paid more attention to the scheduling though, instead of showing up blind, as I’m sure there was a lot of good programming I missed. Such as Elizabeth Hay, whose novel I finished Friday night and was the best book I’ve read this year. I could have heard her read! She could have signed book! I lined up at the author’s signing tent anyway, and told her how much I’d enjoyed her book. Managing not to be too much of a blathering idiot, which is sweet relief. Afterwards I also met the lovely Kim Jernigan of The New Quarterly, which was exciting. And finally to the main event, as Patricia Storms presented and read from her new book 13 Ghosts of Halloween. It was delightful. She was absolutely entertaining, the presentation was fabulous, we got hear her sing!, and after she signed my book. Plus I got to meet her, which was nice. I am an ever-adoring fan.

So a good day, in daylight. I freaked out though, about the proximity of The Vic Book Sale to The Word on the Street Crowd, and wondered if they’d leave anything for the rest of us tomorrow. And then I came to the conclusion, all on my own, that even if they didn’t, I have eight billions books of my own still to read, some of which I bought at the book sale last year, and a whole host of others on reserve at the library. Which I thought was very mature, and I deserved a pat on the back for. Whenever I refrain from childishness, I always feel this proud.

Today I picked up The Beatles Blue Album, which made me fall in love with them years ago, and I want to again. Now reading Alice I Think by Susan Juby, which is out in its own grown-up edition, and, really, it positively should be.

September 28, 2007

Thinking back and forth

I’m now reading Elizabeth Hay’s Late Nights On Air, which is to say I’m positively bewitched. 100 pages from the end, and expect a review sometime tomorrow. I am positively enveloped; I’ve got butterflies in my stomach. To have a story so gripping and writing so good is rare, really. And the book has been doing strange things to me. “After a while it grew on them, on some of them at least, on the ones who would never forget, who would think back on their lives and say, My time there was the most vivid time of my life.”

That passage set me thinking about the most vivid time of my life, and last night around 10:30 I was digging through boxes to find my journal from September 16th 2001-May 31 2002. The exact dates were incidental, but that time was on fire. Anyone who was there would know that, and it seems I remember it very poorly upon rereading my journal. Stories and anecdotes I have no recollection of, which is strange. Though the writing is good– this surprised me. When I read my fiction from that period, I want to bury myself in my backyard, but the journal was really lovely in places. The stories it told were often sad too. Funny with vividness– I think it comes from the whole spectrum of emotions, confined to a small space. “My time there was the most crazy time of my life.” Vivid, yes, but I wasn’t happy. I remember those days epically, but they were tough to be in the thick of.

Whereas. Tonight, in my less vivid life, I arrived home with my husband, who takes the subway to my work every day so we can walk home together. “I need to read,” he said, when we got in the door. He is currently enthralled by Little Children. So we sat down on the couch together, books in hand, the kettle on for tea. A straight hour of nothing but books, tea, and biscuits, and perfect quiet. Elizabeth Hay has created something amazing. And the sweet bliss interrupted only to get up get the pumpkin risotto started.

September 28, 2007

Canoeists carried

“The canoes carried the canoeists and the canoeists carried the damselflies and everything seemed weightless. They were heading towards the first day of August, the street lights were noticeable again, and a few leaves were turning yellow, indicating in their minimal, elegant way an end to this long, warm summer and the beginning of a darker chapter.” –from Elizabeth Hay’s Late Nights on Air

September 27, 2007

Particularly telling

From The Guardian Review of When To Walk: “It’s a sign of how good a writer she is that you even forgive Ramble’s perusal of boxes of memorabilia – usually the sign of a book that deserves to be forgotten beneath the bed.”

Exactly.

September 22, 2007

I have to hope

~Before I could say anything, she declared, ‘Personally, I have an ignorance towards books. Don’t ask me nothing about books. I only read magazines.’
‘I write for magazines,’ I said at once. ‘That’s my job.’
‘Kidding me,’ said Mrs. Shaw. ‘What ones?’
I hoped I wouldn’t lose cachet by showing her. I have an unfiled heap of them on one of the counters right there in the kitchen, where they sit like beached jetsam above a swill of more mobile rubbish.
…[I]t pleases me to know that, technically speaking, ‘jetsam’ is the matter you throw out of a ship when you’re afraid it’s going to sink, whereas, if the ship sinks anyway and is destroyed by the tides, ‘flotsam’ is the debris of the smashed vessel itself.
I have to hope my work is jetsam.~
Rebecca Gowers, When to Walk

September 18, 2007

Bay window

The very best thing I’ve read lately is R.M. Vaughan’s “Dominick’s Fish: The things we leave behind when we die” in the latest issue of Walrus, which uses an amazing story about aquarium fish to demonstrate that “the concept of disposibility is itself false, a convenient conceit.” And writers’ rooms continue at The Guardian, with two of my favourite writers: Sue Townsend and Margaret Drabble (photo borrowed here [and oh I wish I had a British bay window to call my own]). For more good reading, go here for Ben McNally, and then go to his new shop (which is just up the street from my husband’s building- as if he needed yet another place to be sent on errands to). Rona Maynard gets a great review, and a review of Cloud of Bone, the book I’m reading right now. Giller Prize Giller Prize Giller Prize. Hooray.

September 7, 2007

If memory were a colour

“Something of my grandmother was sealed here in ink: in her careful, controlled penmanship, in the choices she made over what to set down. She had preferred a fountain pen over a ballpoint; the evidence was here, in the flow of ink from a fountain pen, as she wrote this recipe on how to preserve a rose: Dip the whole blossom and stalk in melted wax, coating completely to seal from the action of air and the passage of time. If memory were a colour, it would be this blue, the colour of the ink my grandmother used to preserve her treasured memories from the wasting effects of time.” –Gail Anderson-Dargatz, Turtle Valley

September 3, 2007

Why Dickens

“People sometimes ask ‘Why Dickens?,” which I always take to be a gentle rebuke. I point to the one book that supplied me with a friend at a time when it was desperately needed. It gave me a friend in Pip. It taught me you can slip under the skin of another just as easily as your own, even when that skin is white and belongs to a boy alive in Dickens’ England. Now if that isn’t an act of magic I don’t know what is.” From Lloyd Jones’s Mister Pip

August 28, 2007

A Word from Rosie Little

“I could get all writerly about it, and call it an ‘aqualine nose’, but to do so would be to confine its owner for all time to the pages of fiction, for how could I ever expect you to believe that he truly existed were I to plonk such a literary phenomenon squarely in the middle of his face? An actual nose– a nose of flesh and bone and cartilege– might in be be aqualine in profile, but it is a strange fact of life that it is almost never so described unless the describer has a pen in her hand or a keyboard beneath her fingertips”– Danielle Wood, Rosie Little’s Cautionary Tales for Girls