February 27, 2011
Can Lit?
I br0ught a few Canadian novels with me, but have actually forgotten that Canada was ever such a place, so they’ve remained unopened in my suitcase. Instead, I’ve delighted in three epistolary novels in a row. The first was Daddy Long Legs by Jean Webster, which wasn’t remotely English, except for the umbrellas on the cover, and that was enough– I really liked it. Next was Burley Cross Postbox Theft, which was absolutely brilliant– I loved the ending. And on Friday, I read Felicity and Barbara Pym by Harrison Solow, which was even stranger than Nicola Barker’s novel, if such a thing was possible, but I adored it. The novel consists of correpondance from an academic to a student undertaking the study of liberal arts at an American university who is about to begin a seminar on Barbara Pym. Who is unclear about why she should bother to read Barbara Pym, and the academic is unscathing in her criticism of the student’s point of view, of her limitations. Unbashedly snobbish (but not in all respects. She recommends Miss Read and Jilly Cooper’s Class in order to understand Pym’s world), as she takes down the student for her own provincialism and then proceeds to outline why we should bother reading Barbara Pym, as well as how we should approach the liberal arts, which is by drawing a connection between impeccable literary analysis and the wider world. Connections between the insular nature of Pym’s village life and ideas of the earth-centred universe, and the island mentality of the English anyway. Absolutely fascinating, and though I appreciated Barbara Pym before I read it, I picked up her Less Than Angels next, of course, and I am a better reader now.
This weekend, we had a wonderful time in Glasgow with good friends (two of whom hopped over from Ireland for the occasion). The drive was lovely, the city was so vibrant and beautiful, and the sun shone and shone and we haven’t paid for it yet. Plus, we had afternoon tea at the Willow Tea Rooms, and had the kind of fun last night that is only possible in the company of the Scottish and the Irish. Tomorrow, to Yorkshire, and then a drive down South, then a day in London, and a day in Windsor, and before we know it, we’ll be home again, home again (and happy to be there. Though apparently, there is snow?).
December 29, 2010
Comfort and Joy
One of the reasons I’ve had such a lovely holiday (which I’m still having, actually) is that I received India Knight’s new novel Comfort and Joy, freshly imported from the UK. A fortunate thing, because it’s a Christmas book, and it would have been strange to read it in April or October, but to spend Christmas and Boxing Days stuck between its covers was absolutely perfect. Not least of all because its covers are so lovely– designed by Leanne Shapton of Important Artifacts… fame. And oh golly, those endpapers with sprigs of holly. Of course the story too, and I love all of India Knight’s work, and how she channels Nancy Mitford, comic fiction at its finest, her self-conscious send-up of the English middle class, and that her novels read like her newspaper columns but all spliced together. Referencing Barbara Pym on one page, and Grant Mitchell on another, and I’m not sure the world gets more perfect than that. I thoroughly enjoyed this novel.
I received a few other books for Christmas (Started Early, Took My Dog, The Torontonians, Pleased to Meet You) but I’m saving these for the New Year. In the meantime, I am reading up the unread books on my shelf that are unpressing and therefore I might never get around to reading ever. And this has been a most rewarding experience– it’s why I read Our Spoons Came From Woolworths, and then Andrew Pyper’s amazing Lost Girls, Almost Japanese by Sarah Sheard, and Touch the Dragon by Karen Connelly. I’m now reading The Heat of the Day by Elizabeth Bowen, which I’ve been putting off and putting off, because although I enjoyed The House in Paris last Fall, I also remember that it was difficult and sometimes frustratingly abstruse. Once I’ve conquered it, however, I am going to attempt to read a little-known work called The Girl With the Dragon Tattoo. But then again, maybe I won’t.
In picture book news, we gave Harriet We Are In a Book (An Elephant and Piggie Book by Mo Willems), The Book About Moomin, Mymble and Little My by Tove Jansson, and The Owl and the Pussycat. My life is now officially complete, because a friend gave us The Jolly Postman. Other amazing books include The Quiet Book by Deborah Underwood, the terrifyingly wonderful Mixed Beasts by Kenyon Cox, and But No Elephants by Jerry Smath.
Our days have been a mix of a whole lot of nothing and a whole lot of everything, friends, togetherness, and copious amounts of chocolate. We are infinitely grateful that Stuart now works in an office that closes for the holidays, as everything is better when he is around, and he’s around all the time. We are also very much listening to the CDs received in our family for Christmas: Dar Williams’ Many Great Companions, The Essential Paul Simon, and Elizabeth Mitchell Sunny Day. Each one is very, very good.
December 7, 2010
Our cities unfold
“…the cities we live in are made not merely of brick and mortar, or bureaucracy and money, but are equally the invention of our memories and imaginations. We realize that our cities unfold not only in the building but in the telling of them.” –Amy Lavender Harris, Imagining Toronto
October 7, 2010
Two factors
Harriet is ill! And I am reading Emma Donoghue’s Room! These two factors conspiring to eat up all my time, take away my sleep, and make me incredibly conscious of how everything I say and do shapes my child’s world.
October 5, 2010
Lionel Shriver and Carol Shields
I never plan to read Lionel Shriver and Carol Shields, one right after another, but it keeps happening, and every time it does, it underlines to me how much their work has in common. Not tone, of course– you don’t have to tell me twice. But they’re always writing about the same things, about intimacy, domesticity, about love, and marriage and relationships. The parallels are really uncanny– I think I read The Post-Birthday World and The Republic of Love together before, and the similarities blew me away. Now I’m rereading Small Ceremonies (Shields’ first novel, and stay tuned for me singing madly about just what a fantastic novel this is) after We Need to Talk About Kevin, and though two novels might never have been more different, they share many of the same pre-occupations. As demonstrated by the following two excerpts:
“My fantasy house would be old, Victorian. If it had to be big it would be high, three stories and an attic, full of nooks and crannies whose original purpose had grown obsolete– slave quarters and tackle rooms, root cellars and smokehouses, dumbwaiters and widow’s walks. As house that was falling to bits, that dripped history as it dropped slates,that cried out for fiddly Saturday repairs to its rickety balustrade, while the fragrant waft of pies cooling on counters drifted upstairs. I’d furnish it with secondhand sofas whose floral upholstery was faded and frayed, garage-sale drapes with tasselled tiebacks, ornate mahogany sideboards with speckled looking glass. Beside the porch swing, struggling geraniums would spindle out of an old tin milking pail. No one would frame our ragged quilts or auction them off as rare early American patterns worth thousands; we’d throw them on the bed and wear them out. Like wool gathering lint, the house would seem to accommodate junk of its own accord: a bicycle with worn brake shoes and a flat tire; straight-backs whose dowel rods need regluing; an old corner cabinet of good wood but painted a hideous bright blue, which I keep saying I’m going to strip down and never do.”
“The house that I once held half-shaped in my head was old, a nook-and-cranny house with turrets and lovely sensuous lips of gingerbread, a night before Christmas house, bought for a song and priceless on today’s market. Hung with the work of Quebec weavers, an eclectic composition of Swedish and Canadiana. Tasteful but offhand. A stufy, beamed, for Martin and a workroom, sunny, for me. Studious corners where children might sit and sip their souls in pools of filtered light. A garden drunk with roses, criss-crossed with paths, moist, shady, secret.”
July 5, 2010
Reading like a pirate
Harriet has learned to point, so now she’s the master of her index finger, and this afternoon she mastered it directly into my left eye. Which means that I’m just now back from the walk-in clinic, after four hours of being last in the queue because everyone else was hemorrhaging. It was the longest uninterrupted stretch of reading I’ve had for as long as I can remember, even better than the two hours I spent waiting for a passport last summer. Someone reading a Nora Roberts novel kept trying to talk to me, but I was hardly going to waste such a precious opportunity on small talk, particularly not with someone reading a Nora Roberts novel. No wonder she was distracted, but I wasn’t, which was wonderful. To read for hours, without stopping, without the compulsion to check my email, lacking the means to do so. Seated in a comfortable chair just made for ophthalmology, never minding the fluorescent lights, or that I periodically had to cover up one eye and read my book like a pirate. I read the second half of Katha Pollitt’s book, and reread (for the fifth time) the first third of Slouching Towards Bethlehem. I was actually disappointed when the doctor finally arrived, but not so much when he told me that I was fine. Just a tiny scrape on my cornea, and nothing a little over-the-counter wouldn’t fix, and then it was out of the air-conditioning and and into the heat, and onto the subway to read my way home.
June 25, 2010
A Spotlight on Atlantic Canada Reads
So yes, I’m rereading Lisa Moore’s February, and loving it as much as I loved it the first time, even though I was delirious back then. All of this very timely, because February is currently in the running for Atlantic Canada Reads, a brilliant initiative by Chad Pelley of (another brilliant initiative) Salty Ink (“a spotlight on Atlantic Canada writers”). Check out the other books up for Atlantic Canada Reads, and read their defenses, and vote for the book you think should take the prize.
May 6, 2010
Which means I've turned into the dad from Finnie Walsh
I am now reading Bugs and the Victorians, which is non-fiction, which means that I’ve turned into the dad from Finnie Walsh when he compulsively read the entirety of National Geographic and ‘began to start all his sentences with, “Did you know…” Invariably the sentence would end with an obscure fact somewhere between very and not at all interesting… Whether or not you knew, and whether or not you even answered, his response was always the same: “How about that! Who would have guessed?”
Hopefully this won’t reach the same level as with my Guns, Germs and Steel reading from a few years back. I’ve never been more boring, but then, did you even know that zebras are incapable of domestication, and the impact of this upon African agriculture in contrast to places that had the horse?
March 29, 2010
Barbara Pym again
It sounds like I’m being cutesy, but it’s true: something had been a little “off” around here, reading-wise, and it dawned on me that the problem was that I hadn’t read Barbara Pym in ages. So I’ve got on that with Some Tame Gazelle, her first published novel, which she started writing whilst a student at Oxford, proof that she’d been turned onto middle-age spinsters early.
Also, aren’t these Moyer Bell editions quite lovely? The prints call Persephone Books to mind, though of course these aren’t quite as artful, but they’re also ridiculously inexpensive. I love them.
Though I know exactly why I love Barbara Pym, I can think of all kinds of reasons why I might not– she’s never written an opening scene that didn’t involve the vicar or the curate (and I don’t even know what a curate is), not to mention that Jane Austen comparison (because I’m not really so crazy about Jane Austen myself). The last Pym novel I read was Unsuitable Attachment (which was the fourth Pym novel I’d read) and I finally saw the Austen comparison, in that so much of her plots are to do with couplings.
With Pym, however, the couplings are merely an excuse for everything else, rather than ends in themselves. And everything else is usually absurd, funny, understated and surprising. With a great degree of subtlety, she deals with adultery, homosexuality, loneliness, friendship, spirituality, marriage and sexuality, which is a surprising array for a writer who’d been dealing with spinsters since adolescence. I love her narrators, and their English reserve, and the story we glimpse around this. And yes, I love the tea. Always, the tea, and the irresistible bookishness.
Barbara Pym is charming, delightful, splendid, and so smart. Now that I’m reading her again, all is right with the world.
March 11, 2010
Year of the tiger
I’m now reading The Tiger in the Tiger Pit by Janette Turner Hospital, which I picked out of cardboard box on the sidewalk about three years ago. (The only other book I’ve read by Hospital was Orpheus Lost in 2007.) This book has been sitting on my shelf for about three years because it’s a manky paperback with a dated cover design, because it’s something I feel I should read but have not really been compelled to do so. And between all the other books I’ve found on sidewalks, and other manky paperbacks I’ve picked up from second-hand booksales, these books are starting to add up. I would like to spend my summer mostly re-reading, and so I’m going to make a point of getting through these books before then. They should yield some surprises– Excellent Women was once one of these novels, and now I am head over heels in love with Barbara Pym.