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Pickle Me This

April 30, 2012

Birrell, Snyder and Griffin. And me. Type Books. May 16.

The past few months have been the strongest literary season I’ve ever experienced, one brilliant book after another in a way that has renewed my faith in an industry that is broken in so many ways. There is this: good books get published. They find a way. (And also this: independent presses are doing extraordinary things.)

Three of these good books in particular this spring have been Heather Birrell’s Mad Hope, Carrie Snyder’s The Juliet Stories, and Daniel Griffin’s Stopping for Strangers. And if their good books weren’t enough, now the universe has seen fit to bring all these fine writers together under one roof, Type Books’, for a reading on May 16, and even better, I get to host it. I’m excited, and also honoured. Looking forward to introducing Heather, Carrie and Daniel, and leading a discussion after their readings. Can you imagine better company that I could possibly keep?

April 26, 2012

Funny women

“This is what I used to think about Sherry– wait, that’s not what I meant to say. I never really thought anything about Sherry. Except that she always seemed like a nice person. I don’t know if I would’ve said before this that she was nice enough to give you the shirt off her back, but when you stop and think about it, that’s a lot to ask from someone.” –Jessica Westhead, “We Are All About Wendy Now”

This is from page 3 of Jessica’s collection And Also Sharks. And now is the time when I think we need to start an award for women’s humour writing, because I don’t think the establishment gets it. Also Caroline Adderson, Zsuzsi Gartner (the exchange student riding the tortoise!!!), Heather Birrell (“Geraldine and Jerome”, anyone? So funny: ‘”It’s okay,” said Geradline. “I like your belt.”‘), Anne Perdue, Julie Booker, Anakana Schofield, Esme Claire Keith, Laura Boudreau, Lynn Coady, Suzette Mayr, Carolyn Black (Martin Amis! Remember Martin Amis?).

We could fill a fucking ballroom.

The humour is so dark and subtle though, with all of these women. Perhaps this is what the Leacockians aren’t getting (and when is the last time you laughed out loud at Sunshine Sketches, laughed so hard that you woke up your husband and then insisted on reading him entire paragraphs? Seriously?).

In these books are suicides, paraplegics, decapitations, dead babies, and maimed pot-bellied pigs. And they’re so funny they’ll make your heart hurt. Which is way funnier than heart-hurt caused by systemic discrimination and disregard of brilliant women writers, no?

Ha ha ha.

UPDATE: In all fairness, I see that the list of entries for this year’s Leacock Prize did not include many of last year’s funniest books. Though if I were them, I’d still want to revamp my program to get a broader range of books to choose from.

April 25, 2012

Mad Hope is launched

My friends-writing-extraordinary-books streak continues with Heather Birrell‘s story collection Mad Hope, which is so rich and wonderful. We’re currently working together on an interview that I’m looking forward to sharing with you soon. But in the meantime, I wanted to share photos from Heather’s launch last night at the Dakota Tavern. Her reading was brilliant, followed by an excellent interview with Kathryn Kuitenbrouwer. The room was packed with Heather fans, and it was really a most enjoyable evening. PS You can still get a copy of her story Frogs for free.

April 7, 2012

Our morning with Mo Willems

Harriet with her new book.

Patricia Storms & Andrew Larsen!

Today we had the great pleasure of attending the Small Print Toronto event “A Morning with Mo Willems”, which for us was a bit like going to church. Because we love Mo Willems’ books– Elephant & Piggie, the Pigeon, Edwina the Dinosaur, Naked Mole Rat, Leonardo the Terrible Monster, and (my personal favourite) Amanda and Her Alligator.

More friends!

Harriet’s favourite, however, is Knuffle Bunny, which has so seeped into our collective family consciousness that now when we watch movies set in Brooklyn (and aren’t they all these days?), we fall over ourselves pointing out Knuffle Bunny landmarks.So it was particularly exciting that we were able to (surreptitiously) purchase a Knuffle Bunny stuffed toy today that will be a particularly fitting treat tomorrow for Easter.

Mo Willems! The actual Trixie's dad!

We also got a copy of Willems’ new book The Duckling Gets a Cookie, ran into friends, listened wrapt as we were read Mo Willems stories by the man himself– The Duckling and also the new Elephant and Piggie trumpet book. He was almost as good at reading them as I am. He answered questions, made us laugh, and all in all it was a very fine literary Saturday morning.

March 30, 2012

Canadian Titles up the Frank O'Connor Prize

It’s the longest longlist ever, but I was so happy to see 8 9 Canadian books nominated for the Frank O’Connor International Short Story Prize, in particular because I’ve read 5 and them and they were all great and deserve more attention. Check out my reviews for Laura Boudreau’s Suitable Precautions, Daniel Griffin’s Stopping for Strangers, Johanna Skibsrud’s This Will Be Difficult to Explain and Other Stories, and DW Wilson’s Once You Break a Knuckle, as well as my rave for The Big Dream by Rebecca Rosenblum, who I am lucky enough to call my friend. Congratulations to each of these fine writers!

Update: HEY! Lorna Goodison’s By Love Possessed is also on the list. I read that one too. It was great.

March 28, 2012

Julie Wilson and Seen Reading: The Book

Five years ago, I linked to a new books site called Seen Reading whose premise was entrancing, and the site was the way I first heard of Julie Wilson, the way that so many of us did. Connecting the wondrous delights of reading and public transit, Julie was peering between your covers on the subway, and then imagining what you’d next get up to. The blog was fascinating, to have it affirmed that the book was indeed much alive, and also so celebrated, and, yes, of course, to find out what everybody was reading. And I kept hoping that one day Julie Wilson would see me.

When she did, however, it was not on the subway, but at The Scream in High Park in 2008, and I offered her an avocado scone from my picnic basket. I liked her immediately. And naturally, because she’s Julie Wilson, what she’d been talking about that night was new projects she was up to, and not long after that, I emailed her to see if I could be a part of it.

Here is the most important thing about Julie Wilson: she said YES! What Julie does better than anybody else is give you this sense that there’s something going on, and that you want to join in. And that she wants you to join in too, even if you’re a curious little person with a rash on her neck whose email began, “Hey, remember me? I gave you a scone once?” (Note: the rash cleared up not long after.)

At the time, she was beginning to record readers reading for her Seen Reading site, and we met one afternoon at the Toronto Reference Library, its fountains splashing in the background as I read a passage from Carol Shields’ Unless. I encountered her next at the launch for Rebecca Rosenblum’s short story collection Once, and she recorded me reading a passage from that book in an echoey bathroom, both us perched on the edge of a tub. She had to show me how to say “ennui”.

And I tell you all this not necessarily to name-drop and emphasize my closeness with Julie (because if I was going to do that, I’d probably tell you that in the years since, Julie has eaten bacon in my kitchen, had my daughter fall in love with her, that we’re in the same Book Club, and that we’re partners in crime at 49thShelf. We’ve come a long, long way since my rash cleared up), but rather to make that point that so many of us have had our Julie Wilson moments. She fosters connection, her enthuasiasm is contagious, she wants you to be part of whatever game she’s playing, and she (and her projects) have sold so many books. It is a privilege to know her.

And now this Madam of all things bookish online has a book of her own, and it’s gorgeous. Imagine the force of Julie Wilson meets KissCut Design and Freehand Books indeed, and in fact you don’t even have to imagine: this is a book you can hold in your hand. Julie has gone back to her roots to translate the original Seen Reading into print, bookish transit sightings coupled with her microfictional riffs. And because this is Julie, she couldn’t leave it at that. Her revamped website includes links to a reading guide, events, an online community of literary voyeurs, and more.

“This space will change often because Julie can’t make up her minds” is a line from her site, and thank goodness. The literary world is richer for it.

March 22, 2012

A splendid day

“Albert collected good days the way other people collected coins, or sets of postcards.”– Behind the Scenes at the Museum

Oh, we’ve had a good day. Sunshine , popsicles and a brilliant morning in the park with wonderful friends, after which Harriet went straight to nap without lunch (at her own request) and slept for 3 hours. And then we headed down to Queen Street West to Type Books where Kyo Maclear was launching Virginia Wolf and her novel Stray Love, which made it the perfect mother/daughter occasion. The event was great, with snacks (pocky!), music (Waterloo Sunset!), and company (my best friend, Jennie!, who took our picture). It was also nice to meet Kyo Maclear, whose work I’ve admired for a long time. And then Harriet and I took the streetcar home, which was fabulous because transit is Harriet’s favourite part of being alive, and the driver on the Bathurst Streetcar rang his bell for us! Also exciting, I thought, was that the entire Queen St. W. area smelled like farm, which was curious, yes, but mostly importantly, which Harriet recognized before I did, and how wonderful that my streetcar-riding city girl knows what just what a farm smells like.

March 1, 2012

Mog and the Granny, and questions of censorship

This week is Freedom to Read Week, for which I published a post at The 49th Shelf about challenged books in Canada— the list will disturb and amuse you. My post is adapted from Freedom to Read Week’s List of Challenged Books and Magazines in Canada, not all of which are Canadian, and which includes Judith Kerr’s Mog and the Granny. We had that book out from the library about a month ago when Harriet was a bit Mog-crazy, and it horrified me. And I’m not too easily horrified– I keep bringing home books with sexual story lines (this and this), and The Great Canadian Railway Trilogy comes complete with a picture of a hooker. I am also not always convinced that books with outdated ideas need be turfed into the recycling bin. But I couldn’t read Mog and the Granny as-is.

Most of the Mog books have lead me to suppose that Judith Kerr is intimately acquainted with hallucinogens. Sometimes they’re funny, sometimes they’re great, but most often, they’re just totally weird. And Mog in the Granny is case-in-point, from the perspective of a cat who uses his psychic connection to his owner to visualize her trip to America which mostly involves her engaging with stereotypes of Native people (and it doesn’t really help the book’s case to point out that in England [where Kerr is from] called Natives “Red Indians” is still pretty standard). The cat lacks the language and context to understand what’s going on in the images, and decides the Natives (in their obligatory headdresses) are “Bird People” and he’s concerned they’re going to hurt Debbie. But they don’t and she’s fine, and comes back from America with a baby Bird Person (doll). The end. Really, it’s just pointless. There are better Mog books out there.

So I understood why Kerr’s book was on the list. But what about John Reilly’s Bad Medicine, which also appears on the challenged list? Reilly is an Alberta judge and the book is about his experiences with Native peoples and justice. It was challenged by a group objecting to Reilly’s portrayal of First Nations governments and seeking a ban, which was overturned (though conclusion was that Reilly should resign from the bench if he is to take political stances).

Different context, I know, and a very different kind of book, but considering both books is a way to consider the issue of intellectual freedom and censorship from more than one side. How much also these questions need to be considered on a case-by-case basis, and even case-by-case, how it’s misleading to see anything important in simple terms of black and white.

February 21, 2012

Big Day: Welcome to The 49th Shelf!

Canadian Bookshelf launched in beta last June, and officially arrives today with a whole host of new features and a brand new name: The 49th Shelf. The selection of books on our front page this week is blowing my mind (including Madeline Sonik’s Afflictions & Departures, which I just finished yesterday and loved), our new I Love Books campaign is excellent, and you can find out more about what’s going on in our latest blog post (and we’re talking giveaway!). We’ve also got an interview with Maggie Helwig whose Girls Fall Down has just been selected for the One Book Toronto program (and which Stuart is currently reading and enjoying).

It’s good news all around and so inspiring to see so much love and support for Canadian books. I’m so thrilled to be a part of it and hope you’ll be a part of it too.

December 12, 2011

A Jolly Old Elf

…and of course I’m talking about Abe the Advent Book Elf, who is facilitating passionate recommendations of new books every single day over at the Advent Book Blog. Check out my recommendation for Maria Meindl’s Outside the Box, which was one of my favourite books of the year. And then grow your Christmas list even longer by checking out all the others, and perhaps you might even submit a recommendation of your own!

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