January 26, 2009
Amazingly above-average
Today’s postal haul wasn’t huge, but was mostly amazingly above-average (or at least way not just bills and flyers). The Good: two letters, one from the Governor General and the other from The South Pole. The Bad: another issue of magazine whose subscription I’m definitely not renewing because, once again, upon perusing table of contents, I see the editors have forgotten that women can write.
December 23, 2008
Today's things to do list
- check the post
- go swimming
- pick up a book at the library
- pick up a parcel at the post office
- bake three apple pies
- write, read and knit
- be cooked my favourite dinner
- look into becoming a lady of leisure
December 16, 2008
Postal Motherlode
Today we arrived home to a bundle on the doorstep– ten (10!) Christmas cards, all for us. It was as good as Christmas morning, really, and we opened them one-by-one, delighting. And then had to add a second string to our fireplace display, which is quite remarkable for one day’s pickings. Oh, for the love of December and perpetual post.
We are also happy this year to have a fireplace at all, though of course hanging our stockings on the bookcase was never a bad thing, but there is a certain authenticity here at the new house, even if the fireplace is a wee bit bricked up and a storage space for magazines. We trust Santa will find his way…
September 18, 2008
Like a treasure
“I receive remarkable letters. They are opened for me, unfolded and spread out before my eyes, in a daily ritual that gives the arrival of the post the character of a hushed and holy ceremony. I carefully read each letter myself. Some of them are serious in tone, invoking the supremacy of the soul, the mystery of every existence… Other letters simply relate the small events that punctuate the passage of time: roses picked at dusk, the laziness of a rainy Sunday, a children crying himself to sleep. Capturing the moment, these small slices of life, these small gusts of happiness, move me more than all the rest. A couple of lines or eight pages, a Middle Eastern stamp or a suburban postmark… I hoard all these letters like a treasure. One day I hope to fasten them end to end in a half-mile streamer, to float in the wind like a banner raised to the glory of friendship./ It will keep the vultures at bay.” –Jean-Dominique Bauby, The Diving Bell and the Butterfly (trans. Jeremy Leggatt).
July 31, 2008
The Guernsey Literary and Potato Peel Pie Society by Mary Ann Shaffer
Writes Juliet Ashton in a letter to Dawsy Adams, “I wonder how the book got to Guernsey? Perhaps there is some sort of homing instinct in books that brings them to their perfect readers. How delightful if that were true.” But it might be, homing instinct or no homing instinct. That this delightful book was brought to me, full of all the things I like the best– an epistolary novel, begun on the basis of a used book’s passage from one reader to another, full of wonderful literary references, even a bookish mystery of sorts, plus a reference to the joys of peering in windows, and a teapot that’s used as a weapon.
The Guernsey Literary and Potato Peel Society is a novel comprising a selection of correspondence, primarily to and from Juliet Ashton. Ashton, living in 1946 London with its war wounds still so fresh, is a writer seeking the subject of her next book– she’s previously published a commercially unsuccessful biography of Anne Bronte, and a very popular collection of humorous columns she’d written during the war. Her interest is sparked by a letter she receives from Dawsy Adams, a pig farmer from Guernsey in Britain’s Channel Islands, who has somehow acquired a book that was once hers, Juliet’s name and address inscribed on the inside cover.
Dawsy has written seeking other books, which are proving hard to find where he is– Guernsey still a long way from recovering from 5 years of German occupation. Books, Dawsy explains, have become very important to him, and his friends, far more than it was ever figured they would be during that evening they devised their Literary Society as a ruse to hide a pig from the Nazis.
Letters between Juliet and Dawsy, Juliet and her publisher, and also from the other members of The Guernsey Literary and Potato Peel Pie Society, come together to form a marvelously engaging narrative, with characters so real their letters shout off the page. Their stories a testament to the power of literature upon all different kinds of people, as solace during hardship, to bring friends together. Portraying also the horrors of life during occupation, Juliet reflecting that all through the war she hadn’t thought much about the Channel Islands, and I don’t imagine many of us since have thought about it more. A fascinating, if awful, piece of history, and Mary Ann Shaffer’s enthusiasm for this subject is evident in her work. Unnatural exposition the risk of any epistolary novel, and where it happens here (which is rarely) is with these stories, these historical details, but we forgive them because they hold such interest.
The novel’s prose lives up to all the great works it references, which is certainly something. Offering such a fabulous critique: Juliet writes, “P.S. I am reading the correspondence of Mrs. Montagu. Do you know what that dismal woman wrote to Jane Carlyle? ‘My dear little Jane, everybody is born with a vocation and yours is to write charming little notes.’ I hope Jane spit on her.”
One Society member writes of The Oxford Book of Modern Verse, edited by Yeats who excluded WW1 poems due to his “distaste” for themes of “passive suffering”: “Passive Suffering? Passive Suffering! …What ailed the man? Lieutenant Owen, he wrote a line, “What passing bells for these who die as cattle? Only the monstrous anger of the guns.” What’s passive about that, I’d like to know? That’s exactly how they do die. I saw it with my own eyes, and I say to hell with Mr. Yeats.”
I would urge this novel upon you, with all its wonderfully funny writing, shocking in places, and in other turns sad. Hardly shying away from the brutal realities of this time period, absolutely and bravely unflinching, but also masterful at capturing the nuances of ordinary life. A certain erudition evident, but always underlined by a joy– in books, in reading, in human relationships, and the connections between all three.
(Read DGR’s Review.)
June 26, 2008
Poem in the Post
Kawaii. Today in the post was a “Hello Kitty Everywhere! Haiku Postcard” from my sister. Haiku as follows:
Peeking through the soil,
The flowers shyly emerge.
I am their first friend.
June 13, 2008
Their own body bags
Nathan Whitlock writes that requiring self-addressed stamped envelopes to accompany literary journal submissions is “kind of like making soldiers go into battle carrying their own body bags”.
June 12, 2008
Forgetting to bring a camera
I’ve got a train journey coming up this weekend, and I can’t decide what novels to take. Of course I’ve got a mess of magazines waiting– this week Walrus, London Review of Books, and Canadian Notes and Queries all arrived in the post. I’ll also soon have my mitts upon the New Yorker Summer Fiction Issue. But still, I feel a train trip takes a novel, and that periodicals won’t suffice. Mostly because no journey is complete without a novel irrevocably linked to it.
To and from California in Feb. was Arlington Park and Anagrams. To and from Montreal in Sept. was A Short History of Tractors… and Atonement. The last time I went to Ottawa, I read Sweetness in the Belly. Town House en route to England last June, and Bliss on the way back. Etc. etc. You see what I mean?
It would be like forgetting to bring a camera.
May 27, 2008
Links for Today
Links for today: we’ve got Emily Perkins’ Novel About My Wife racking up great reviews in The Guardian and in The Toronto Star. (Read my review, and interview. An aside: very exciting, my copy of Perkins’ first book Not Her Real Name arrived in the post today.) Somewhat dissimilarly bookish, how to make a hardback into a handbag (via The Pop Triad) and I’m going to do it! Baby Got Books celebrates the death of the death of online criticism. Mrs. Dalloway Digested is funny. Hilary Mantel remembers 30 years of Virago. Lizzie Skurnick rereads The Girl with the Silver Eyes.
And one of the many highlights of my weekend was reading the actual printed Guardian Review, particularly Zadie Smith on Middlemarch. Citing Henry James’ 1873 review: “It sets a limit,” he wrote, “to the development of the old-fashioned English novel.” Writes Smith, “It’s strange to see wise Henry reading like a dogmatic young man, with a young man’s certainty of what elements, in our lives, will prove the most significant.”
