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December 31, 2007

Year-End Reading Recap

I do my best not to be a passive reader. To select what I read carefully, to engage with what I’m reading through my blog, to read carefully and critically, but also joyfully, and to keep track of what I’m reading. I’ve been reading most actively during the last two years, since I started my list “Books Read Since 2006”. The list from which I was able to discern last year that I read hardly any books by men and/or writers not from three certain countries whose names start with A, B and C. And that though a book or two had been written pre-1900, you’d be hard-pressed to notice from my list.
At the beginning of 2007 I resolved to read more slowly, and to read a “classic” monthly. I was sort of untriumphant on both counts, though the first one I couldn’t really help. I tried. The second, I ended up reading about six classics, falling in love with Middlemarch and Huckleberry Finn in particular. I never did get to Anna Karenina and maybe I never will, but once again I intend to (and will that eventually cease to mean something?). Though I got around to Guns Germs and Steel so anything is possible.

I am also sorry to have not yet read Rachel Cusk’s Arlington Park, which I read described as “If Virginia Woolf were alive in 2007…what she would be writing”. Did you know that I nearly bought it in the Southport Waterstones, but bought a hat down the road instead? And they didn’t have it at the airport bookstore, and back in Canada it could hardly be found at all, and I wanted the paperback, but I think I might spring for the hardback now. If I’ve wanted something for six months, it must be worthwhile.

Regrets aside, it’s been an awfully good year though. Before we go out to dinner this evening, I’ll have finished reading Kate Sutherland’s utterly enjoyable story collection All In Together Girls, which will be #339 on my grand list. (Though I will not enter it until the book is done– the one thing in the world about which I’m superstitious). Which means I’ve read 166 books this year, not bad since I spent 7 months of this year working full time. Not bad in particular since so many of the books I read were brilliant.

This year my reading resolution is quite simple– to read with a pencil. For notes, to underline new words, to deface my books and make them mine. An active reader would do that. Oh there are so many fine books just ahead. And I will start the new year just like I started the old one, with Francine Prose’s wonderful Reading Like a Writer.

Oh and also– not only is my novel entitled What Comes Down, but it is finished.

December 18, 2007

Words I don't know

A wonderful piece in the Guardian Review about (bothering to go about) looking up all those unknown words we encounter all the time. James Meek writes, “For some reason that I have never fully grasped, it is easy for those in the word business to admit any degree of innumeracy (“I’m hopeless with arithmetic”), or helplessness with the daily machinery of their trade (“I don’t know anything about computers”), but difficult to speak frankly about not knowing what a word means.” Though I suspect it’s for the same reason mathematicians don’t like to voice their frustrations with long division.

Oh, but there are so many words I don’t know. As I’ve written here before, I decided to collect unknown words once upon a time, to keep them and tame them. It was while I was living in Japan and devouring battered paperbacks by Margaret Drabble, whose vocabulary still far surpasses mine. Inspired by my ESL students, I started writing down new English words in a little black notebook and the list grew and grew. I was hoping for admission to graduate school within the year and my minuscule vocabulary (consisting too much of “fuck” and “cool”) seemed like it might be an impediment. So I learned: “sybaritic”, “quondam”, “recalcitrant”, “bathetic”, “avuncular”. These are words I know, and whenever I see them, I remember I didn’t always.

But I stopped collecting– I don’t remember why or when. Probably when we moved to Canada, for it is easier to collect English in a land where it is scarce. I think the why also had something to do with leaving our tiny apartment where pencils (and the walls for that matter) were never out of arm’s length–namely I am lazy. But this article by James Meek has inspired me to start again– really. I’m not anticipating grad school, but it’s behind me, which is as good a reason as any to take responsibility for my education now.

Meek writes, “For clarity, we need common, current words; but, used alone, these are commonplace, and as ephemeral as everyday talk. For distinction, we need words not heard every minute, unusual words, large words, foreign words, metaphors; but, used alone, these become bogs, vapours, or at worst, gibberish. What we need is a diction that weds the popular with the dignified, the clear current with the sedgy margins of language and thought.”

“Sedge. n. 1. any of various grasslike plants of the family Cyperaceae, esp of the genus Carex with triangular stems, usu. growing in wet areas. 2. an expanse of this plant.”– though actually I can’t fathom what he means in this context– anyone?

December 13, 2007

Five years ago

It was five years ago today that I went out on the town with this lady, and met a boy who danced as badly as I do. And so much fun and adventure has ensued ever since then.
The moral of the story is that you might just meet your husband in a crowded bar.

December 12, 2007

Post on my mind

Steph with more to say about post has reminded me of my own Ultimate Post Office Story from when we lived in Japan two and a half years ago– do have a read. And I will shut up about post soon, but these days as I read 800 pages of letters, visit my local PO weekly and anticipate red envelopes in my mailbox every day (and they’re beginning to trickle in) the whole thing is very very much on my mind. With pleasure.

December 11, 2007

Ramona Forever

My splendid holidays begin next Wednesday (!!) and go on long, and I’ve got nothing planned but reading sweet reading. However this article revisiting Beverly Cleary (via Kate) has inspired me to reread my copy of Ramona Forever over the break. I used to have all the Ramona books, but that was probably twenty years ago and I’ve so stupidly let all the others get away from me in the meantime. So terribly stupidly that that I’ve still got one left is a bit of a miracle and means those books must have been special– and they were. (Did anyone else notice the inaccuracy in the article though? Because not just “Ralph Mouse” has made it to TV, as I have very vivid memories of rushing home from various places in time to watch the 1988 Ramona TV series on CBC starring Sarah Polley).

Another children’s book lined up for the holidays is The Children of Green Knowe by Lucy M. Boston.

December 6, 2007

Teacups with stories

“The vast waterfall of history pours down, and a few obituarists fill teacups with the stories.” –Marilyn Johnson, The Dead Beat

November 20, 2007

Because you've brought it up, on timelessness

So last week Russell Smith responded to Ken McGoogan’s essay “Tilting at the Windmills for Literary Non-fiction” and he did so much more strongly than I did. (I can’t find Smith’s column on-line, but I very conveniently have it here in paper form, headlined “In defence of the novel, and the test of time”). Oh Russell Smith, who came of novelistic age with the marvelous Muriella Pent. Russell Smith who is a walking defence of the novel.

Smith underlines the illogic of McGoogan’s thesis: that he says fiction shouldn’t be promoted because not enough people read it. Says Smith, “He seemed to be contradicting himself: If [non-fiction is] the most popular, then it’s the most popular. What’s his problem?” He questions McGoogan’s assertion that non-fiction better stands the test of time, and doubts whether Frozen in Time: The Fate of the Franklin Expedition is truly a book people will “still” be arguing about in one hundred years. “Say, Ken, you wouldn’t be thinking of the furiously held opinions among Arctic historians, would you?”

The lesson, says Smith (invoking tea!), “is partly that we all live in our own little teapots”. But then Ken McGoogan has responded from his. Oh, Ken, who should have quit whilst he was ahead. His stompy reply doesn’t read so well: “[Smith] writes that I think novels are stupid, when I have had three published!!!” (Okay, exclamation marks mine). “Margaret Atwood wrote the intro to Frozen in Time!!!” And finally, without any modification, “As to literary longevity, Mr. Smith writes: ‘It’s 100 years from now. Ken McGoogan or Alice Munro?’/ A fairer question might be: Ken McGoogan or Russell Smith? On that one, I’ll take my chances.” Oh, he better hope his name appreciates…

Literary longevity is about as easy to predict as the weather. Read Virginia Woolf’s “Mr. Bennett and Mrs. Brown” and among the variety of ways you will be enlightened, you will learn how threatened was Woolf by near-contemporaries “The Edwardians”: Mr’s Wells, Bennett and Galsworthy. That their work and reputations so seemed to overpower her own within her lifetime. How astounding, Virginia Woolf– she of the song, the movie, the collections, the cult. That she wasn’t always in fashion? Nobody writes songs about Galsworthy after all.

The point being that nobody knows how it goes, and the canon is all about fashion. But also to show what happens to non-fiction, as opposed to fiction. I am sure that today Mrs. Dalloway reads more similarly to how it did 80 years ago than “Mr. Bennett and Mrs. Brown” does, and this, my friends, is timelessness. Not that I believe timelessness determines value, but with the subject brought up already, I will say that fiction fits the bill in a way that non-fic never will. (And I am speaking in very general terms).

The context of a novel is fixed, while that of non-fiction is much more in flux. For example, the best book I ever saw was Regent Park: A Study in Slum Clearance by Rose, 1958. Which is not to say that non-fiction loses its value over time; no, I would say that value is added, for all it tells us about the past, and in particular about what we thought of the past in the past. But in this process, the text becomes more object than book– a relic even. Moreover we tend to judge it based on how much it got wrong, which is usually most things. And this isn’t timelessness, but rather time magnified.

Teapots indeed. Now, to bed.

November 12, 2007

Red is best

Will shortly be now-reading Lucky Jim, upon the recommendation of Rona Maynard, and Kate Christensen. How exciting! Exciting also that today, albeit from a cardboard box on the sidewalk, I acquired the marvelous children’s book Red is Best. (When I was six, illustrator Robin Baird Lewis came to my school and I met her!) And finally today is the twentieth anniversary of my writing aspirations, which were born when I wrote a poem called “War” in grade three.

November 11, 2007

11/11

In memory of my grandfathers, both of whom passed away this year, I’ve decided to cease my inner-struggle with Remembrance Day. For this day only, I will set aside my ambivalence between honouring vets of “the last good war” and my utter rejection of values which perpetuate modern-day warfare. Even though my fervent belief is that the greatest honour we could bestow upon our war dead would be to not go to war anymore; didn’t anyone else get that message from the entire twentieth century?

But I’ve read Marion Murray’s article on losing her son in Afghanistan, Christopher Hitchens’ story on the death of a soldier in Iraq, and I’ve realized my own inner-struggle does nothing to undercut the sadness of these situations. That my inner-struggle is meaningless in the face of reality, which is something I expect both my grandfathers would have told me. And so today I will remember, without condition. Except perhaps the hope that one day we will have learned something from all of this.

Pictured here is my great-grandfather’s grave in Belgium. He was killed in action in 1916.

November 2, 2007

And throughout all this time

“And throughout all of this time, each event flew down like a separate pattern threading itself through a bolt of cloth. Each moment hummed with energy, shifted and settled until assured its own space and shape. And then, some unseen hand darted a needle into the entire bolt and drew it together so that all of the patterns merged and no single image could be unravelled or pried off.” –Frances Itani, Remembering the Bones

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