October 17, 2007
Clippings
Heather Mallick celebrates Doris Lessing’s Nobel Prize. (And The Golden Notebook is a slog, though I’m still going, but it feels like I might be reading it for the rest of my life. More on this later). I look forward to reading Lessing’s The Good Terrorist in the future.
I feel a bit rotten for having slagged off The Globe and Mail‘s “Focus” section last weekend– this weekend I read the whole thing through. I especially enjoyed The Next Very Very Big Things by Lisa Rochon on skyscrapers: that “it’s in our nature… to return to the street”. But otherwise, building skyscrapers into land 1.5 metres above the water table. A building that will consume 946,000 litres of water every day.
Elsewhere in the paper was Ann Patchett and Karen Connelly on reading up on Burma.
And yes, Christie Blatchford gets especially Christie Blatchfordish about blogs and bloggers. She doesn’t like them. “Writing, though, is one of those things that everyone believes they can do, sort of like breathing. Blogdom has only served to fuel that notion.” Isn’t she right though? Of course I believe that my blog is the exception to this rule, but then I imagine that most people do.
See, the other thing is that I love Christie Blatchford. I love her with the same militant obstinacy with which she loathes most things, and I am just as unrelenting. I wrote her a note once when she was writing for the NP (I worked there at the time and got it free, she explains…). A column she’d written in 2001 called “Craving life in the face of death” moved me so much I would clip it out and keep it, and I’ve got it now in front of me, yellowed even. Anyway, she wrote a few lines back and I’ve saved that too. Both the column and the letter meant a lot to me, and so much of what she writes appeals to me, even when our politics don’t coincide, which is almost always.
But it’s also true that I like to love Christie Blatchford because it annoys people. And that I respond by loving her even more might suggest that Christie Blatchford and I have more in common than you’d think.
October 12, 2007
Expedient
Oh, yes. One factual problem with Douglas Coupland’s The Gum Thief (and have you seen his youtube channel?). In the novel Bethany gets a passport in a week, and we can assume this took place in 2007, due to DC’s ulta-currency. But we all know that nobody in Canada got a passport in a week during 2007. But then maybe I’m just looking for holes. Maybe this is fiction, after all.
October 12, 2007
Books write the songs
Colin Murray devotes part of his Radio 1 show to songs referencing literature. (Track listing here). I would also add The Arctic Monkeys, sort of, who named their album Whatever People Say I Am That’s What I’m Not after a line from the best old book I discovered for myself this year, which was, of course, Saturday Night and Sunday Morning (though they claim they were referencing the film, which was good too). And Courage by The Tragically Hip, of course, which took some lyrics from The Watch that Ends the Night. Kate and Anna McGarrigle’s Love Over and Over references the Brontes. And I’m sure there’s many many more: what fun!
October 12, 2007
Links and Hijinks
Richard Wright is profiled. They’re going to let Claire Messud be a Canadian (which is v. v. exciting, I think). Doris Lessing’s Nobel win means that now I’ve got occasion to read my new copy of The Golden Notebook. I’m also intrigued by talk of her latest project here. Bookgadget devotee Kimbooktu has started up a new collection of library photos here (and I’m in the archives). Dovegreyreader reads Lucy Maud Montgomery.
October 9, 2007
Late Nights shortlisted…
Yes! Elizabeth Hay has made the Giller Shortlist for her exceptional novel Late Nights on Air. Let’s bring it on home now…
October 8, 2007
Hating with a blanket
Cheers upon cheers for Zoe Whittall’s review of Douglas Coupland’s new novel The Gum Thief. (And I would be cheering even if I weren’t voraciously devouring the novel at the moment.) No, Whittall has done something brave with her review. She writes:
Coupland is often criticized for being pop culturally literate, as though this somehow detracts from his work having true literary merit, as though it is somehow suspect to be too current. But he really did originate a type of contemporary literature that is not being afraid to engage with up-to-the-minute technology as it relates to our everyday emotional and cultural lives. I don’t shed a tear for his trillion-dollar advances. I’m just saying we could stand to be less hard on him for being so suspiciously popular.
With no fear whatsoever of undermining her cool indie cred, Whittall admits to liking a book, to liking an author. I’m not being facetious– a lot of critics never get this far. Which is not to say that all books and writers should be fawned over, but the flipside of this is active-hating which is something I find baffling. Not the hating so much: myself, I hate a lot of things, and though indeed “hate is a strong word”, so it should be. But it’s the activeness that is strange. The time and energy some people expend loathing things must eat up their lives, I wonder.
It’s also so easy to hate things: you don’t even have to read Douglas Coupland’s books to hate him. The same goes for Margaret Atwood, and I will quote my favourite-ever overheard conversation, first posted last year:
When I was at the Vic booksale on Monday, two undergraduate-appearing students were sorting through the CanLit table. One held up a copy of Survival to her friend, and said, “How about this one?” The other, sounding like she was repeating something she was very sure of, said, “Oh no, not Atwood. Can’t stand her novels. She just writes the same book over and over again.” Her friend said, “Survival isn’t a novel.” The anti-Atwoodian said “oh” and then rapidly changed the subject.
If you have read Atwood or Coupland, and you still don’t like their work, why not just not read it anymore? Though of course your caustic and bitter references to these figures will become less current, and you may have to talk about something else, but might that even do you some good?
Of course we need critics and criticism, absolutely, but hating mainstream with a blanket hardly constitutes criticism. And even if your criticism is legitimate, devoting your whole life to things you hate seems a bit sad to me. It is often more interesting listening to someone on what they do like rather than what they don’t anyway. Or rather the latter gets old soon and the former can be infectious.
October 6, 2007
Certainty wins
The best book wins again. (We’ll find out this week if it could happen for the Gillers too). Yes, because Madeleine Thien’s Certainity has won the Amazon Books in Canada First Novel Award. Deservingly– her novel is wonderful, and if you haven’t read it yet you should do so. I read it earlier this year and its power hasn’t left me yet.
October 5, 2007
Places to Go
Check out the fabulous promotional videos for Douglas Coupland’s new book The Gum Thief. Read Heather Mallick “perpetuating her own political views”, well according to one reader, though I thought, more importantly, that she’s written a great piece on language, in addition to any perpetuation– oh, but that an article can do two things! Take the Vanity Fair: Know Your Asshole Footprint quiz. Read Rona Maynard on Holden Caulfield. Jennifer Weiner, wonderfully, on talk in the blogosphere, and what woman are permitted to do, and be and look like.The Walrus loves Late Nights on Air as much as I did. (And how I am loving their new vamped-up books section this month).
October 3, 2007
An ideal marriage
An ideal marriage I have discovered, as indeed I am longing to get through the nonfiction books in my stack, but I can’t bear to give up lies for too long. So I am reading two books at once now, nonfiction complemented by a collection of short stories: the former being Kate Grenville’s Searching for the Secret River, and the latter is Jack Hodgins’ Damage Done by the Storm. Perfect! Why didn’t I think of this sooner?
Grenville’s book is wonderful so far, though I am approaching it from a strange place having never read The Secret River. It’s asking a lot of the same questions as Bernice Morgan’s novel Cloud of Bone, but from an Australian point of view, about remembering and forgetting, and the price we pay for either. Even some of the scenes are reminiscent, which is strange for two books of nonfiction and fiction respectively. And just getting into the Hodgins (one story before bed, you know). I’ve read his A Passion for Narrative before, and am excited to see his theory in action.
I have also become a compulsive squash buyer. Soon this will have to stop.
October 1, 2007
So many Penguins
Well, my fears were unwarranted. The Victoria College Books Sale had more than enough books for me and the WOTS crew. And there’s still more, and you can fill a box tomorrow morning for a tenner if you’re interested. But I am finished. From the top left: Forever by Judy Blume, so my future-children can have naughty books around the house appropriate to their age group; Volume Two of Woolf’s Diaries, as I’ve only read the last one so far; Penelope’s Way by Blanche Howard, who I’ve wanted to read since her letters were published last Spring; Larry’s Party by Carol Shields, which, though I can’t believe it, I’ve never read; The Tree of Life by Fredelle Bruser Maynard; Rose Macaulay’s The World my Wilderness; Breath, Eyes, Memory by Edwidge Danticat; another Penelope Lively– Cleopatra’s Sister; The Penguin Encyclopedia of Places from 1965, purchased for charm and not currency; At Home in the World by Joyce Maynard, whose sister has already demonstrated that Maynards write good books; Woolf’s last novel Between the Acts; Look at Me by Anita Brookner; Dominick Dunne’s Another City, Not My Own, as we love his books at our house; Lessing’s The Golden Notebook even though Joan Didion doesn’t like it; Lucky Jim by Kingsley Amis; two Graham Greenes– The Heart of the Matter, which I’ve read, and Brighton Rock, which I haven’t; Perfect Happiness by Penelope Lively; The Last Thing He Wanted by Joan Didion; Beach Music by Pat Conroy, which my mom, sister and I love together, and my previous copy I left in Japan.
I am now, quite officially, overbooked.