December 21, 2016

Good Days

One thing I love about winter is the way the sun pours into my kitchen, that gorgeous light from the south, illuminated my teacups and photos and all my afternoons. I’d never noticed that light until I joined Instagram last year, and didn’t completely appreciate it either until spring arrived and the light in the kitchen got dim again. Who ever knew that winter could be so bright? But it can be, and my Instagram shows that, simple quotidian goodness that isn’t properly reflected here on my blog anymore. My blog is becoming less a place for every-day than it once was, the dailiness that once plotted its narrative showing up on Instagram instead. And if you’re not following my Instagram account, you might not realize what a parade of good days there have been these last few months, goodness that was indeed marred by the election results in November and the political shift, which certainly added a different level of resonance to many of the days. (We went to see The Lion, The Witch and the Wardrobe and I kept thinking of all those people who don’t know “the deeper magic,” and not even in a Christian allegory sense.)

So what has been happening? What stories would I have poured out here in previous years, in posts titled “Good Weekend”? I don’t think I wrote about my trip to Blue Heron Books in October, or the way the autumn leaves were like a fireworks display that exploded brilliance well into November.

I didn’t write about our weekend jaunts out to different parts of the city, living sans nap and stroller and partaking in urban explorations. About Halloween with our friends and neighbours, the streets crawling with people and such a spirit of openness and community. How Harriet’s Hermione Grainger costume was incroyable. About our trip to see The Lion, the Witch and the Wardrobe at the Stratford Festival, which was courtesy of the kindness of a friend and is the beginning of an annual tradition. About holiday parties, Harriet’s performance in the Primary Choir concert, and about all the glass that smashed when our Christmas tree fell down.

Last year I was very ill for most of December, which made me grateful for every bit of wellness this year. We’ve filled our weekends with excellent Christmas things—a trip to the Gardiner Museum for the 12 Trees of Christmas Display, a visit to the Toronto Reference Library to see their Fairy Tales exhibit, afternoon tea at the Art Gallery, and a shopping mall Christmas Day (made all the more enjoyable by the fact that we didn’t need to buy anything while we were there). It’s not even Christmas and we’ve already walked home from school in an actual blizzard, visited the Christmas windows at The Bay on Queen Street, and partook in a Christmas carolling party with our dear friends and was so good for the soul. That there’s been snow on the ground for two weeks has certainly made it seem a lot like Christmas. Our presents have been wrapped for ages. The tree is up (and still standing) and the darkness is marvellously lit.

On a personal level, we’ve had a very good year. The people who live in my house continue to be my favourite people in the universe, and I can’t quite believe my good fortune in being able to hang out with them every day. My days are busy and there is too much trekking to and from various schools to deliver and fetch wee scholars, but so it goes, and both girls are happy at school and I’ve got time to work and write and swim. Life is complicated and there are always worries, and my children have their struggles just like yours do, but these things make us all more resilient. But for the most part, we’re just extraordinarily lucky and rich in all the very best things and we know it.

I count my blessings every day.

December 19, 2016

A Paradise Built in Hell, by Rebecca Solnit

One day in October 2014, a man with a gun entered Canada’s parliament buildings shortly after murdering a Canadian soldier standing guard at the national war memorial. The man with the gun had a history of drug addiction, mental illness, and also pledged allegiance to a terrorist “state.” Thankfully, he was taken down before he hurt anybody else, and afterward there were the usual discussions about religious extremism and one religion in particular. A year later, Canada’s Conservative Party was counting on leveraging fear from this incident and others to win another election. They had been slow in accepting refugees from war-torn Syria anyway (and had taken away healthcare from refugees altogether, in a move that defied both logic and human decency), which made it seem personal to Canadians when the body of a small Syrian chid washed up on the shores of the Mediterranean Sea and was photographed in a devastating, iconic image.

Determined to stay their course all the same and make it clear how they really felt about multiculturalism in general and Islam in particular—or rather to play to the very worst parts of people’s fears, frailties and debased humanity in order to win votes—the Conservatives gambled on a novel concept, a Barbaric Practices Hotline, wherein Canadians could report their neighbours…for suspected cases of genital mutilation, apparently?? (Who ya gonna call?) An idea that was so preposterous that I still can’t believe it really happened, let alone that the public faces of this idea are continuing to walk around in public (encouraging citizens to “lock up” democratically-elected leaders, no less [but just the female ones. Not that gender has anything to do with it.]).

It was utterly bananas. It was…like waking up one morning and discovering that some clown called Donald is President of the United States. And then against all predictions, against the odds, Canadians in huge numbers shot down that shitblimp and the Conservatives were out. Because for a few weeks there, we didn’t recognize the country we lived in. Because it was difficult to imagine the lows these people would stoop to in order to get power (and you have to wonder if it would be worth it. That you’d have to break something so irrecoverably in order to make it yours. What would it be like to triumph in that fight? Where would lie the satisfaction?). The Liberal Party’s victory on October 19, 2015, I thought—nearly a year after that deranged man had broken into Parliament with a gun (and I’m not going to say he “stormed it,” because he was literally one guy with a gun, and that’s not a storm. That’s something weird falling out of the sky)—was not necessarily for the Liberals themselves, but it was against the awfulness that election had brought us. It was Canadians standing up and declaring that this is not who we are. It was all of us being determined to be something better than what the Conservatives had offered, which was a vision of our very worst selves.

These visions are important, as Rebecca Solnit writes in her 2009 book A Paradise Built in Hell: The Extraordinary Communities that Arise in Disaster. These visions of who we are, and what we can do, and what we will do. The prevailing view, she writes, of a community in a moment of disaster being that people will panic—riots in the streets, mass slaughter, every man for himself. A vision built on fear, the same way the Canadian Conservative Party erected their 2015 election platform on fear. But what if, Solnit proposes, these perceptions of human nature are wrong? Going back over historical disasters from the last 100 or so years—the 1906 San Francisco earthquake, the Halifax Explosion in 1918, the 1985 earthquake in Mexico City, the World Trade Center attacks in 2001, and the catastrophe of Hurricane Katrina in 2005—to find a different kind of narrative. A narrative that is actually prevalent and proven in the “disaster studies” field, which is that in moments of crisis, people come together, support each other, and that new communities and ways of being can actually emerge.

Where there is panic, Solnit writes, is in the realm of the elite and bureaucratic. Rigid systems fail, precarious structures crumble, powerful people freak out about the prospect of the populous realizing they’ve got true agency—and it’s here where the chaos comes in. Armed forces were sent into San Francisco in 1906, just as they were in New Orleans in 2005 along with private security firms, and these forces caused huge problems, viewing community members as an enemy, and being completely out of touch with social dynamics. The trouble comes from improperly equipped firefighters charging into the World Trade Center on September 11, 2001, all the while people in the buildings were facilitating their own evacuation (against official orders, even—many had been told to go back to their desks and wait), carrying disabled colleagues down 69 flights of stairs, proceeding in an orderly fashion, saving so many lives.

In her book, Solnit writes to open our eyes to other possibilities of human nature. That perhaps we can be our best selves, that maybe our best selves are even who we really are. It’s a heartening read at this moment in time when the western world seems intent on its own disaster course, and when populists are preying on our very worst tendencies. At a moment when the fall of the Canadian Conservatives in 2015, along with their racist, divisive platform, seems like an anomalous blip, right-leaning, xenophobic politics creeping into the mainstream—or one might even say “storming.” When the very people who touted the Barbaric Practices Hotline are not lying low in abject shame, as one might expect, but are gunning for leadership of the Canadian Conservative Party, the saddest, most dispiriting, race-t0-the-bottom-ish contest I’ve seen since, well, Ted Cruz was knocked off his weirdo throne or that smarmy fucker Nigel Farage quit the UKIP in triumph.

It’s easy to play these kinds of politics. I mean, not from a moral point of view (how do these people sleep at night?), but it really doesn’t take a lot of effort to put a bunch of people together and encourage them to be angry and full of hate. Because, as Solnit writes in her book, our most basic tendencies are perhaps a yearning to belong to something and to each other. We want a sense of purpose, a reason. I was one of thousands and thousands of people around the world who, on September 11 2001, lined up for ages—for nothing, it would turn out, but still—at a blood donor clinic. We wanted to do something. It’s the reason so many Canadians have donated time and money for the past year to support the tens of thousands of Syrian refugees who began to arrive in Canada shortly after the Liberals took office—my friends and neighbours have been a part of these efforts, my mom has, Canadians in towns small and large, in communities already multicultural or otherwise. It’s the reason why, when I came across a small car accident the other week, before emergency services had arrived, passerbys were supporting the cars’ occupants, employees from the coffee shop on the corner had brought out chairs and food and water, and I stood there entirely superfluous and wanting to be a part of it, a bit sad to realize I didn’t have to be—my neighbours and fellow citizens had it covered.

There were also people walking by snapping photos on their phones. This was morbid and weird and kind of terrible, but there are always going to be people like this, people who are self-serving, messing stuff up, playing the system. Caitlin Moran writes about this in her new book, about how there are always going to be people who play the system, that this is who people are just as much as the helpers, but this is no reason to tear down institutions altogether. If we wrecked all the systems that people had cheated, where would that leave the parliament of any country in the world, or the Catholic Church for that matter? See also Solnit on “looting” (when black people do it) and “requisitioning of goods” (when white people do it) and the efforts that were devoted to protect things and property in New Orleans in 2005, sacrificing actual people’s lives. All of which is to say that these things are complicated, and nuanced, and it’s much easier to stand before a group of people and smirk and wave as they start chanting LOCK HER UP.

It’s all the same impulse though, the same yearning for connection and meaning. And I take heart in this. The impulse is there, and what if we can “leverage” that, then we can all be better. And how to make that happen? Solnit writes about increasing community connections, investing in social capital, enabling community infrastructure that permits people to share spaces and things, to congregate, to create a vital public life. It’s about giving people opportunities work together, to know each other, and to be empowered to create their own solutions to local problems. Governments can take heed of this, I think, and invest in these kinds of initiatives to bring people together instead of divide them. And on the individual level, all of us can be empowered already with an understanding of the roles we can play—it’s making eye contact and smiling at people in the street, saying hello your neighbour, leaving a holiday gift for your letter carrier, making friends at the park, using the library, supporting community-minded businesses in your neighbourhood. By being the change you wish to see in the world.

December 15, 2016

Christmas Books

We’re winding down to the holidays (although, unfathomably, they don’t start until the end of next week when school’s out). Instead of Picture Book Friday, I want to point you toward my Instagram account where I’m sharing a title from our Christmas Book Box every day. We’re also reading the short novel A Christmas Card now, which our friend Sarah read last year (as we were reading The London Snow, by the same author, Paul Theroux). Today we walked home from school in a glorious blizzard, and hot chocolate with marshmallows are getting to be a habit.

December 13, 2016

Awkward Conversations

As a parent, having uncomfortable conversations with my daughter is one of my favourite things. The other day after listening to the news on the radio, she asked me, “What’s sexual assault?” And I was so grateful to be able to answer that. To be able to give her the context for these awful, disturbing ideas, rather than her getting her context from elsewhere, from less reliable sources. From the cruel world even, when she’s utterly unprepared for it. It’s the same reason I read her the Grimms with the violent endings, the nasty stepmother destined to dance eternally in shoes made of burning iron. Even though these deliverances of justice aren’t in keeping with reality, I think the fact that the world can be brutal and hard. I don’t want these things to ever come as a surprise to her. I willingly brought my daughter into the world, and along with that, I see myself as required to take responsibility for all of it, the good and the bad.

They aren’t opposing, also, the good and the bad. This is what I want to teach my daughter about the world, about its complexity  “A single thing can have two realities,” is a line I wrote in my essay, “Doubleness Clarifies,” about motherhood and abortion. It’s always been a lesson I wanted her to learn. “And so one day I will tell her about what happened to me a long time ago,” I wrote about my daughter and my abortion, in this essay I wrote when my daughter was three. I was always grateful for that essay, because it meant I’d never be able to not tell her what happened to me. It would force me to take responsibility too for this part of my own story.

Last week I shared the above photo of protesters from the 1970 Abortion Caravan in Ottawa on Instagram. I spend a lot of time on Twitter raging about abortion access and perception, while my Instagram feed is all teacups in soft sunshine. I wanted to be more well-rounded in my Insta-life, so I shared the image. And later that night, Harriet was scrolling through my feed and saw the photo. “Who are they?” she asked, and so I told her about abortion.

I told her about the brave women (and men) who fought hard so that she and I could have control over our reproductive lives. I told her about how people are trying themselves in knots trying to restrict women from aborting lentil-sized fetuses. “But it’s not their lentil,” she said. “I KNOW!” I answered. And I told that when she was a lentil, she was everything. We read her stories even though she didn’t even have ears. But she was everything because we loved her already and we wanted her. In physical terms, she was almost nothing. Pregnancy is perilous at 6 weeks.

December 11, 2016

2016 Books of the Year

As always, I’ve failed in both my efforts to read everything I wanted to read in 2016 and also to keep my top ten to a number below twenty. Still, I think I’ve failed quite successfully here, and I’m really happy with how the year has read up. Thanks to the authors and readers who inspire me and make my reading life so much.

*

Rich and Pretty, by Rumaan Alam

“I loved its humour, its prose, its quietness and detail. I loved its subtle subversions—second abortions and pregnant women with a drink. I loved the difference between the two characters’ voices, how richly the two were delineated, and that the title is tongue-in-cheek—in a Mad Men fashion, Alam’s novel takes the idea of “types” of women and a binary approach to womanhood and complicates the idea entirely to show that women can be whole, flawed, inexplicable and fully realized people whose lives and experiences are worth writing about, thinking about. Which really shouldn’t be such a revelation, and this is still a completely excellent book for those of us who already know.”

*

The Mothers, by Brit Bennett

“Bennett nicely situates the personal against the political, Nadia’s experience with anti-abortion politicking by church members (although not so avidly—these are reasonable people) and also about how one’s convictions become flexible when an unwanted pregnancy is a fact instead of an idea. She shows how a woman can choose an abortion and know it’s the right choice, but still mourn what she’s lost and wonder at the could-have-beens. That an abortion, like a lot of things that happen to people over the course of their lives, is a complicated, multi-faceted thing.”

*

Busker, by Nisha Coleman

“I kept laughing out loud, which is a mark of literary achievement. Though I also cringed—as one who has never mastered air-kisses, I recoiled at Coleman’s recounting of her first bisous and how she actually made cheek contact. She writes about being asked to play her violin in a hair salon, but how her own unruly do caused a great upset when she arrived. Or the man she met who wanted to perform songs he’d written, which turned out to be “sex songs” with lyrics like, “The horny bull wants a bouncy ride.” And she meets a lot of men, Coleman, and in the beginning, being lonely, takes them up on their invitations, until she realizes that she’s setting herself up for a lot of awkward interactions. She longs for the company of women friends as well, but these kind of relationships are harder to find. Not to mention that at the beginning of her time in Paris, Coleman hardly speaks French.”

*

Becoming Lin, by Tricia Dower

“It’s a novel about the 1960s, about idealism and reality, about the narrow confines of a wife’s identity and that of a mother. Familiar themes, all of these if you’ve read books like Margaret Laurence’s The Fire Dwellersor watched Mad Men, but themes made fresh with the nuances of the novel’s point of view, the carefulness with which these ideas are examined. In Becoming Lin, the prose is mostly inconspicuous, but what grips the reader is the evolution of Lin’s consciousness, and the complexity that arises from the absence of polarities—unusual for a history of a decade so constructed of extremes.”

*

Experimental Film, by Gemma Files

“I spent Thanksgiving weekend—as summer turned into fall, the leaves turned into reds and oranges, as everything started to wither and die—reading Gemma Files’ Experimental Film, which was so fitting for the season. I absolutely loved it, and was not the only one to do so—the novel won the Shirley Jackson Award in the summer and the Sunburst Award for Excellence in Canadian Literature of the Fantastic in September. It’s a book about horror movies, and the history of Canadian cinema, and motherhood, and parenting a child with autism, and there are ghosts and it gets creepy, and it gave me bad dreams—which I mean as a testament to the book’s power.”

*

The Trespasser, by Tana French

I’d preordered The Trespasser, French’s first book since 2014, and it seems fitting that my year of Tana French should have a new release by her within it. (I was in Barbados when I learned this new book was forthcoming. Imagine my joy: that there would be another Tana French when the books in the Waitrose bag were done!). And it was everything I’d hoped it would be—a return to tradition of the first four books, a narrator on the edge who doesn’t know how close she is, a strange and tricky murder whose solution is not immediately in sight. I love her plots, her characters, her humour, and that I learn insults like “wankstain” (which shows up in two books). I love her complicated women and men, and their aloneness, and the awkward ways her characters connect with each other. I love her prose, her twists, and her portrayal of Ireland post-boom. Can you tell that I love everything?

*

Little Labours, by Rivka Galchen

“These fragments are preoccupied with the poster for a Keanu Reeves flop; the tiresome anecdotes we tell our friends about our babies presuming they’ll be interested (and once those friends have babies, they even actually are); a mention of the woman who drowned her five children; a horrible woman whom Galchen regularly encounters in her building’s elevator who has strong feelings she must articulate about her baby’s size; on head shapes, their remarkability and otherwise; about troubling proclivities toward orange; one piece beginning, “Literature has more dogs than babies, and also more abortions.”; about Frankenstein, Godzilla, Rumpelstiltskin, Lucille Ball, and The Tale of Genji (but not all in the same essay); about screen time, and what writers had children and who didn’t, and why writers’ children keep writing about closed office doors (and Galchen wonders why these doors are more troubling than the doors at Daddy’s work, downtown in a high rise building); about babies in art; and her complicated feelings about women’s writing and “women’s writing,” which she fascinatingly teases out.”

*

The Dancehall Years, by Joan Haggerty

“Joan Haggerty is an extraordinary writer, her prose Woolfian in its stream of consciousness, its immediacy. This is a saga sweeping four decades written in the present tense. And it’s true that when we talk about summer books, we sometimes mean that they’re a bit light in substance, but this is a different kind of summer book. It’s not difficult, and it’s got its own kind of lightness (strung together by summers as it is), but it’s not a “beach read.” Which isn’t to say it would be wonderful to read it at a beach, but still, it’s not the kind of novel that would blow away in the breeze.”

*

The Little Communist That Never Smiled, by Lola Lafon

“On the surface, Lola Lafon’s novel The Little Communist Who Never Smiled (translated from French by Nick Caistor) is a fictionalization of the life of Nadia Comaneci, but that (of course) is just a cover. What the book is really about is messaged in between the lines (or, quite literally, between the words). The Little Communist… is a book about the Cold War, the politicization of sport and womanhood, about deciphering codes and, fundamentally, this is a novel about punctuation.”

*

The Party Wall, by Catherine Leroux

“It’s always a good sign when the blank pages inside a book become riddled with notes and diagrams, as has been the case with my copy of the Governor-General’s Award/ Giller-nominated The Party Wall, by Catherine Laroux, prize-winner in its original French, translated into English by Lazer Lederhendler (Nikolski!). Not because the stories themselves in the novel are so difficult to figure out—in fact, they read beautifully with luminous prose (“Fall is approaching and the warmth of the South throbs on the horizon like a sack of gold at the foot of a rainbow”)—but because the challenge and the pleasure is discovering how all of it fits together. While the shape of most narratives is a horizontal line (with the inevitable bump for a climax), the shape of The Party Wall is multi-dimensional, arrows pointed in all four directions and connections that hold the whole thing fast.”

*

Birdie, by Tracey Lindberg

“Surprisingly, Birdie is not a heavy book, even with all the violence and tragedy. It’s as funny as it is sad, and more than that, it’s vibrant—powered by the voice of a woman who seemingly lies unconscious, which is kind of ironic, but there’s a lot going on inside Birdie’s mind, even as she’s got one half-opened eye on The Frugal Gourmet. As a character she’s rich and realized, and Lindberg never makes her a victim of her circumstances, her agency retained even in her lowest moments. Her very act of retreating into her mind, while passive from the outside, is a powerful gesture, and necessary for healing, for the possibility of a future.”

*

Double Teenage, by Joni Murphy

“It’s heavy, but it’s not. I read this book all day on Sunday, a few hours in the afternoon in my hammock. I devoured it, and loved the shape of the project—that this is a novel gesturing outwards, pointing to the world, using the world and its threads to build something new, offering structure, frameworks, where we hadn’t seen such a thing before. Daring to state that girlhood is significant, even if it’s a stage, and even if it’s a stage. I loved the poetry of Murphy’s prose, the power of her language. The power of the book full stop—it’s both the story of my life and also unlike anything I’ve ever read before.”

*

Frankie Styne and the Silver Man, by Kathy Page

“Frankie Styne is a new edition of Page’s novel, first published in 1993, and it put me in mind of my favourite Hilary Mantel novels, her first two, Every Day is Mothers Day and Vacant Possession, dark comedies about the dark edges of humanity and their successful attempts to outmaneuver meddling social workers. Page’s social worker is Annie Purvis, who we know first from the point of view of her client, Liz Meredith, who’s just been moved into a terrace house with her baby. Liz has spent her time most recently living on a railcar after becoming estranged from her family, but since her baby’s birth (compounded by the fact that he has developmental abnormalities) she’s become tangled up in “the system”. Although she diverts all attempts to get her installed with a phone (living as she does by her grandmother’s advice to “Always avoid ties that bind”), she could do with a television, but in the meantime, she contents herself by listening to conversations between the troubled couple next door and imagining a different kind of reality existing on a planet far away, that life itself is merely the plot of a cheap pulp novel she’s somehow been stuck in.”

*

I’m Thinking of Ending Things, by Iain Reid

“Clear the decks if you’re thinking about picking up this book, because you’re not going to be able to put it back down again. Don’t start reading it at night though or it’s going to be hard to fall asleep. I was intrigued by this psychological thriller, the debut novel by Iain Reid who’s previously been known for two award-winning heartwarming memoirs. Could he really pull off such a literary change of pace? But he does, and it’s breathtakingly good. Best of all, no one is going to compare this book to Gone Girl or The Girl on the Train, but it’s something altogether different. It also manages to be completely creepy but actually free of gore and violence, which is an incredible literary feat. And finally, that a book can be so enthralling and disorienting at once is just incredible.”

*

Today Will Be Different, by Maria Semple

“There are writers who sit down and painstakingly plan their books before they start writing, a mess of post-it notes and index cards, and one gets the feeling that Maria Semple is not one of them. The plots of her books resemble those dotted lines on maps in Saturday morning cartoons in which small children navigate space with curious and often dangerous diversions. Which is kind of a funny way to plot a book, but think of the joy you once got in running your finger along that line, and also of the momentum inherent in this kind of narrative, the briskness with which the reader is brought along for the ride. It also turns out that plot isn’t really the point is, but voice is, and Eleanor Flood’s is the kind of voice that’s hard to get out of your head.”

*

Swing Time, by Zadie Smith

“For me, Smith has always been a masterful novelist whose works just kind of peter out before the end, and my explanation for that is that her stories are so excellent that the endings are always going to be a let-down and/or do we really expect her to come up with a novel like that and properly end it too? But in her fourth book, it seems she’s finally got the conclusion that comes with a gut punch, the last fifty pages or so finally bringing the pieces together, the patterns emerging. The conclusion of Swing Time is wonderful, devastating, and ambiguous in the most engaging fashion. Yes, the book is a bit bloated in the middle, but reading any of Smith’s prose is a pleasure. And all of it matters—you just don’t know how until the end.”

*

On the Shores of Darkness, There is Light, by Cordelia Strube

“At nearly 400 pages, the novel is long, but swiftly paced and never dull. The bleakness of its considerations are broken up with incredible humour, from the cacophony of the voices in its background to the sheer audacity of Harriet herself, her nerve, all the things she is willing to do and say. There is a humour too in the contrast between the child’s point of view and the world around her, and—in the case of Harriet’s friend, Darcy, in particular—the person she is trying to to be. The sheer naïveté of these would-be old souls. Darcy likes to go on about, “that Caitlin whore,” a friend from her old neighbourhood, and we learn about what Caitlin did to her at Guides: “I was a Sprite and she was a Pixie. That ho bag made like all the cool girls were Pixies….Then the skank fucked up my puppetry badge.””

*

The Break, by Katherena Vermette

“The family tree at the beginning of the book is useful, but the reader soon becomes acquainted with the women of this family, so it won’t be referred to throughout. Momentum is strictly forward as the pieces begin to come together, Vermette deftly moving in and out of time to create a three-dimensional feel to the narrative—we come to feel we know this story from all sides. Four generations of a family, and how tragedy trickles down with all the goodness, the former not negating the latter though. As Vermette has made clear, this is a novel about women and about survival, a story that complements but also takes issue with stories and statistics about First Nations and Metis women as victims before they’re even people proper. But her characters are people here, people with flaws and foibles, strengths and weaknesses, and it’s the strength that endures: “‘It’s okay, my girl. It’s okay.’ Her answer to everything.”’

*

We Oughta Know, by Andrea Warner

In her book, We Oughta Know: How Four Women Ruled the ’90s and Changed Canadian Music, Andrea Warner articulates that whole scene, and the remarkable fact that four Canadian women were leading the charge of women in song: Celine Dion, Sarah McLachlan, Shania Twain, and Alanis Morissette. These four women too are (along with Diana Krall) are the only Canadians on Canada’s best-selling artists lists, coming in above the Beatles. And even more remarkably, they all made their mark during a five year period in the mid-1990s. What was going on exactly, Warner wonders? How did they do it?

*

Shrill, by Lindy West

From Shrill: ““Everything happened in those five years after my abortion. I became myself. Not by chance, or because an abortion is some kind of mysterious, empowering feminist bloode-magick rite of passage (as many, many—too many for a movement ostensibly comprising grown-ups—anti-choices have accused me of being), but simply because it was time. A whole bunch of changes—set into motion years, even decades, back—all came together at once, like the tumblers in a lock clicking into place: my body, my work, my voice, my confidence, my power, my determination to demand a life as potent, vibrant, public, and complex as any man’s. My abortion wasn’t intrinsically significant, but it was my first big grown-up decision—the first time I asserted unequivocally, “I know the life that I want and this isn’t it”; the moment I stopped being a passenger in my own body and grabbed the rudder.”

*

The Best Kind of People, by Zoe Whittall

While the entire book is fantastic, Whittall gets full points for her spectacular ending, however, which turns the story inside out and disturbingly rips us away from the singular perspectives of characters to reflect the wider culture of rape and sexual violence against whose context the entire novel has been taking place. Which is to say that this is not just a story about a family. And then the final sentence, which will haunt you long after you’ve finally finished reading, quiet, subtle, devastating and terrible, just like the injustice that is Justice, which isn’t anything like justice at all.

*

Notes From a Feminist Killjoy, by Erin Wunker

Notes is a way of starting. Trying. Essai. If a manifesto is a red rag, then a note is a building block, a puzzle piece. The reader responds not by charging, but by saying, Yes and, or Yes but. She doesn’t respond by tearing the whole thing down.

I love the way the narrative thread of Wunker’s book makes its way with seeming effortlessness. There is nothing laboured about how a discussion of rape culture leads to the Jian Ghomeshi trial leads to women coming together leads to a chapter on friendship. (Which references The Babysitters Club. Yes, and!!) Why are so few of our formative texts about female friendship? “What is it about female friendship that inspires such insipid descriptors?” What are relationships between women often so fraught?

“Is it too hard to write your own narrative and witness another’s, simultaneously?”

*

Five Roses, by Alice Zorn

“I loved Alice Zorn’s Five Roses, a novel that’s a love letter to Montreal, its neighbourhoods, and to the magic and serendipity of city life that is inevitably born from the fact of so many characters living in close proximity. It’s a bit of a mess, it is, city life, what with different cultures, and types of people, and old traditions and new traditions, and money and poverty, home and commercial enterprise, and history and the moment, which is now, and impossible to capture anyway…because the only thing that ever stands still in the city is the force of change. Zorn’s novel, however, manages to convey all this and not be a mess, disparate narratives woven together in a way that sparks magic but is left just untidy enough to still ring true.”

December 8, 2016

Holiday Reading Break

I never plan my holiday reading breaks—they just sort of happen. One minute I’m reading the new Zadie Smith, with Eimear McBride, Deborah Levy, Paul Beatty on deck, and next thing I know I’m reading Linwood Barclay. (I’ve never read Linwood Barclay before—he comes much recommended and I’m loving this book so much.) So suddenly all the big books and ARCs are put aside, and I’m reading murder mysteries, juicy novels, and all the books on my shelf that I’ve been meaning to get around to for ages but haven’t because they’re not particularly timely and little of consequence. Which makes me not the best book blogger, because I’m going to make a 2016 Best Of and I’ve not really properly read 2016 yet. But a holiday reading break also makes me happy and sane as a reader and a person, and is the nicest way to wind down into the holiday season. I will be reporting in from my holiday reads, and do look forward to resuming Big Books again in the new year.

December 5, 2016

The Toronto Review of Books’ Seasonal Affective Party!

I’m looking forward to reading as part of the Toronto Review of Books’ Seasonal Affective Party on Tuesday December 6, 7pm at Poetry Jazz Cafe in Kensington Market. I’ll reading alongside Andrew Pyper, Trevor Corkum, and Catherine Graham. TRB Managing Editor and novelist Damian Tarnopolsky will be reading too, along with TRB Senior Editor and writer Kelli Deeth.

The Facebook event is here! See you there?

I’ll be reading the infamous pork shoulder scene from Mitzi Bytes, and it’s going to be great.

December 4, 2016

I regret the cake

They say that over the course of a lifetime you never regret the cakes you baked, but instead the cakes you didn’t bake, although in one specific case I will make an exception—except I am also sorry for the butterfly cake I brought to a party in 2000 that was mostly paste, and the cake I over-mixed for my friend’s engagement in 2008 that had the consistency of cheese. But not this sorry.

I regret the cake, the Hillary Clinton victory cake I baked on November 7.

“If all else fails, there will be cake,” I blogged blithely, but it turned out that the cake didn’t taste very good. When I’m really upset, I don’t have an appetite for anything, and so that sad cake hung around our kitchen getting stale and eventually I threw it in the garbage. The day after the election, I had a task that involved cutting out thirty small squares of paper and using a hole punch, and it was about all I was up to. I sat there at my kitchen table cutting and punching, and weeping as I listened to Hillary Rodham Clinton’s concession speech on the radio. I probably ate some cake, but I didn’t taste it. There was no consolation.

If I had to do it again though, I’d probably still make the cake. Partly because I’m bloody-minded. And partly too because I refuse to budge from my vision of what the world could be and what it should be. I’d rather be wrong than be wrong, if you know what I’m saying. Although I did feel guilty after the fact—I know I inspired other people to embark upon similar baking projects, and there we all were sad in our kitchens on that terrible Wednesday morning. There was so much cake, physical evidence of disappointment, and all of it was my fault.

But I’ll take the fall. I was wrong, and I’ve been wrong before, but as I said above, at least I wasn’t wrong in fundamental ways. I’ve tried very hard to resist a dynamic of winner/loser from this election, not because I don’t like losing, but instead because I don’t mind if I do lose. It doesn’t matter. You might call me a crybaby, but I’ll just look at you confused, wondering why you’re delivering such a puerile insult, and I really don’t care what you think either way. (I’m not going to run out into the street and start firing off my stockpiled ammunition either, and there is really something to that.)

“The art of losing isn’t hard to master…” It’s true. I’ve lost before, over and over again, and what I learned from these experiences is that mastering losing can mean that you can do absolutely anything. I have no fear of failure because I’ve failed over and over again, and everything turned out…fine. Often the very worst thing that can happen isn’t. There are certain things that if I lost them, my life would be fractured irrevocably, but these things are mostly people and I don’t know that anyone can master that kind of loss, although I even know some strong, incredible friends who appear to have done so, who carry on under the weight of interminable grief. So there is loss and there is loss, I mean.

The results of the election have been devastating, but I’ve resisted the idea that my/us having lost is part of the equation. No, it’s something more than that, which is what is actually lost on the simple-minded people who are gloating. Those gloating people aren’t why I was crying, but instead I was crying for everyone, for a vision of the world that’s not that I thought it was, what I hoped fervently it could be. I was wrong, and a whole lot of people proved me wrong, but I can handle that. And if necessary, I’ll be wrong over and over again. Until I’m right, because that’s how history swings.

It’s been a brutal month. On Thursday I finally got my ass back in gear, and started replying to hundreds of emails with apologies for being unable to anything much for this past month except stare at my computer screen in abject horror. I fell down terrible twitter rabbit holes that made me despair about everything, and to wonder about the bubble that I live in, confused and messed up by “voices obsessed with rhetorical fallacies and pedantic debating practices.” When reality starts to seem like a giant conspiracy theory in itself, it becomes hard to know what’s what, and where you stand on things when ground is ever-shifting.

What’s brought be back to earth? Books, of course. I started reading Caitlin Moran’s Moranifesto last week, and it set me straight about feminism, and class, and why I don’t want a revolution (“Personally, I’m not up for that. The kind of people who are up for mutinies and riots tend to be young men… I, however, am a forty-year-old woman with very inferior running abilities and two children… I’ve read enough history books to be resoundingly unseen on extreme politics of with the left or the right…They tend to work out badly for women and children. They tend to work out badly for everyone.) While there has been an effort to package this book as more than a collection of her columns, with a thesis and everything, it doesn’t quite work, but it doesn’t have to. Moran is terrific. “Why We Cheered in the Street When Margaret Thatcher Died.” “This is a World Formed by Abortion—It Always Has Been, And It Always Will Be.” “We Are All Migrants.” The world has gone so willy-nilly in the last year that some pieces in this collection are dated in a way that hurts my heart, but the fundamentals still stand. Last Tuesday evening I sat alone reading this book in a public place and I kept laughing aloud in a way that disturbed passersby, and that was a good thing. It was like a terribly funny person finally talking some sense back into me.

And along those lines, I picked up Luvvie Ajayi’s essay collection next, I’m Judging You: The Do-Better Manual. A book whose first section left me unmoved, but I think it was tactical, some light and easy judgement toward people who don’t wash their bras regularly or who court unemployed boys with gambling addictions who call you to pick them up at the casino because it’s raining and their only form of transport is their bicycle. Breaking the reader in for the heavy stuff—”Racism is for Assholes,” “Rape Culture is Real and it Sucks.” Powerful, amazing sensible stuff that I so desperately need to hear right now when everything seems so upside down. A Black woman writing about feminism, a Christian woman critiquing how religion is messing so much up these days, a smart woman unwilling to withhold her judgement, so she gives it and it’s glorious and we’re better for it. Consistency is overrated. The point is to be good, to ourselves and to each other. I’m about two thirds into this book, and I’m loving it, reminding me that this upside-down world is the same as it ever was, and that striving for better is the least and the most we can do.

“But the ultimate pragmatism is to quietly note that idealism has won, time after time, in the last hundred years. Idealism has the upper hand. Idealism has some hot statistics. Idealism invented and fuelled the civil rights movement, votes for women, changes in rape laws, Equal Marriage, the Internet, IVF, organ transplants, the end of  apartheid, independence in India, the Hadron Collider, Hairspray the musical, and my recent, brilliant loft conversion. Every reality we have now started with a seed-corn of idealism and impossibility—visions have to coalesce somewhere.” —Caitlin Moran

December 2, 2016

The Day Santa Stopped Believing in Harold

I full-on believed in Santa Claus until I was eleven, mostly through sheer force of will and because I was a strange child, and I’ve actually kind of still believed in him ever since then. If asked if there is a Santa, I’ll never say one way or another, because there are some kinds of magic that are beyond our understanding. If asked if I in fact partake in performing the duties of Santa, I may concede that I do, but that such partaking is in fact part of the magic, but no one’s asked me that question yet. There have been other question though, and I will answer them carefully, recalling my own longing to believe that so preoccupied me as a child, a longing that had me actually making notes on the books I was reading and tallying those in which Santa was confirmed as real or otherwise within said books (and there became more of the latter, obviously, as I became actually eleven—I think I was actually reading Sidney Sheldon novels when I was eleven, although Santa rarely came up in these).

The Day Santa Stopped Believing in Harold, by Maureen Fergus (Buddy and Earl) and Cale Atkinson (If I Had a Gryphon) is definitely pro-Santa, and the perfect book contending with these sorts of questions who’s just not quite ready to give up yet. Santa, it seems, has stopped believing in a child called Harold, because the letters Harold writes to Santa are penned by Harold’s mother and Santa’s snack each Christmas Eve is actually catered by Harold’s father. Santa’s wife tries to convince him otherwise, but Santa will not be deterred, and resolves to wait up until Christmas morning so he can see Harold for himself and finally discover whether or not he actually exists…

I bought this one to commemorate the beginning of the Christmas season, a new title for our Christmas book box, and we absolutely loved it. It’s sweet, silly, and the perfect Christmas book for the savvy kid who wants to go on believing just a little bit longer.

December 1, 2016

Swimming Lessons: Addendum

Full disclosure necessitates I update you on how things have proceeded since I read about exiting Guardian Swim and the beginning of my new career reading on the poolside. I thought I was being so clever this time, not keeping my child in Guardian Swim until she was five, which was what happened last time. Never again was I going to have my school-age child in the same swimming class as an infant, and so Iris was enrolled in Sea Turtle. This time we were going to do it right, and it was so right, for the first two lessons, at least. Iris is part mermaid and was happily floating on her back, and she had the most excellent swimming instructor in the entire history of our life in recreational programs…and then, for absolutely no reason, when we arrived at class for Week 3, Iris refused to get into the pool. And there we’ve been ever since, Iris screaming whenever forced to come into contact with the water, turning her body into a plank or a noodle, whichever would prove most inconvenient. And when you’re a parent who’s been expecting to spent 30 minutes reading poolside, the prospect of a screaming kid refusing to enter the pool is most frustrating. There was swearing.

Last week was the second last class, and there was finally progress. Iris got in the pool, but in order for this to happen I had to be crouching at the pool’s edge, basically sitting in a puddle and being splashed whenever anyone practiced kicking. There was no reading.

All of which is to say that this underlines my growing suspicion that there is really no way to do parenthood right. No matter how you swing things, they’re probably always going to be a bit annoying.