October 19, 2023

Landbridge: life in fragments, by Y-Dang Troeung

“In the image of the land bridge, the ingenuity of refugee survival is laid bare alongside the scourge of permanent war. Backward from Cambodia to Laos, Vietnam and Korea, and forward to Afghanistan, Syria, and Yemen—how far can this bridge wind on?” —Y-Dang Troeung

This week was a sadly fitting week to read about war, about the terrible violence that human beings inflict on each other, what it means to survive it, what survival even looks like. And in the posthumous memoir by Y-Dang Troeung (a UBC Professor of English who died from pancreatic cancer in November 2022), survival looks like a life—a world—in pieces, in fragments, including letters to her young son, reflections on her experiences in Phnom Penh where she visits tourist attractions devoted to attempted genocide, contemplation of a tangle history of colonialism and Asian connections, news clippings from her own refugee family’s arrival in Canada in 1980 where they were personally greeted by Pierre Trudeau, this contrasted with images of his son—now Prime Minister—greeting refugees from Syria in 2015, and these are supposed to be happy endings, but the true experience runs much deeper and is more contemplated, and also war trauma never ends. Troeung shares photos from her family’s time in refugee camps, where she was born after her family’s survival of “Pol Pot Time,” the horrors branded on the psyches of her parents and her brothers, what it means to be just removed from that. She writes about growing up in Goderich, ON, and falling in love with the work of local writer Alice Munro, wondering if she’d ever see people like her and her family in any of Munro’s stories. “Now, over twenty years since I left Goderich, I have stopped waiting for stories like mine and my family’s to be written by the national artists. When, little by little, these stories do emerge, they come from refugees who write in poems and fragments. We, the children of refugees, let the stories we could never write drop through our fingers.”