August 3, 2023

The Damages, by Genevieve Scott

So just say you wrote a novel about the toxicity of sexual politics in the 1990s with a campus setting, a novel with duel timelines, the contemporary story set against the #MeToo movement as the protagonist grapples with allegations of sexual misconduct against her former partner, the father of her child, and the allegations and their fallout stir up memories of a catastrophic event on campus more than two decades before during which the protagonist’s roommate went missing, creating a fallout that left the protagonist’s reputation in ruins and trauma she’s still just beginning to process…

Wouldn’t it be SO ANNOYING when Rebecca Makkai’s smash hit I Have Some Questions for You comes out just months before your pub date?

A novel whose description so uncannily matches your own (there’s something in the water!) and whose enormous success could possibly overshadow your own?

Thankfully, however, there is this: If you liked I Have Some Questions for You (and a lot of people did!), you should definitely pick up Genevieve Scott’s The Damages. And there is also this: The Damages is not derivative in the slightest and turns out to be its own specific literary creature, a book that held me rapt throughout, and also doesn’t suffer from the overstuffedness that weighed down Makkai’s book at times (though I ultimately felt that the overstuffedness of IHSQFY was deliberate, the point).

The Damages takes place at a fictional version of Queens University in the winter of 1998 during a devastating ice storm that cut off power, caused vast damage and left people stranded throughout the northeast of North America. The novel’s narrator is Ros, who’s trying hard to fit in during her first year at university and who is eager to distance herself from her earnest and wholesome roommate who is the antithesis of cool. But when her roommate goes missing during the chaos and upheaval from the storm, everybody around her declares Ros responsible for what happened, and this shatters the tentative place she’d made for herself in that community, leading her to drop out of school.

22 years later, set against the backdrop of the Covid-19 pandemic, Ros and her son are isolating in Ontario’s cottage country as she’s also processing allegations publicly made against her ex-partner, a renowned children’s author. She’s forced to finally reckon with notions of her own culpability, her responsibility, and the possibility that perhaps she’s been a victim too. As with the best books inspired by #MeToo, she doesn’t come to neat conclusions, but instead engages with the mess of it all, teasing out the multitudinous threads, asking questions instead of claiming to have all the answers. A terrific read.