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Pickle Me This

December 2, 2020

Butter Honey Pig Bread, by Francesca Ekwuyasi

One more title that I am glad I got to before the year was out was the debut novel by Francesca Ekwuyasi, Butter Honey Pig Bread, which was longlisted for the Scotiabank Giller Prize. It was fantastic, a debut that was so polished and assured, hugely ambitious in its reach and just as successful in execution…and by page 19 it was clear I’d be baking the cake Taiye makes to celebrate the occasion of her twin sister’s homecoming, salted caramel chocolate. Which was baked before the day was out.

It’s a hugely evocative novel, gorgeous and sensual, rich with foods and cooking, and also with sex. Although it begins with something more unearthly, the birth of Kambirinachi, a Nigerian woman presented as an Ogbanje, “a spirit that plagues a family with grief by dying repeatedly in childhood and being reborn.” Except that Kambirinachi cheats the system and clings to her life, but she will pay a price for this. Which is how she explains tragedies that befall her when she loses her parents, and her husband dies, and then something terrible and traumatic is suffered by her twin daughters that tears the rest of their family apart.

The three strands of this novel belong to Kambirinachi and her daughters, Taiye and Kehinde, who grow up estranged from each other and head out into the world apart. Taiye goes to London, and then studies cooking in France, and eventually arrives in Halifax, Nova Scotia, before returning home to care for her ailing mother. Meanwhile, Kehinde is left behind when her sister moved to London, and makes her own way to study in Montreal and build a life there.

At the beginning of the novel, Kehinde is arriving home to Lagos with her new husband, meeting her mother and sister again for the first time in years. We learn her story in the first person, seeking to make sense of her traumatic past and move forward in her life. Similarly, Taiye’s tells a story that blends the present day experience with what she’s been through in her life, and finally their mother’s story is told chronologically, adding necessary context to the twins’ experience—for the twins themselves and the reader alike.

The progress of the novel is these three strands becoming re-woven together, braided tighter and tighter throughout the narrative. It’s a novel that in many ways reminded me of Saleema Nawaz’s Bone and Bread, for themes of family estrangement, loss and mystery, and also food, and I would definitely recommend it for anyone who enjoyed that book.

I also appreciated its treatment of Black communities among the diaspora, Nigerian Taiye in Halifax visiting the Africville museum commemorating that city’s historic Black community, and the other Africans she meets in London. And that a novel creates such a powerful sense of place in so many different places—Lagos, London, Montreal, Halifax—is also a remarkable achievement.

Butter Honey Pig Break is a standout debut, and as much as it will make you hungry, it will also more than satisfy.

December 1, 2020

Alfie’s Christmas

I’ve measured out my life by the children in Shirley Hughes’ Alfie books. I remember when we thought of Alfie as a big kid, and when we wondered what Iris would be like when she was as old as Annie Rose, and then my children kept on growing and now we’re looking in the rear view. Alfie and Annie Rose are tiny little relics now, but we’re so fond of them (okay, maybe it’s just me and everybody else is mostly just being indulgent) that we’ll never let them go completely, especially Alfie’s Christmas, which is the first book I’ll be writing about over the next few weeks as we blow the dust off the titles in our Christmas Book Box.

I love Shirley Hughes scenes of domestic life, the jumble of stuff in her illustrations, the clutter and mess of family life. I also love the shading in her illustrations, rich and vivid colour, but just muted enough that it’s sepia-toned. The books themselves are an exercise in nostalgia.

Which is another way of saying that they’re also timeless, in away, because they always appealed to my children, books written exactly from their point of view, and my favourite bits were always the parts in the margins—the pets who wandered into the spread, teapots on the counter, when Dad sits on a bench while Alfie splashes in puddles, and how I’d love to go have a cup of tea with his Mum and get to know her—I feel like we’d get along.

Alfie’s Christmas is a delight—not much of a plot, to be honest, apart from when they realize that Alfie’s new remote control car requires batteries. Alfie gets ready for Christmas, prepares presents for his parents, they put up a tree, carollers come by on Christmas Eve.

In typical baby sister fashion, Annie Rose gets up in the night and rummages through her stocking, and at first, Alfie thinks it’s Father Christmas creeping about his room. And then finally it’s Christmas morning, and the big day begins, and I like too that their family celebration is a bit modest, which our family can relate to. Alfie’s grandmother and her brother (from Australia turn up) and then Uncle Will and Alfie’s Dad get Christmas dinner on while Mum and Grandma head to church (taking along some of Alfie’s Christmas baking “to share with people who had no home to go to”).

Which is to say that these books are not so old fashioned at all, that their coziness is underlined by a progressive sensibility, and while Alfie gets some fun things for Christmas, connection is really what the holiday is truly about. “As they walked home they could see lit Christas trees shining out of all the windows and neighours like the MacNallys and the Santos family with their friends and relations, enjoying themselves, eating nice things, and watching television together.”

And oh, the colour of the sky at dusk! The most majestic ordinary splendour.

December 1, 2020

Gleanings

*Last two picks feature Waiting for a Star to Fall!

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