February 18, 2010
A question about links
As a reflex, I resort to Amazon.ca when linking to books on my blog. I do try to link to the titles on their publishers’ websites, particularly with current books, but with some books, this doesn’t make a lot of sense (or isn’t even possible). I know a lot of American bloggers link to Powells, but I’d like Canadian links whenever possible. And I also know that many people don’t like Amazon for many reasons. And so my question is, is there a better option for catch-all books links? Any feedback would be appreciated.
February 18, 2010
The Parabolist by Nicholas Ruddock
I’ve determined that the Toronto of Nicholas Ruddock’s The Parabolist must exist in an alternative universe: one which is just compressed enough to accommodate the a walk from one end to another without remarking on the distance, and also one in which everybody is passionate about poetry. Though the time is 1975, and maybe things were different then, but I still think that most randomly assorted groups of Torontonians would always have been hard pressed to answer “Who are your Canadian poets?” with a list extending to eleven.
But of course, Ruddock’s group is not such a random assortment– they’re a group of medical students taking a required English lit course which, due to a series of odd and oddly connected events, is now being taught by a Mexican poet called Roberto Moreno. Moreno is part of a movement back home in Mexico called “parabolism”, which no one seems able to properly understand or define, but this doesn’t matter. Moreno’s passion for poetry is contagious, and soon everybody is writing it, reading it, and shoplifting it.
The novel is structured around a cadaver, dissected piece by piece as the academic term progresses. Medical student Jasper Glass is working on the body with his lab partner, Valerie Anderson, who Jasper is in love with, but loses to Roberto Moreno. Roberto is staying in Toronto with his Aunt and Uncle, who live next door to Jasper’s parents. Jasper’s father sits at home all day watching squirrels on the neighbours’ roof, paralyzed by an inability to finish his definitive book on contemporary French idioms. Jasper’s brother John has flunked out of every course except embryology. And then there’s the feminist poet who begins a literary magazine with Valerie, and the teenage prostitute, and Jasper’s married lover, and the Crisco, and an insane resident in psychiatry at 999 Queen who goes by the name of Krank.
The many strands of the story are off-putting at first, and I was particularly bothered by the novel’s lack of chapters (and quotation marks!) that made going back to sort out the pieces particularly difficult. I was confused by the novel’s hybridity as well– by its violence, its humour, its literary references, its realism, its fancy. Was it a crime novel, medical drama, sex romp– how was I to read it? (I was also deterred by what really might be too much penis, and one character who claimed that he’d be able to put his through concrete). The Parabolist has an epigraph by Roberto Bolano, and I wondered if this was another book whose meaning would elude me due to my complete ignorance of South American literature.
Eventually though, I got it. This book is a mammoth undertaking for a first novel, and though it shows some strain, it follows through on delivery. I got also that Ruddock is writing with a sense of humour at all times– though sometimes this makes his characters border on caricature (and his treatment of poets and poetics less effective than he might intend it). And I also began to see within the novel’s structure Ruddock’s roots as a short story writer– how every detail is there for a reason, how his characters are performers commanding the narrative (and taking it off on tangents too), how the universe is full of people winding in and out of one another’s lives. Which is rare in a novel, but it became quite compelling once I got used to it.
So that all reservations aside, I was hooked throughout most of the book. And not even to find out who did it, because Ruddock tells us straightaway, but I was hooked on the clever humour, and the connections. Like Sweetness at the Bottom of the Pie, so much of the appeal is referential– how Ruddock casts Toronto in the central role, the CanLit send-ups, and campus humour (as well as campus literary life humour, familiar to many of us).
And yes, the plot had me too– to find out how Ruddock was going to tie such disparate strands together finally. Which would inevitably be just a little too pat, like something out of a book, but we’ll forgive him for it, because what a book it is.
February 17, 2010
Getting Settled
Oh, I do love my new website. I love the colours, and I love the doors (which I photographed in Elora last summer), and I love my cool twitter feed in the sidebar, and my “Features” buttons. In the wider world, I love that celebrating Valentines, Family Day and Mardi Gras, and though tomorrow is the first day in three days that isn’t a holiday, my husband’s got the week off work so the fun continues– tomorrow we’re going to the AGO. Though we’re completely exhausted already, and not just because of pancakes. I now see the advantages to preparing your baby’s nursery before the baby’s birth, as opposed to, say, when the baby is eight and a half months old, because it’s an all-consuming process, and then the baby gets so mad when you’re ignoring it to screw crescent-moon light covers into the wall. The one good thing about it though is that the baby gets an awesome room completely devoid of pastels, and perhaps a bit overstimulating, but something tells me our baby would have had that anyway.
Anyway, all this to say that we’ve had nary a spare moment, but I’m almost through Nicholas Ruddock’s The Parabolist and will be posting a review very soon. And next up for me is Patrick Swayze’s autobiography, if I actually decide to go through with it. Which seems like not the best idea in a world with so many books and so little time, but if I don’t, what might I be missing??
February 15, 2010
Housewarming
Welcome to the new home of Pickle Me This, designed and built by the good people at Create Me This. We (and our extensive archives!) are very happy to be at home here. Looking forward to some great content up in the next few days, including an interview with Amy Jones and a rather shameful post on my own authorial encounters. For now, you can check out my Valentines recommendation for a different kind of love story.
And now, to warm up the house, please leave a note and let us know that you’ve dropped by.
February 15, 2010
Canada Reads 2010: UPDATE 5
This week, Wild Geese went in at third in my personal rankings (so far). Charlotte Ashley is reading Canada Reads and Canada Reads Independently together, this time with Good to a Fault versus Hair Hat. Of Hair Hat, she writes: “Carrie Snyder showed an especial talent for directing me to the very heart of a character with a mere observation of his or her lifestyle… Snyder’s short, sparse book sparkles…” Melwyk reads Wild Geese and attests to its force: “I have to say this was a really uncomfortable read for me. In style, it was very much of its time, something I am used to reading in New Canadian Library selections. But it had a dark energy, a sexuality and a violence which was disturbing. Caleb literally made my skin crawl…” August Bourre determines that Ray Smith’s Century is ” just a spectacular fucking book.” Indeed! Julie Forrest reviews Moody Food to find that it “perfectly captures the experimental headiness of carefree youth… But it also strips away some romantic notions of the age, and exposes the limits of idealism, and the cost of chemically assisted creativity.” And Buried in Print with a take on How Happy to Be, which I’m going to be rereading next…
February 15, 2010
Oh, for a cup of tea and crumpets
” ‘Do you know, Wilmet–‘ the dark eyes looked so seriously into mine that I wondered what horror was going to be revealed next– ‘he hadn’t even got a teapot?’
‘Goodness! How did he make tea, then?’
‘He didn’t– he never made tea! Just fancy!’
‘Well, one doesn’t really associate Piers with drinking tea,’ I said.
‘He drinks it now,’ said Keith. ”
–from A Glass of Blessings by Barbara Pym
February 14, 2010
Valentines Day Recommendation: A different kind of love story
Old Friends, Rare Books is doubly a love story. About first, an incredible lifelong relationship. One which, the authors note, has been inferred to be sexual, but they say otherwise. That there had been men in their lives, and plenty of other friends, but in no one else did these women begin to find the sense of being so perfectly matched that they’d encountered in each other. Truly– as their joint autobiography attests to– Madeleine Stern and Leona Rostenberg speak in the very same voice, and mostly they’ve been talking about books since their meeting in New York at the beginning of the 1930s. And in recounting their adventures ever since then, the peculiarities of their relationship actually become quite unremarkable, or perhaps only as unremarkable as any extraordinary, enduring absolute partnership could be.
Stern’s work as a biographer brought much acclaim throughout her career– in particularly, her groundbreaking work on Louisa May Alcott. (And with a book on bookish connections, it’s worth noting that I only read Old Books, Rare Friends after seeing it referenced in Harriet Reisman’s new Alcott biography, which I only read because I’d read Little Women in the Fall, and I only did that because I’d found a battered copy in a curbside box two years ago and it had been sitting on my shelf forlorn ever since then). Rostenberg had completed a PhD dissertation on early printers and publishing, but it was unfairly rejected– a wrong that thirty years ago was righted with the granting her degree in 1972. In the meantime, she’d opened up her own business as a rare book dealer, Stern joining her a few years later, and their book recounts their adventures exploring bookshops throughout the world in search of precious volumes, which did have a knack of turning up rather serendipitously. Their sleuthing/detection skills were also put to use in their discovery of Louisa May Alcott’s vast body of salacious short fiction, published in 19th century periodicals under a pseudonym. This find would cast Alcott’s reputation as a kindly writer of children’s fiction into a new light.
All of which are part of this book’s other compelling love story– Stern and Rostenberg’s lifelong affair with books. An enthusiasm made contagious through such vivid and engaging prose. Truthfully, sixteenth century ephemera isn’t my cuppa tea, but I started to wish it was. Their adventures in literary sleuthing were like Possession but in real life! Their extraordinary lives were such a grand adventure, the stuff of a book lover’s dream.
I am so grateful for the literary luck that put me in touch with this marvelous volume. Love love love.
Happy Valentines Day.
February 12, 2010
Books I found in various boxes along the sidewalk on my walk home from Kensington Market
1) If Life is a Bowl of Cherries, What Am I Doing in the Pits by Erma Bombeck. 2) Break, Blow, Burn by Camille Paglia. 3) Lost Girls by Andrew Pyper (personally autographed to boot, with many thanks, but I won’t say to who). 4) hardcover of What is the What by Dave Eggers. 5) Gertrude Bell: Queen of the Desert, Shaper of Nations by Georgina Howell
February 12, 2010
Why I love people…
“The idea grew as Morrison considered ways to make the cake pans fly better…”
From the obituary of Walter Morrison, who invented the frisbee.
