May 31, 2007
Think of England
Pickle Me This is on vaca. We’ll be all summer holidaying the next week or so, fun to be had including learning to drive on the wrong side of the road, weekend in a North Yorkshire village, Bronwyn’s wedding, touring the moors, trekking over to Lancashire, family reunion, seaside fun, Cumbria, and maybe we’ll even see the Wordsworth squirrel? Time will tell.
May 31, 2007
The Printers
It strikes me that I’ve not yet given credit to UK indie band The Editors for their rather bookish name (nor for their melodramatic tendencies, lyrically speaking). And their name makes me wonder what other bands might be out their awaiting rock stardom: The Typesetters, The Copy-Editors, The Proof Readers, The Printers? The fun could, quite possibly, never ever stop.
May 31, 2007
Google is the lamest plot device
I am now completely absorbed by Janice Kulyk Keefer’s Thieves, which is an extraordinary literary mystery along the lines of Possession, but, dare I say, more enjoyable to read? And formidable based upon the fact that Kulyk Keefer writes about characters who actually lived. Layer upon layer of story, and what fun to unravel.
And it occurs to me that the internet might just be the worst thing that ever happened to narrative. I’ve been thinking about this as I read Thieves, which takes place in the late 1980s, and whose questions have to be answered without the convenient aid of a google search. I read a novel last week that did employ the google search as its primary plot device, and the whole thing was just way too easy, shapeless. Can you imagine Atwood’s Cat’s Eye if Elaine had been able to track down Cordelia via the tinternet? If Anne Shirley had googled a potion to darken her red hair to auburn, rather than purchasing said potion from a peddler. If Roland and Maud Bailey had used the internet instead, bypassing the need for them to meet. If any of Reta Winters’ immense knowledge and wisom in Unless had come from an internet search, rather than from her very own mind. Because a character’s store of knowledge tells us so much about them, and what they don’t know too, and to have a whole world of answers at their fingertips almost takes away the very point of a story.
May 29, 2007
Long-Listed!
Ohh! My haiku has made the Bookninja Office Haiku Longlist. Head over and check out the rest of the selection, and then vote for your favourite. Which might possibly be mine, or another…
May 29, 2007
After Dark by Haruki Murakami
I am new to Haruki Murakami, as I’ve noted. which becomes my approach to his latest novel After Dark. While reading I am conscious of treading in unfamiliar territory, that the bounds of the novel are stretched in a way that feels strange to me, that this fictional world blurs the line between fantasy and reality, and all this is quite disquieting. Which is appropriate really, for After Dark is the story of the city at night, the known in the darkness, the familiar gone strange.
Mari, sitting in a Denny’s drinking coffee, meets Takahashi who remembers her from years before. Their interaction is not terribly significant, but begins a chain of random events which reveal unsavory elements of the city at night. Seemingly random connections are explored, as characters meet one another, or pass by unknowingly. The night is presented as a kind of monster, each individual enveloped by the very same darkness. And throughout all of this Mari’s sister Eri is sleeping in a mysterious room, but we don’t know why.
Point of view is the most significant aspect of this narrative. Detached, limited, but exact, Murakami’s narrator is not much more than a recorder, albeit self-aware. The narrator explains, “It’s not that difficult once we make up our mind. All we have to do is separate from the flesh, leave all substance behind and allow ourselves to become a conceptual point of view devoid of mass. With that accomplished, we can pass through any wall, leap over any abyss.” And so he does, recording all the way, but never more than this. The connections must become clear on their own, and the narrative becomes a careful negotiation of questions and revelations, betraying only what is essential and never giving too much away.
I find reading books in translation a frustrating but fascinating experience. The Japanese novel is constructed differently than those I’ve come to know, founded in a system of thought which is foreign to me. Translation means that the words came after the concepts, and I can read that strangeness in awkward expressions, but then it me think about words and expressions differently, outside their contexts. I have to twist my head around what is being said to make it fit, but having to work like that allows for an engagement many other books can’t offer. Analogous to the city at night, I think, in its strangeness, offering an altered perspective of the world come morning.
May 29, 2007
Books on a plane
Just beginning Thieves, which must be finished before we go to the airport on Thursday. For one cannot take a library book away on a plane. What if one lost it?!
I’ve still not decided what to bring to read on the plane. I’ve got an issue of Vanity Fair, and it also might be the best time to finally read my beloved copy of Lancashire Where Women Die of Love. I do suspect it will be an awfully curious book.
May 29, 2007
Summer on the Shelf
I mentioned before the psychological problems books can cause me– when I read Fight Club and became psychotic, and how prairie fiction puts the weight of the world on my shoulders. Here’s a new one, though I can’t blame it on the text. Remember a few weeks back when I said I was going to read Summer? I really had the best intentions, and even went and picked it off the shelf. So far so good, and I opened up the book. I was surprised by the dedication on the inside cover, by a friend who was once a best friend, and is now a friend no longer. I had forgotten the book had come from her, and to read her words and how sad they’ve come to be with time was positively devastating. I am not so much in the habit of losing friends, you see, and blantant proof of that loss was hard to take. And so I put the book back on the shelf where I suspect it will remain.
May 29, 2007
Of corporate governance, executive compensation and the muse
I’ve been back to work now for just about a month at this summer job of mine, and things are in full swing. I’m really enjoying it, and it’s nice to be back and know what’s going on, rather than enduring the steep learning curve I endured last year. So I’m working 9-5 and writing short stories in the evening, and though my productivity has not been at an all time high, I am pretty satisfied. And I am trying to blur the line between my writing life and my daytime life by including components of the latter in the former. I am currently writing a story about Thomas, who is a compensation consultant. I suspect this could be the first story about a compensation consultant ever written. I’ve certainly never read one. How exciting! I wonder what will happen?
May 28, 2007
Positively transporting
After Dark is the first novel I’ve read by Haruki Murakami. Previously I’ve read his short story collection After the Quake and his nonfiction book Underground: The Tokyo Gas Attack and the Japanese Psyche. And it’s strange that it’s taken so long for me to start reading Japanese fiction; while I lived there, I hardly read any, too busy overdosing on fiction from the Britain I had left behind. Sometimes, I think, reality was something too much, and I wanted something different. But now that that world is far away from me, I am turning back to it through fiction. Positively transporting.
“Our line of sight chooses an area of concentrated brightness and, focusing there, silently descends to it– a sea of neon colours. They call this place an ‘amusement district.’ The giant digital screens fastened to the sides of buildings fall silent as midnight approaches, but loudspeakers on storefronts keep pumpingg out exaggerated hip-hop bass lines. A large game center crammed with young people; wild electronic sounds; a group of college students spilling out from a bar; teenage girls with brilliant bleached hair, healthy legs thrusting out from micro-mini skirts; dark-suited men racing across diagonal crosswalks for the last trains to the suburbs. Even at this hour, the karaoke club pitchmen keep shouting for customers. A flashy black station wagon drifts down the street as if taking stock of the district throuigh its black-tinted windows. The car looks like a deep sea creature with specialized skins and organs. The young policemen patrol the street with tense expressions, but no one seems to notice them. The district plays by its own rules at a time like this. The season is late autumn. No wind is blowing but the air carries a chill. The date is just about to change.”
May 28, 2007
Literary Hot Dogs
Shot by Ms. Puddle Press, intrepid spotter of collisions between the literary world and the hotdog community, “Mrs. Dalloway’s Hot Dog Stand”. Turns out it’s famous, and read all about it here.
