September 11, 2016
“Whom does a child belong to? What responsibility does it bear to those who ardently desired—or even designed—it without knowing what ‘it’ was?” —Rachel Cusk, “What She Bears.”
I always wanted to be a mother. It did not seem to be an idea worth examining, or it was worth examining as much as it’s worth examining why I might want to be a creature who walks upright or a being with lung capacity (although when I got pneumonia last winter, it was underlined how tremendously luxurious it is to be a person who breathes). My desire for motherhood was not something I’d been told I should want; it would have been impossible to talk me out of it. I read Rachel Cusk’s seminal book on motherhood, A Life’s Work, before I had a baby, and missed the point of it entirely, so intent was I upon upon my own desire to have a baby of my own, to make my own story. I suppose Cusk had been trying to warn me, even to talk me out of it, but I took no heed. I “ardently desired it” and I didn’t know what “it” was, it was true, but there are some boxes that don’t need to be unpacked. I do think that Rachel Cusk has made it her life’s work to make things far more complicated than they need to be.
Another thing I know is that there are women want to not be mothers as ardently as I wanted to be one. I am in complete understanding of that certainty. Those women and I are on the same wavelength, I’ve always thought. All of us wanting what we want because we’re listening to our own hearts, and not because this is what anyone has told us about how to be a woman.
—Ambivalence, by the way, is not the opposite of certainty. I think many of us manage to live with both. For example, I always wanted to be a mother. And then there was a time after I became one that I didn’t want to be a mother at all.—
It was during the time, after my daughter was born, when I didn’t want to be a mother and wondered how I’d got the whole thing so wrong, that I read Rachel Cusk’s A Life’s Work again, and finally understood what she writing about. And I was grateful that someone had been willing to write about what my days were like, the boredom, the desperation, the inanity of those people who were imploring you to “enjoy every minute.” That someone was writing about how motherhood was so terribly hard, and lonely. Putting a name to the thing, which was “maternal ambivalence.” Sometimes I hated my baby (usually in the middle of the night when neither of us had slept for hours) and I wondered where my life had gone, and lamented that it was possible that I’d never crawl out of the dark hole that had become my life. I was learning how to love my baby too, but this was more of a work-in-progress.
How long did this go on? The crying-on-the-floor-while-not wearing-clothes period was a few weeks, at most, although it is the salient image for me of all that time. Eventually I learned how to bake scones while holding my baby in one hand, and to breastfeed while holding a book, and there would come a time in which the baby would be a creature woven into the fabric of my life. A different fabric, sure, but it was something I could recognize. I could find my self. I learned that a mother has to insist on the self, and not to feel badly about that. I recall many trying times, but these eventually became more about abject fatigue than existential despair. When my baby was around a year old, I realized that for the most of my days were good ones now. She was getting older, and together we had learned how to make it work.
—It helps too that I became a mother when I was 29, which is relatively young these days, and even more importantly that I was wholly unaccomplished in all the fundamental ways when my child was born. In some ways, getting pregnant had seemed like a concession to life—”All right, I give in,” because there really wasn’t much else going on. And it could have been a concession had things not started to happen to me because of motherhood—creative connections made with women I met through our children, the stories motherhood inspired me to tell, the books it pushed me to read, ideas it drew me to consider, questions I’d never thought to ask before. Motherhood was to be my creative and professional blossoming in ways that were entirely separate from the baby, who was a blossom all her own. All which is to say, everything important I’ve done as a creative person I’ve done since becoming a mother. There may have been a pram in my hall, but that hall was huge and crowded with doorways, and these were rooms that I wouldn’t have been able to access any other way. The situation would be different if my life had been as creatively rich beforehand, if I felt I’d had to give something up in the process of becoming a mother. Truthfully, I’d not had that much to give.—
The book,The M Word: Conversations About Motherhood, was inspired by conversations with friends about infertility. Having known without a doubt that I wanted to become a mother, I could empathize with those woman who wanted the same but could not achieve it easily. I understood too how the desire was magnified as “it” seemed less attainable. Its elusiveness makes it all the more coveted, a complex paradox too because as motherhood seems elusive for these women it is also everywhere in our mommy-saturated society (which also doesn’t respect or support actual mothers at all, but that is another story…). There are all kinds of solutions to the problem of infertility, usually delivered by people who like to suppose that these things are simple and/or people who’ve seemingly never wanted anything at all—adoption!, or there are too many people in the world anyway!—and I understand how none of these answers would suffice.
Rachel Cusk though, doesn’t seem to get it. In her recent review of two new books about women’s experiences of infertility, she is frustrated by the very premise of a woman desiring motherhood. She takes particular offence to Julia Leigh’s point in her memoir, Avalanche, that motherhood and the creative life could be compatible. Cusk quotes the following: “The truth was that many women had gone before me and found ways to lead a creative life and also be a mother. There were countless prams in countless hallways. It wasn’t ‘rocket science.’ It wasn’t either/or. There was enough space.” This Cusk takes as a “dismissal” of “the honourable testimony of female literary history of what is very much the rocket science of combining artistic endeavour with family life.” She compares Leigh’s tone to that of the Brexiters, which is kind of of the worst thing you can say about anybody these days, short of calling them ISIS. Leigh, says Cusk, is failing to interrogate a fundamental truth at the outset of her journey into motherhood, and therefore it’s inevitable that she’ll come into danger.
This is a terrific failure of empathy, I think. And also not so surprising considering Cusk’s fierce interrogation of everything, which I appreciate because it has resulted in her substantial body of work, but which I also imagine makes it hard to be a person in the world. I have always felt rather third-wave feminist when it comes to Cusk’s ideas (which is saying something, because I have never feel very third-wave), understanding her ideas on a basic level but finding her tiresome on others. All those questions in her novel, The Bradshaw Variations, in which the woman goes out to work and the husband stays home and supports the family in domestic fashion and this switch causes the family dynamic to fall apart, and this notion that success for a woman, for a feminist woman, is a male-defined one. The right to wear a suit and tie, if not literally. I never wanted that. And the idea that women pursue these ideals and end up unsatisfied seems kind of obvious to me.
I think it’s important that we critique why we make the decisions we make in our lives, to acknowledge the complicity of the patriarchy in the choices we make—whether we marry, change our names when we do, shave our legs, and wear uncomfortable shoes. I think interrogation is important. But I am not sure that the decision to have a baby necessarily falls into this category. We should interrogate it for sure, but for me, no amount of interrogation would have checked my desire to become a mother. Having a baby is not like putting on lipstick. Its more than that. And the desire for it was beyond me. I can’t explain it. I just knew.
And the thing is that Julia Leigh is right about the creative life and motherhood: people make it work. I think of Helen Sawyer Hogg, the Canadian astronomer, cataloguing star clusters during the 1930s while her baby slept in a basket beside her in the observatory. I think of Rebecca Woolf and her recent post, “Hell Yeah you can be both mother and artist.” I think of Alice Munro and Margaret Atwood and Margaret Drabble and Eula Biss and Zadie Smith and so many of my favourite writers whose work is informed by their experiences of motherhood, who don’t necessarily find the pram in the hall something to trip over. (Here’s the thing too: eventually the pram leaves the hall. Children get legs of their own. Read my friend Nathalie’s recent post, “Redundant“.) I wonder what Virginia Woolf could have written if she could have had the child she wanted. And I think of all the brilliance we would have missed out on in Rachel Cusk’s work had she not done her own grappling with all the questions that having a child raises. What would she be writing about now? Would I even know who she was?
So why shouldn’t Julia Leigh have that? Or desire it, at least. What is wrong with that, the unexamined yearning. Cusk so fixated on the origin point of Leigh’s story that the story itself is brushed away, that things go terribly wrong with Leigh’s relationship and with her health, and that work indeed gets in the way of her fertility treatments, and it’s hard to balance both, and it’s as though Cusk is writing, “See? I told you so. Not rocket science, eh? You have no idea.” As though such hardship is the inevitable outcome of the desire for a child, to be a mother. Instead of understanding that infertility is its own particular trajectory, one that is injected with hormones and other tortures, and disappointments and a mix of hope and despair. What could the journey have been, Cusk never seems to wonder, if things had been simpler, if Leigh had received the baby she desired. Plenty of strong relationships have cracked under the pressure of infertility and strong women too. It seems cruel to turn this into a moral tale.
“I just never thought it would be like this, ” is a sentence I wrote in my essay, “Love is a Let-Down” (which basically launched my entire literary career, no exaggeration). I used the line again in an essay four years later, “When Love isn’t a Let-Down After All,” after the birth of my second child, whose early days were so remarkably different from her sister’s, brighter, more salubrious and utterly infused with happiness and well-being. If I’d heard anyone describing new motherhood in such a way beforehand, I would have assumed they were lying, particularly after the darkness of postpartum days with my first baby. “So I think what we have to keep in mind as we’re sharing our stories,” I wrote, “is that stories are stories instead of facts or even destinies…The great thing about stories is that sometimes you get to write your own.”
There are so many ways to be a woman and a mother (and negotiating with infertility complicates both of these).
Which Cusk doesn’t seem to realize. And I think it’s possible she’s has been reading “the honourable testimony of female literary history” too narrowly, doing what we all do in applying our own personal lenses to other people’s stories. What I mean is that women should allowed to want to become mothers without compunction, and that (and I will never cease to be grateful to Cusk and her work for this, for she blazed a trail) when we become mothers—by in-vitro fertilization, even—sometimes we’re allowed to hate it too.
September 6, 2016
The thing about years, of course, is the way they’re layer upon layer. Today I dropped Harriet off at Grade Two, which is not such a departure from Grade One—same great teacher, same beautiful classroom. And then Iris and I headed down the street, back to playschool, and it occurred to me that it was four years ago today that I first entered the playschool as a member of its community. As I did today, I showed up for my requisite two hours of cleaning to help get our (cooperative) playschool all set for the new school year. It was also the day that Zadie Smith’s NW came out, which I’d had on special order from Book City, but that is neither here nor there. I’d been about five minutes pregnant with Iris at the time, but I didn’t know it for sure—it would be another week or so before my pregnancy would be confirmed.
It was a strange and vivid year, the year that Harriet was three and I was pregnant with Iris. I’ve written before about all the women I met, those hours we spent in the playground not bothering to take our children home for lunch because the conversation was just too fascinating. I remember taking my shoes off on days when it should have been too cold to be doing such things, but the sunshine had rendered the sand hot and glorious, and I liked to bury my feet in it. I remember that warmth, and those hours, and how conversations seemed to unspool, landing in messy piles all around us.
And then tonight I saw that Sarah was reading “Faith in a Tree,” by Grace Paley, and it occurred to me to get my own Collected Paley off the shelf and read Faith again. And reading it, I realized that probably I’ve been reading the story all wrong all these years. That so besotted was I by the idea of co-workers in the mother trade and those mothers in the park, and all their talk, that I hadn’t really paid much attention to the end of the story: “…Then I met women and men in different lines of work, whose minds were made up and directed out of that sexy playground by my children’s heartfelt brains, I thought more and more and every day about the world.”
I really thought that they’d been it, those mothers in the park. I really had thought she meant that this, the mothers stopping to talk, was the most important conversation. But it wasn’t, her revelation. Faith needs more than that, chatting women lounging in trees. The world needs more than that, at least if we ever expect to do anything about it. Whatever the women in the playground are doing, they’re not thinking more and more and every day about the world.
It doesn’t shock me as much as it might have, to discover that a beloved passage of a story doesn’t mean what I thought it did at all. It is possible that kernel of the truth of the matter had lodged its way into my mind. When I wrote my own post about my co-workers in the mother trade, I remarked on the fleetingness of it all, that those conversations had happened in a moment. A time when I searching for my own moorings as a parent, as a mother, and when the possibilities were still terrifyingly wide-open. I don’t really hang out in playgrounds anymore, not the way I once did, whiling away hours as the sun crossed the sky. There’s always someplace else I’ve got to be, one more thing I’ve got to get to. I suppose you could say I’m thinking more about the world, though it’s not quite so noble as that.
August 25, 2016
If my copy of Lindy West’s Shrill hadn’t been from the library, among the countless parts I would have underlined would have included the part where she states that she’s never actually hated her body, or felt loathing toward it, but instead was just all too aware that the rest of the world thought that it didn’t conform to its standard. Which has always been my experience, for the most part (which, full disclosure, is also fairly easy for me to say, because my body has rarely deviated very radically from the standard, and let me tell you, there were some years when my body was pretty smoking’ hot [1997 and 2007 in particular were good years; maybe it’s a decennial thing, in which I’m holding out big hopes for the forthcoming annum]).
Truth: I’m still working on losing the baby weight from my second pregnancy—if by “working on losing the baby weight” you mean “eating a lot of croissants and not giving a fuck about the baby weight.”
I’ve always aspired to be quite at home in my body. When I was 17 and wrote for a teen section in our community paper, I plagiarized an article I’d read in a teen magazine about the contentment of a girl who’s eating a McDonalds hot fudge sundae—I wanted to feel that good about myself. That I had to steal the idea though is perfectly telling.
In 2001, I made my friends come with me to the nude beach at Hanlon’s Point when I stripped down to nothing and walked across a beach full of people on my way for a swim, which was truly a life-changing and empowering experience.
In 2012, I took a photograph of myself in a bathing suit and put it on the internet, which I thought was a big deal at the time (and I hadn’t even gained the baby weight!).
Last week I did the same thing again, but by now this didn’t feel remarkable. (What I wrote beside the image did though. “So glad to live in this body,” I captioned the photo, which is, in all honestly, one of the most subversive, badass things a woman can say, and what does that say about us?). And the single biggest thing that I can credit for finally attaining the self-acceptance I’ve been chasing for two decades is this one thing, or two?
I have daughters.
When I became a mother, I made several promises to myself, many of which I eventually broke (including, I will always speak kind and respectfully to my children; I will never bitch at them for reading too much [I know!—but seriously, put the book down, Harriet]; and I will never suddenly exclaim in the middle of an afternoon, “Oh my god, oh my god, all of you, now, just GO AWAY!”). But one promise I have forever stayed true to is that my children will never hear me say a negative word about my appearance. Not one. Because I think that as much as some women may dislike their appearances, all the more omnipresent is the fact that we’re kind of taught that we have to. It’s how to be a woman. Permitting yourself four almonds for a snack, and worrying about “muffin tops” and back fat. So much of it is a learned behaviour, if even by osmosis, and of course it is, because it’s everywhere.
But not in our house. There came a point when I realized our eldest was listening to every word we said and then I stopped whining, “I feel fat” and “I’m ugly!” to my husband whenever I was feeling blah (and let me tell you, other than me, there is no one involved in my personal transformation who has benefitted more than my husband, who apparently doesn’t miss my insecure neediness. Who knew?). I started delivering non-sequiturs at dinner like, “Man, I sure like my freckles,” and “I think my hair looks really pretty today” (about as naturally, at first, as I might bring up topical ideas like online porn or bullying, the kinds of talks you gotta have).
The think about fake it ’til you make it though, is that it’s kind of true. In my experience, there are only so many times you can say, “I sure love how strong my arms are” or “I really like the way I look in this dress” before you start…meaning it. Before you start actually looking for things about you to like and love, because of course it’s good for your daughters, but the thing about it that you never expected is that it’s also good for you.
And so this is why I love Roz MacLean’s The Body Book, a simple little paperback with enormous ramifications. Because a mother is going to pick up this book for her child, and they’re both going to enjoy the story’s celebration of bodies of all kinds, shapes, sizes, and abilities: “Some bodies are round./ Some bodies are straight./ Some bodies are wavy./ All bodies are GREAT!!!” She writes about bodies that swim and play, and dance all day, and bodies that love hugs, and bodies that need space, and rocking bodies and rolling bodies, and wibbly bodies, and wobbly bodies too.
All well and good, illustrated with simple cheerful images of blobby bodies in a rainbow of colours all doing what bodies do.
The very best thing about The Body Book though, the most excellent and profound, is that every time that mother reads the book, she’s going to have to deliver the line, “I love my body. Do you love yours too?” A line that, as I’ve stated, is actually one of the bravest, most amazing things that a woman can say.
And I love that once that mother has said it enough, there is a chance she might actually mean it.
July 7, 2016
Today UofT Magazine tweeted about scientists who inspire us, which reminded me to finally write this post which has been on my mind for awhile. About a month ago, my daughters got Stargazer Lottie (who was inspired by a space-obsessed six-year-old girl AND has been “the first doll in space”), which came with a “Notable Women in Astronomy” poster. But none of the notable women were Canadian, and it occurred to me that I knew of a very notable Canadian woman in astronomy, who was Dr. Helen Sawyer Hogg. Whose work I only knew, granted, because she’d had a page in my Grade 8 science textbook and my friend and I used to make fun of her name. Which is ridiculously stupid, but the point is that I never forgot her name, and googled her years later and discovered her story was fascinating. (Do textbook writers know the indirect routes that knowledge might take, I wonder? They would probably be surprised.)
Dr. Helen Sawyer Hogg received her doctorate degree in astronomy in 1931, which is remarkable in itself. Her husband was also an astronomer and the two of them would work together until his death in 1951. Although Hogg’s work was not as valued as she was somebody’s wife, and she was often expected to do it without pay. Her first child was born in 1932 and Hogg kept the baby at work beside her in a basket while she studied star clusters at the Dominion Astrophysical Observatory in Victoria, BC. , where her husband was employed as a research assistant. Later that year she received a grant which was exactly enough to pay for a babysitter, and I am fascinated by the idea of how liberating that must have been—and also what it must be to be consumed by cosmic things and have a baby in a basket at once. How does a person reconcile such a vast difference of scale?
Her story would never cease to be cool. After her husband’s death, she took over many of his classes at the University of Toronto, where the family had moved in the mid-1930s. She also assumed ownership of his astronomy column for the Toronto Star, which she wrote for decades (and which was collected into a bestselling book called The Stars Are for Everyone).
There is no full biography of Dr. Hogg. Editions of a science biography for children was published by Michael Webb in the 1980s and 1990s, and while it’s pretty informative, I’m hungry for so much more depth. And so it seems I am going to have to do some of my own digging. Helen Sawyer Hogg’s archives are at the Thomas Fisher Library at UofT, and I think I’m going to have to make some plans to start going through them. In search of what, I am not sure. A creative project? A biographical article? But there is something here, I am sure of it. I look forward to reporting back on just what I might happen to find.
May 26, 2016
I continue to strongly feel that mothers should be free to write (respectfully) about their children and the lives they share together, though I suppose if my children were unusually vulnerable in some way my feelings about this would be more complicated (and they’re inevitably going to be more complicated anyway at some point in the future). I was talking about this with my friend Diana after we’d seen Vivek Shraya at the Festival of Literary Diversity discussing using her mother in her art and writing, and how she didn’t ask her mother’s permission for this. “Why can’t this license work both ways?” I wondered, though I can anticipate so many possible answers to that question. And Diana made a very good point about the dangers of mothers (it’s always mothers. I don’t suppose fathers get so tied up in knots about writing about their children, or maybe they just don’t, for various reason) writing about their children, which is that the writing might define the child before the child has a chance to define herself.
Although I don’t think I’ve ever done such a thing with Harriet. In writing or in person, I’m strongly resistant to the idea of defining my children (“she’s shy, she’s clever, she’s like this or like that”) because I don’t want such definitions to be the box they feel confined by. A person who is seven years old (or any age for that matter) should it feel absolutely possible to blossom into any kind of person, or not to be a “kind of” person at all. It certainly seems possible to me that this could happen anyway, because of how children are changing all the time. I’ve made a point of writing about both my girls on their birthdays, and from one year to the next, I don’t recognize the curious creature that went before. And that’s why writing it down is so important I think—the value of writing, “This is who she is right now.” Because tomorrow she’ll be someone else entirely, and the only thing that’s consistent is what a pleasure it is to watch her grow.
Harriet is seven today, and has been obsessed with hedgehogs ever since Anakana Schofield came to visit and brought her a small stuffed toy of one. She fills pieces of paper with all the hedgehog facts she knows, and likes to quiz us. She likes to open conversations with, “What is your favourite animal?” just so you’ll ask her the same in return. Sometimes it is a bit much. Sometimes she doesn’t care if it is or it isn’t. She loves reading comics and graphic novels, and every trip to the grocery store involves a look at the magazine stands for new Archies. She is a forthright, strong-willed character, who manages to couple such qualities with being pretty easy-going—you can take her anywhere. Her imagination is enormous. She is besotted with her sister and so kind and patient with her in a way I appreciate more than I can ever express. She eats whatever I cook for her, which is new and wonderful, even if it’s beans and spinach fritters. She loves meals out and doing Mad Libs while we wait for our food to arrive. She reads in bed until she falls asleep every night. She is a perfectly average, well-performing student in every way, except that her reading level is over the top. No surprise as she forever has her face in a book. In the past year, she has learned to swim, to skate and ride her two-wheeled scooter, so I no longer fear (mock hysterically, or not so mock) that she has a spatial awareness and balance disorder. She is determined and works very hard to learn new things, which is the most important skill a person can have. She loves her friends at school. She is brave and goes forth when I drop her off at places where she knows nobody, and expect her to get along in a way that I don’t even expect of myself. She pays a lot of attention to the news on the radio, and I don’t always perceive how much she understands. There is a whole side of Harriet I don’t even know at all, depths and fears and fascination, and sometimes a bit comes up to the surface and it floors me because of how familiar and known she is to me otherwise. But as a parent, permitting a child that space to work things out for themselves is really important. She is kind most of the time, and tries to be good, which is as good as it gets. She loves Taylor Swift and wants to be either a rock star or a scientist when she grows up. She loves to sing and dance and put on performances. She likes school and loves her teacher, and is a staunch feminist, which is cool for somebody in grade one. She is old enough to read the Rainbow Fairy books by herself now, so that I don’t have to. (Phew!) She loves Ms Marvel and superheroes and gets really annoyed by lack of female representation in any context. She still reads picture books with us, which I’m so glad about, that she has not deemed herself above childish things yet. She likes cake and ice cream and is so much fun and up for anything, and someone one told me that the ages from 6-11 were the sweet spot of having children, with most development in check and hormones not yet kicking in—and it is true.
Last night our power went out after midnight and Harriet woke up in the pitch black, her nightlight out, and she started calling me in a panic. She’d flipped out of bed and was walking into the wall trying to regain her perspective, and there I found her. I led her out of her room into our front room (and, apropos of nothing, I thought it was so funny when she was discussing the possibility of being rich recently and said, “We would have a really big front room.” Not understanding that the really rich possibly have houses wide enough to accommodate more than one room at the front) where the windows were letting in light, though houses were dark all around us. In the apartment building north of Bloor that we can see from our couch, lit windows were scattered throughout. I pointed them out to help her find her bearings. “Look,” I said. “There’s light up there.” And how she hugged me as we sat there—so solidly and wholeheartedly. It was one of the nicest things that I have ever ever experienced.
The day I found out I was pregnant with Harriet, Stuart took my picture standing before those same windows, positive pregnancy test in hand, and I look ecstatic. And it’s remarkable now think of what was taking shape just then as the picture was being taken, all the things we had no idea about. That everything we were waiting for would be so far beyond our wildest dreams.
May 8, 2016
Sunday morning, and I am reclining on the spine of a very, very good weekend, late Friday night aside. I can’t tell you about Friday night because I am a mother who makes a point of keeping my children’s dignity intact, but my goodness, what a story I could tell you over a nice cup of tea. Motherhood is lousy with unsavoury, monstrous things, when it’s not blinding with moments of pure, shining light. But we’re thirty six hours after that now. I spent yesterday in Brampton at The Fold Festival, with three wonderful friends keeping me company on the road and throughout. The day was inspiring and terrific, and I can’t wait to tell you all about it. I arrived home last night to dinner on the table, and a happy rest-of family who’d spent their own very good day together.
And now today is Mother’s Day, and I find myself appreciating my own mother even more than usual for how she saved our family when I was ill last December and cared for my children for a week this winter so my husband and I could celebrate our tenth anniversary in tropical climes. Where would any of us be without her? Certainly never, ever in Barbados. But as my mother is across the country today with her other favourite daughter and other favourite grandchildren, I get to be the star of my own show. Which means breakfast in bed and reading so many papers that my thumbs turned black. Iris gave me a flower she’d planted at playschool, and Harriet gave me a painting she’d made of irises, so floral is the theme. And Stuart gave me a book and a teacup, so he knows me well too. And what I want for the rest of the day is to make soup for lunch (I have become addicted to my immersion blender), to spend some time cleaning up the leaves and seasonal detritus from our backyard, and a little bit of hammock time. Followed by dinner at my favourite restaurant.
This morning I was brushing my teeth and perusing the row of books lined up beside my bathroom sink, and figured it was a good day for a flip through White Ink: Poems on Mothers and Motherhood, edited by Rishma Dunlop, who died a few weeks ago—Priscila Uppal’s eulogy for her friend is extraordinarily good. And I came to the poem “On Mother’s Day,” by Grace Paley, which is tangled, beautiful, sad and very funny, just like motherhood, just like life is. And I am so glad I did…
Suddenly before my eyes twenty-two transvestitesin joyous parade stuffed pillows undertheir lovely gownsand entered a restaurantunder a sign which said All Pregnant Mothers FreeI watched them place napkins over their belliesand accept coffee and zabaglioneI am especially open to sadness and hilaritysince my father died as a childone week ago in this his ninetieth year
January 5, 2016
We discovered Lottie Dolls over a year ago, and their premise intrigued me. A proper alternative to Barbie, designed to empower girls and their play. I wrote about them here (and check out the pictures! Iris was still a baby! Harriet was so little). It could have been a one-time thing, but I return to Lotties because now it’s my girls who are crazy about them. They’re the one toy, along with Legos, that gets returned to again and again, and they play with them together, which I love so much. We have five or six of them, and received more for Christmas, along with two new Lottie outfits, including the Superhero Lottie suit shown above, which has proven very popular—this is the one Lottie who never gets her clothes changed. When Harriet and Iris received Christmas money from their grandfather last week, they knew what they wanted to buy with it—more Lotties. And so we’re currently awaiting Rockabilly Lottie and Spring Celebration Ballet Lottie in the mail, expected delivery scheduled for tomorrow. Everybody is very excited.
Though we’ve also got our eye on Stargazer Lottie, who was sold out from Indigo.ca when we made our order last week. (Darn!). Like all the Lottie dolls, she’s designed around what she can do and be rather than how she looks (although admittedly, once they’re indoctrinated into Harriet’s play, the Lottie dolls also take on peculiar new identities…) I was so interested to read this post about how Stargazer Lottie was designed in consultation with an astronomer, and even more thrilled to learn that a Stargazer Lottie doll was currently in space with British astronaut Tim Peake on the International Space Station.
And most remarkable? That none of this would have happened at all without a six-year-old girl from Comox, British Columbia, who helped dream up the Stargazer Lottie doll. I showed the video below to Harriet who had her mind blown, and then went to put on her own dress with a space print and proceeded to have her head in the stars for the rest of the day, totally inspired.
December 11, 2015
The best news is that I’m finally getting better, and I’ve even been to a place lately that isn’t my bed—last night I ventured out to Harriet’s holiday concert to hear her sing in the Primary Choir. This weekend, we’re planning to hang up the Christmas bunting, and the plan is that by mid-next week, I might be up and about in the world again. But until then, and even after, we’ll be taking it slow. The nice thing about the Christmas holiday is that it’s a perfect time to have that happen.
But other things have been happening as well, perhaps sustaining the illusion that I’ve been more active lately than I actually have been. First, the Winter 2016 issue of U of T Magazine is being mailed out soon, and it includes a short piece I wrote about the curious trajectory of my life in blogging. I wrote about how I started blogging at a point when blogs were poised to take over the world, which never quite happened, but for me (and for many others) blogging has played an enormous role in my career and evolution as a writer and a person, even. Blogging has sustained me during periods of high and lows, and through the throes of literary disappointment, and it’s now integral to my process—so much so that my forthcoming novel is about the secret life of a blogger. I was really grateful for the opportunity to write this article, and you can read it online here.
For Understorey Magazine, I got to be part of a conversation with Ali Bryan, Alice Burdick, Lorri Neilsen Glenn, Natalie Corbett Sampson, Natalie Meisner, Shalan Joudry, and Sylvia D. Hamilton about whether it’s possible to be both a mother and a writer at once. (Spoiler: I say YES). There’s lots of great advice, stories and wisdom from women who’ve been there, and I love the effect of so many voices together. I love this line from Sampson: “Shutting the world and your experience out in a ‘no diversion’ and ‘no intrusion’ approach leaves you open to missing things that can be shaped into stories. ” Naturally, I encourage women to let their children watch Annie all summer long in order to get that novel written, which worked for me. Read the whole thing here.
And finally, I took part in a very fun conversation with Corey Redekop about what happens when a wonderful writer turns out to be a terrible human being. Examining my own bookshelves, I really couldn’t find a single horrible human being among them. My authors are mainly crotchety old women, which many people construe with horrible human beinghood, but crotchetiness is these writers’ entitlement, I think. I love them better for it. Anyway, we talked about whether being an asshole was a male writer thing, I refer to Barbara Pym’s Nazi sympathies, we discuss what red lines are for us as readers (not Nazi sympathies, apparently…) and what if Rush Limbaugh was authoring the next The Phantom Tollbooth. You can read it all here.
See? I have been busy.
September 10, 2015
I got pregnant at nearly the exact same time as Harriet started playschool three years ago, when she was three years old. And I so vividly remember those precious mornings, the time, rushing home to rescue my tea from under the cozy and sit down to get some work done, not wasting a single moment. To be alone. Although the time did not seem so luxurious: I was in my first trimester and would pass out every night not long after Harriet did. If I hadn’t had those mornings, I would have had no time to get any work done. After Christmas when my energy levels had returned, I got a job writing a book about Arctic exploration, the gold rush, mountain climbing, and parkas, and by then my days of freedom were numbered anyway. So I spent that winter reading Pierre Berton on the Klondike and listening to Iris by the Split Enz over and over again, dreaming of my baby as she kicked away inside me—so you see, I was really not so alone at all.
It seemed like the smallest window, that year. I knew that with our new baby, we’d soon be thrown back into newbornland and babyhood, and we’d have to find our way out again. That it would be a long before I once more found myself at home alone at 9:30 in the morning, the teapot still warm. I edited an entire book as the baby slept on my chest, for heaven’s sake. And now, here I am. And dare I say it: it all went by so fast?
This morning I dropped Harriet off at Grade One, which she is enjoying immensely so far, and then Iris and I trekked down the street for her to begin her first day of playschool. The playschool she has known since she was a fetus: she spent her first year in her carrier as I did co-op shifts three times a month. By the end of the year, she was scooting around the room like a champion. It has always been familiar to her. We love the teachers. Last year when Harriet was no longer a student there, we still visited our playschool friends often, and we’d play with them at the park.
Drop-off was not without its drama. Iris was not happy about my departure, and while I wanted to get out of there and trusted she was in very good hands, I’m a bit worried about the teachers who’ll have to deal with her. Though I assure myself that perhaps like all parents, I’m imagining that my child is more unique and particular than she actually is. I’m crossing my fingers that they’ve seen it all before. And that she’ll have a wonderful morning.
And now here I am, right back where I’ve been before except that this is the way forward instead of just a blip. It’s even time to put the kettle on. It’s time to get some work done. To figure out this new routine, just what to do with all this space and this quiet.
May 20, 2015
A lot went wrong when my first child was born, most of it involving the loss of my mind, but there was also the fact of the loss of my hard drive when the baby was four weeks old. I lost everything on my computer, which was actually kind of liberating—this all happened on the day I turned 30, and I was intrigued by the idea of a fresh start, a clean slate as I embarked upon a brand new decade. The only thing we lost that I truly regretted were photos, unflattering ones taken soon after the birth, photos of us in the recovery room as we were learning to breastfeed for the very first time. These were the kind of photos one wouldn’t post on Facebook, all bare boobs and double-chins, and besides, I was still then the kind of person who didn’t want to put too many pictures of my child on Facebook. I didn’t want to be one of those people.
The baby had only been around for four weeks, but those early weeks are such times of enormous change. At four weeks, she’d already amassed multitudinous selves, passed through several incarnations, and it was impossible to keep track of all them. And most of that was irrevocably lost when my hard drive went kaput, taking all my photos with it. Except, ironically, for the few photos I had posted on Facebook—an exercise I’d undertaken with remarkable restraint. And suddenly, those few photos were the only ones I had. Facebook was my saviour—who’d ever have imagined?
So I was converted by the time my second daughter was born four years later. There were going to be so so many pictures. We were also going to have her photographed immediately after her birth by ceasarean, all purple and gloopy and as foetal as she’d ever be again. I wanted to see it. I’d missed it before, when Harriet been all cleaned up and wrapped in a blanket before I saw her at all, her father by my side reporting that, “Our baby has so much hair.” There had been a gap between her birth and her life that I was never able to get over, the medical screen never really coming down, and perhaps I’m just coming up with metaphors to explain my failure to process that this child was mine, but there it was. I wanted pictures this time. Of all of it. I didn’t want to miss a single thing.
When Iris was a few weeks old, my computer began to fail again, laptops seeming to have a similar lifespan to the space between my children. But we’d learned our lesson and backed up our photos, so that all of them now live on a portable hard drive. Which means they’re inconvenient to access, but they’re there. And I pulled them out not long ago to prove my case in point
“Words and pictures—survival gear for our stories,” writes Myrl Coulter in her memoir, A Year of Days, and I underlined that part. Survival gear indeed, for when I started looking at photos—hundreds of them—from the days after Iris’s birth, I scarcely recognized any of the moments documented within. At least not at first, but then the memory of these moments started returning to me. Mundane things that would be of no interest to anyone but me, for whom they’re unbearably precious—photos of me lying in bed at home with my children, who were discovering each other as sisters; crazy eyed bloated fat face photos from post-op; breastfeeding pics galore; and even a photo my incision just before the staples came out, because I couldn’t actually see it and was unbelievably curious.
I’d forgotten all of it, which is natural, I suppose, and it’s possible that it’s unnatural to have so much documentation, that it may tax our minds to have so much evidence of… of what? Of life, I suppose. And these photos bring it all back so clearly. Having taken them certainly does not mean that I was any less in the moment (and really, being a mother is to be eternally in the moment no matter how you try to swing it). If it had only been about the moment and not its preservation, those memories would have been lost altogether.
There has been a lot of criticism thrown at my generation, and those younger, for oversharing, for selfies, for self-absorption, and toward mothers in particular for conspicuously mothering on social media. (This is a criticism I was responding to when I resisted baby photos on Facebook so many years ago). But the idea of survival gear frames it all in another way. In her book, Mommyblogs and the Changing Face of Motherhood, May Friedman writes against criticisms that mommy blogs will cause harm to the children who later in life encounter their own childhoods documented online. She writes:
Children are silent witnesses to their own parenting, unable to recall the nuances of their own infancy and early childhood. Indeed, it is arguable that children can only remember parenting as it becomes combative. By reading not only about their mothers’ struggles, but also about their mothers’ obvious love and care, perhaps adult children may find their relationships with their mothers bolstered rather than damaged. Whether the outcomes are positive or negative, mommyblogs allow children to see their mothers as three-dimensional individuals…
This morning when I read of the sudden death of Today’s Parent editor Tracy Chappell, I thought about her post from December, “Why I’m breaking up with my blog,” which is one of the most thoughtful pieces on blogging I have ever encountered. I’m going to be using it in my course going forward. She writes about blogging makes you live your life in a more reflective way, see the world differently, and how blogs are such remarkable records of these lives we live.
Chappell writes, similarly to Friedman:
I hope that, through this blog, they will learn to see me as not just “Mom” but as a woman who had her own things going on—a career, relationships, dreams, struggles, goals—as I was wiping bums and making dinner and gently (oh-so-gently) brushing knots out of hair. I hope they’ll see the value in taking lots of pictures and marking special moments. I hope they’ll understand that parenting is really hard and also has great rewards. I hope they’ll see how much fun we had. I hope they’ll see that I recognized and appreciated their many beautiful, individual gifts, even if they thought I wasn’t paying enough attention at the time. I hope they’ll see how hard I tried. I hope they’ll see how much they were loved. I hope they’ll see how proud I’ve always been to be their mom.
These would be poignant words anyway, but mean so much more now with their writer’s death. What a legacy for her girls, all those posts, which will provide them answers to those questions all of us have about our childhoods, answers that are forever lost to time, confusion, blurry brains. How they will still have this remarkable access to their mother’s voice, even now that she is gone. It will never make up for their loss, but what a gift too, to be able to know who she was. And how profound her love was for them.
All of which underlines my sense that these acts of documentation are some of the most important things we’ll ever do.