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Pickle Me This

November 16, 2016

Notes

9781771662567_cover_coverbookpage-v2-modalOn the evening of Friday November 4th, I was walking down the street with a copy of Erin Wunker’s Notes from a Feminist Killjoy in my bag. Striding with purpose, something vital playing through my headphones, and a man on the street approached me. He was holding a clipboard, wearing a vest that identified him as a fundraiser whose job it is to get passersby to sign on in support of a charity. The kind of person I tend to smile at, shaking my head, as I keep on walking. Usually I am also herding recalcitrant small children, which makes me less of a target. But that night I was unencumbered, and although I gave no indication of wishing to engage with this person, he wouldn’t relent. Walking alongside me, asking questions, even though I was listening to music, never made eye contact, never answered him.

He didn’t stop and finally I had to say to him, each word delivered with such deliberateness as I waited at the intersection for the light to turn green: “I don’t want to talk to you.”

The light turned green, and I stepped into the street, and I could hear him behind me: “Oh, that’s really nice,” he was calling out to me, as though I’d refused him something he was entitled to, as though his invading my space necessitated a kind of niceness that ought to be returned.

But, No, no, no, I was thinking. I’m not having any of that.

*

There is something about notes. Notes have an irrefutability that a manifesto lacks, albeit in a shrugging-off kind of womanish way. “When I started this book, I wanted to write something unimpeachable,” writes Erin Wunker in the  introduction to her Notes From a Feminist Killjoy, but her book turned out to be something very different. Or not. “Unimpeachable” is like a red rag to a bull in the realm of discourse. You’re going to go out and build this solid thing just to have someone break it. They call this “debate”. It’s logic, rhetoric. When you debate you’re not meant to get emotional, to remain at a remove, which is easier to do when you’re not personally invested. When it’s theoretical and you can examine it cooly, not getting all hysterical. Okay then, let’s talk about you policing my body, for example. About campus rape. Let’s call abortion a debate.

It’s back and forth. It gets you nowhere. Turns my actual life into a game of ping-pong. I get hysterical.

Notes, on the other hand. Wunker: “I remember that I tell my students that reading and writing are attempts at joining conversations, making new ones, and sometimes, shifting the direction of discourse.”

*

“Notes” is a way of ducking.

Also, ducking is a mechanism of survival. What is wrong with being unwilling to be a target, with refusing to play that game?

“Notes” is different game happening on a whole other level.

*

If I wanted to “impeach” Notes From a Feminist Killjoy, there would be a couple of points I’d start from. The chapter on feminist mothering, for one, which seems to be unaware or else does not to take into account the substantial body of scholarly work on this subject—Sara Ruddick, Andrea O’Reilly, my friend May Friedman, for just a start. Although the chapter poses something familiar to those of us who’ve lived it—the woman on the verge of discovery of this vast world of motherhood and feminism, the questions motherhood necessitates and the unfamiliarity of it all. The complete inapplicability of everything we’ve ever learned before to serve as solutions to our problems. This is a chapter written by an author who is still lost at sea. And there is usefulness in that kind of documentation. But yes, it might have been helpful to have some suggestion of the shore.

My other problem with the text was with the nature of the killjoy, whose moniker I’d wear with relish, actually. Particularly a feminist killjoy. That IS the kind of no-fun I most want to be. (Wunker takes her title from Sara Ahmed’s blog, feministkilljoys, which has been a tremendous discovery for me since reading her book—”joining conversations, making new ones.”)

But I kept being tripped up by the noun becoming a verb—the killjoy actively killing (patriarchal) joys. For a few reasons, one being the violence implicit. I don’t want to kill anything. And also that I have certain amount of reverence for joy. (One of my daughters’ middle name is “Joy.” The other’s middle name is “Malala,” which means sadness, so don’t think I don’t get the whole picture, but she gets to be named for a kickass feminist heroine so it all comes out even.) Joy and happiness, which Wunker writes about as a socialized and commodified product, a social imperative. “Happiness as restricted access. Happiness as a country club, a resort, an old boy’s club for certain boys only.” Happiness as an impossibility.

And yet it’s that notion, not of happiness itself but of its impossibility, that chafes me. Partly because I believe in (even insist on) a genuine happiness that need not be commodified at all—the way the afternoon sun shines right now on my cup of tea, for example. It’s about being present, eyes wide, curious and ready to receive it. It’s about the peace of a moment. Happiness is small and it is slippery, but it’s real.

There really is such thing as joy, and to refer to patriarchal violence as such a thing undermines it. Undermines the spaces we need to create for joy to exist in our personal corners of the world.

*

Of course, there has been very little joy for anyone who considers herself a feminist in the past week. (It is November 15 as I write this.) That Friday evening as I asserted myself and said, “I don’t want to talk to you,” seems like a relic of a bygone age. When we were reading (excellent, amazing) news articles with headlines like, “The Men Feminism Left Behind.” When I was thinking that progress was slow, but how far I’d come to be able to speak up and say those words to the man on the street. To not have to worry about being nice. When I was taking comfort in my daughters coming into the world on the headwinds of so much necessary, vital change.

After I crossed the street that night and left the man behind, I got on the subway and read Wunker’s chapter about rape culture. The part about her running through the woods to flee a man who’d tried to lure her into his car on a country road. I remember the details: her Birkenstocks, the wound on her foot. The sense that all of us have had of being chased, the fear. Rape as a thing and rape as a sceptre, an inevitable that we steel ourselves for. By not walking at night, for example. There is no joy here either. There is darkness illuminated by streetlights, but even there you can’t be safe.

*

Notes is a way of starting. Trying. Essai. If a manifesto is a red rag, then a note is a building block, a puzzle piece. The reader responds not by charging, but by saying, Yes and, or Yes but. She doesn’t respond by tearing the whole thing down.

I love the way the narrative thread of Wunker’s book makes its way with seeming effortlessness. There is nothing laboured about how a discussion of rape culture leads to the Jian Ghomeshi trial leads to women coming together leads to a chapter on friendship. (Which references The Babysitters Club. Yes, and!!) Why are so few of our formative texts about female friendship? “What is it about female friendship that inspires such insipid descriptors?” What are relationships between women often so fraught?

“Is it too hard to write your own narrative and witness another’s, simultaneously?”

*

making-feminist-mediaAs I watched the election results last Tuesday night (and felt as heartbroken as I’ve ever felt in my life, perhaps, which is saying something for how lucky I’ve been in a world that’s notoriously hard to live in) I was trying to read the book I’d been reading for a couple of days, Making Feminist Media: Third Wave Magazines on the Cusp of the Digital Age, by Elizabeth Groenveld. I started reading it because those third wave magazines (Bitch and Bust) were what taught me to call myself a feminist, made me realize that I’d been a feminist all along. I’ve always loved magazines—you know, the kind that smelled like perfume—but then one day I stumbled into the magazine rack at the Toronto Women’s Bookstore and discovered there was a kind of magazine that didn’t make me feel like less than a person. That there were things other than just a boyfriend that could make my soul complete—do you know what a revelation this was to me? It’s still shocking to consider just how much.

I never noticed when I was writing them that everybody in the magazine was white. It would take me years to realize there was anything strange about that, what a departure from reality such whiteness actually is. I also recall reading letters in Bitch about whether this was a magazine for feminists or lesbians, and (I say this with shame) feeling similar consternation. I didn’t know there was such a thing as intersectionality then. I have learned a lot since I started reading these magazines a decade and a half ago.

What occurred to me though on the day after the elections as I finished reading Grovenveld’s book was the difficulty all these magazines have had in surviving—how the feminist message remains so niche. Considering this in the context of the number of white women who voted for a misogynist fascist seems sort of unremarkable. Why doesn’t feminism sell more? Thinking too about what Grovenveld writes about identity politics and how focusing on distinct groups creates a sense of community among the group’s members, but ultimately it keeps the focus too narrow for widespread change to occur. For the magazine to be sustainable, she means. (Although she writes that a magazine being short-lived is not fair as a standard of failure. The fact that it even existed at all, and was read, defies so many odds.)

On Friday morning I was walking with my friends and we were talking about that group of women who voted for a misogynist fascist, and one friend framed this too in the context of intersectionality, which I’d never properly considered. I’d been thinking about the failure of intersectionality as women break apart instead of coming together (although I understand entirely, and I get that #solidarityisforwhitewomen) but never thought about the troubling intersectionality of these white women with their allegiances to the patriarchy. No woman is a highway.

What is it that makes women go so far out of their way not to support other women? Why did so many people dislike Hillary Clinton so much. To the point of going out of their way to elect a fascist, I mean. Is it because of the lack of representation of female relationships that Wunker references? To the end of getting to the answer to that question, Sady Doyle’s Trainwreck came in for me at the library.

*

trainwreckTrainwreck: The Women We Love to Hate, Mock, and Fear…and Why is a historical and pop-cultural look at the women who’ve stirred up shit from the margins and who (as Doyle posits) may have actually been prophets but it’s just that the world wasn’t ready yet. (Billie Holiday on rape culture, anyone?)

I needed a bit of levity these last few days, but also some more context as to how we’ve arrived here, and this book offered both. Why do we set up women to fail with impossible standards, and then decide it’s our job to punish them, to destroy them, when they do?

What the trainwreck shows us, Doyle writes, is that “in a sexist culture, being female is an illness for which there is no cure.”

*

Which bring us to here.

And no, no, no. I’m still not having any of that.

November 10, 2016

How Women’s Fiction Can Save Us All

the-mothersOn Tuesday night I started reading The Little Virtues, by Natalia Ginzburg (which came to my attention in Belle Boggs’ essay in The New Yorker, “The Book That Taught Me What I Want to Teach My Daughter”). Not a comfort read, exactly, although there is some of that, but then the first essay is about her years in exile from the Fascists in Italy before her husband died in prison: “Faced with the horror of his solitary death, and faced with the anguish of what preceded his death, I ask myself if this happened to us—to us, who bought oranges at Giro’s and went for walks in the snow.”

There are some moments when it’s important to face things head on, and to learn from someone who has gathered wisdom from decades of experience.

Women’s fiction doesn’t usually get that much credit for helping its readers face things head-on: these books are escapes, they’re beach reads. Fluffy rather than edgy, entertainment instead of education. Women’s fiction that takes on “issues” is its own sub-genre, and there tends to be a formula as to how these stories are executed, with tidy resolutions. Faced with a tyrant being elected American President, we’re supposed to be turning to weighty French philosophers, right? Or Natalia Ginzburg (which I really do recommend). Certainly not Jodi Picoult.

commonwealthWhat is political? I’ve been thinking about this in terms of the novel I’m writing at the moment, about two women’s friendship over decades. About my forthcoming book too, Mitzi Bytes, which is about a woman who dares to have a voice and what the consequences are—but it’s also more complicated than that, because she’s not entirely innocent in her own downfall. My character is flawed, scared, arrogant and insensitive. A lot of the book is about her relationship with other women—her friends, her sister-in-law, her mother, the other other mothers at her children’s school. And what’s the point of a story like this, I wonder, at the moment of onset of a world like that?

The question of how women get along and the ways in which they don’t is fascinating to me. I suspect that every story I ever write will be about this. And I am also fascinated by how 53% of white American women voted against a strong, experienced feminist and instead for a noted misogynist. I am fascinated by the women who cheer for him exuberantly and claim that he could grope their pussies anytime. Who are these people? What planet do they live on? Could it possibly be the same one as me?

today-will-be-differentWomen’s fiction tells women’s stories. Women’s fiction also sells. And it occurs to me that this genre has the  best capacity of any to help us better understand each other. The authors who are writing nuanced stories about the dynamics of sisterhood are laying out a path of relations. Why are women’s friendships so intense? How come when we don’t like a woman we don’t like her so much. Why is it so challenging to see a woman making choices that are different from yours? Why is it all so personal? Why can mother/daughter relationships be so fraught?How come when we have so much in common (and when so much is at stake) we can be so vehemently opposed?

Part of it is because we’re human, of course. Human beings are complicated. This is awkward, but is in fact one of the best things about humans. While these differences are difficult to navigate, it would be terrifying if we were all the same. Who would push us to be better? How would we know what to rise above? Part of it too comes down to something I’m working out about gender and specificity—a guy in a suit is a guy in a suit, and any guy is going to see that and identify, but women have different hair colours, and different hair styles, and maybe she’s wearing a pantsuit and maybe she’s wearing a dress, and does she stay home and bake cookies or is she Diane Keaton in Baby Boom, and all these differences make it easier to find something to dislike about somebody. Unless, of course, you just happen to dislike guys in suits as a blanket rule (and lately I am thinking there is something to that).

dont-i-know-youIn women’s fiction, I think, we can get to the point of figuring it out. We need authors to consider these questions and write thoughtful and nuanced stories about them (and this is happening now). We need readers too to pick up these books and reading with questions in mind, to allow themselves to be challenged by some of the ideas contained therein. I need to get a better sense of that 53% of white women and what they were voting for or against. The women who supported Clinton but did not dare to admit it beyond the confines of a secret Facebook group need to grapple with these questions too, because they bear some responsibility as well for what happened—women who won’t dare to make Thanksgiving dinner uncomfortable. White liberal women who need to (for the sake of their children, their country) rise up and flip that fucking table, and let their fathers and brothers (and sisters and mothers) know just what has been stolen from them with this election.

And what better place to find stories of uncomfortable dinners and torrid family dynamics? Why, women’s fiction, of course. (And Jonathan Franzen’s The Corrections too, which totally falls into the category.)

were-all-in-this-togetherWe need to be reading more authors of colour too to find out what’s happening at the dinner tables of families who might not necessarily look like yours. I’ve been so grateful to those who chose to market books by Brit Bennett and Angela Flournoy as mainstream fiction this past while so that their books came onto my radar. I am going to continue to actively seek out diverse voices in commercial fiction and use whatever platform I have to amplify them, and hope that other white commercial writers will do the same, for its a genre that’s as disturbingly white as any other.

We need to support, and promote too, commercial writers who dare to be overtly political in their work, to read them as thoughtfully and generously as Roxane Gay reviewed Jodi Picoult in The New York Times. Let’s celebrate the commercial writers who are daring to take risks, as Marissa Stapley suggests in our conversation on commercial fiction. Writers need to keep striking that perfect balance between books that people are actually going to want to read, and books that give us something to think about. Books that build bridges, or at least look-out points.

The work commercial women writers are doing has always been important, but perhaps it’s never been more important than right now.

November 7, 2016

On victory, cake and my religious zeal

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This is Hillary’s victory cake, fresh from the oven. Tomorrow we will celebrate and eat it when the day is through. I made it today as a gesture of faith—faith in sanity prevailing, in the goodness of democracy, and the triumph of human decency. And yes, I made a cake because tomorrow I am going to celebrate with my daughters at the fact of a woman being president of the United States.

“Just think,” I told my elder daughter yesterday. “One day you might have a daughter, and she won’t be able to believe there was ever a time when a woman had never been president.” (Read Jill Filipovic on the men feminists left behind; read Roxane Gay on voting with her head and her heart; read Filipovic’s “Women Will Be the Ones to Save America from Trump.”)

Throughout the last six months, which have been so difficult on a global scale, I’ve found myself turning to my religion a lot for comfort, my religion being: trying really really hard to be a decent human who does good things. Be the change you wish to see in the world. And a lot of my religion does indeed involve cake, and faith: bake the cake, for tomorrow we shall celebrate. And even if we aren’t celebrating, at least there will be cake. (I’m like Marie Antoinette, but only selfish instead of a tyrant.)

But we will be celebrating. My faith is strong. I am practically a zealot.

November 1, 2016

Moms who have desks

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Moms who have desks is an idea that comes up several times throughout Mitzi Bytes. My character has an office on the third floor of her house, a space she struggles to justify to herself sometimes and to her family—and not just because her most vital occupation (her blog) is a secret to everybody in her life. Her friends have similar desk angst—one has put hers in a closet, but since she’d previously worked in a cubicle without a door, this represents a kind of promotion. If you squint.

The above image is a screenshot from a feature I read a few years ago about organizing your home—if I recall correctly, it quite rightly irritated readers and was subsequently removed from the feature. But it stuck with me, that dismissiveness about women’s work, about a woman’s place in her home, for its derision of household management (which is totally a job) as an occupation worthy of its own tabletop. When my character takes into account her desk—a hulking solid oak object she found on the curb years and years ago and dragged home all by herself, a relic of a life she lived a thousand years ago—she thinks of this feature. “Moms who have desks.” As though this is a sweet affectation.

img_20161018_102125I thought of this again the other night as we read Spic-and-Span: Lillian Gilbreth’s Wonder Kitchen, about Gilbreth—psychologist, industrial engineer, efficiency expert, mother of twelve, best-known for the Cheaper By the Dozen book and movies. She also invented the shelves in the door of your fridge and the foot-pedal trash can. Not only a mom who has a desk, but she was a mom who invented a desk. Her Gilbreth Management Desk (pictured left) was unveiled at the Chicago World’s Fair in 1933: “Intended for the kitchen, the desk had a clock and, within easy reach, a radio, telephone, adding machine, typewriter, household files, reference books, schedules, and a series of pull-out charts with tips on organizing and planning household tasks.” (Info from here.) 

Intended for the kitchen, yes, but Gilbreth did not underestimate the tasks on a mother’s or any woman’s to-do list.

Ironically, however, I don’t actually have a desk. I mean, I’ve had a few. Once upon a time I had a desk that my husband carried home for me on his bicycle, which is a form of devotion the likes of which have been rarely matched. And in another lifetime, I too worked in a closet, although it had electricity and a window—but no heating, and now that space is crowded with toddler-clothes-intended-for-hand-me-downs and boxes upon boxes of Christmas decorations. And on one hand I could feel put-out by this, by the absence of a room of my own, but I don’t feel the lack. I don’t need a desk exactly, because I’ve chosen to make the world my desk, table-tops the planet over. My kitchen table, my lap as I lie down on my bed or on the couch, or the arm of the couch on a day when I’m required to be upright. The table in the window of the coffee shop I’m sitting in right now on College Street as I wait to go pick up my daughter from Brownies…

What a desk is is permission, I think, to take yourself and your work seriously, no matter what it is you do. It can be actual (solid as oak) or metaphorical. A surface upon which to take stock, to finally begin.

October 2, 2016

I don’t care about Donald Trump.

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I don’t care who Elena Ferrante is. Not one iota. Having read her books, I feel as though she’s given us everything a person might be required to—and more. Which is why I retweeted such a sentiment this morning, only to have a complete stranger respond to the conversation with a (man)admonishment: “lots of things to get angry about this morning and you settled on this…” A complete stranger whose timeline is non-stop Donald Trump. Donald Trump: who I don’t care about even more than I don’t care about Elena Ferrante.

I don’t care about Donald Trump. I don’t care about his stupid hair, or his weak-chinned son, or his parade of wives. I don’t even care about his taxes. There is nothing at all that I could learn about Donald Trump that will confirm anything about him that I don’t know already. I don’t care about his tweets. I don’t care about his Russian ties. I don’t care about his reality TV and his insecurities and his mystique or his appeal. I don’t care about his fucking stupid ball cap. When I never have to see his hideous smirk again, it won’t be a moment too soon.

I don’t care about Donald Trump, and only partly because I don’t live in America and my interest or lack of in its politics has no bearing upon what happens there. I don’t care about Donald Trump, because the same people who pontificate via their Facebook platforms about the shallowness of celebrity culture and the vapidness of teenage girls fixated on selfies are glued to his every move. I don’t care about the debates, which will teach viewers nothing remotely interesting or insightful. I don’t care about Donald Trump, because I’d rather read a novel by Elena Ferrante and also for the same reason I’d rather not read a novel Philip Roth or Martin Amis, or anyone who is determined that the purpose of literature is to “be the axe for the frozen sea within us.”

I am so fed up with maleness, Donald Trump its chief emblem. I am so fed up with nothing being as important as war, except sports, which is a microcosm of the same. I am sick of war rooms and chicanery, and heartless people who proclaim themselves heroic for “making tough decisions.” I am sick of credit being given to contemporary neanderthals for “evolving”—the rest of us did that millennia ago. I am so tired of the sexism, blatant and systemic. For the absolutely shit that women have to go through every day, whether they’re running for office or working in an office. I am tired of valid, heroic protests (a man kneeling during a national anthem, just say) being more controversial than a police officer shooting an innocent person. I am tired of this perception that a life matters more if a person who wore a uniform lived it. The body of a brilliant artist pulled out of a river, and the police officer who racistsplains it all on Facebook. I am tired of Trump and all the other blowhards in pursuit of power (Canadian Conservatives, you people who have no shame and no lows you won’t go to, that would be you) and making all the racist assholes feel pretty comfortable with their points of view in 2016, I am so absolutely tired of the people who are totally loving this train wreck of a presidential election, and feeling morally superior for their attention to it—this is politics, current events, the pursuit of “social justice.” All of you are complicit in making the world a more terrible place.

Naturally the obvious question would be that if I truly did not care about Donald Trump, why indeed have I just written an entire post about not caring about him. A question to which I reply, fervently, as much I don’t care about Donald Trump, I care so very, very much about not caring about him.

So very much that if you need me, I will be reading a giant novel.

Written by a woman.

August 25, 2016

The Body Book, by Roz MacLean

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If my copy of Lindy West’s Shrill hadn’t been from the library, among the countless parts I would have underlined would have included the part where she states that she’s never actually hated her body, or felt loathing toward it, but instead was just all too aware that the rest of the world thought that it didn’t conform to its standard. Which has always been my experience, for the most part (which, full disclosure, is also fairly easy for me to say, because my body has rarely deviated very radically from the standard, and let me tell you, there were some years when my body was pretty smoking’ hot [1997 and 2007 in particular were good years; maybe it’s a decennial thing, in which I’m holding out big hopes for the forthcoming annum]).

Truth: I’m still working on losing the baby weight from my second pregnancy—if by “working on losing the baby weight” you mean “eating a lot of croissants and not giving a fuck about the baby weight.”

I’ve always aspired to be quite at home in my body. When I was 17 and wrote for a teen section in our community paper, I plagiarized an article I’d read in a teen magazine about the contentment of a girl who’s eating a McDonalds hot fudge sundae—I wanted to feel that good about myself. That I had to steal the idea though is perfectly telling.

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In 2001, I made my friends come with me to the nude beach at Hanlon’s Point when I stripped down to nothing and walked across a beach full of people on my way for a swim, which was truly a life-changing and empowering experience.

In 2012, I took a photograph of myself in a bathing suit and put it on the internet, which I thought was a big deal at the time (and I hadn’t even gained the baby weight!).

Last week I did the same thing again, but by now this didn’t feel remarkable. (What I wrote beside the image did though. “So glad to live in this body,” I captioned the photo, which is, in all honestly, one of the most subversive, badass things a woman can say, and what does that say about us?). And the single biggest thing that I can credit for finally attaining the self-acceptance I’ve been chasing for two decades is this one thing, or two?

I have daughters.

When I became a mother, I made several promises to myself, many of which I eventually broke (including, I will always speak kind and respectfully to my children; I will never bitch at them for reading too much [I know!—but seriously, put the book down, Harriet]; and I will never suddenly exclaim in the middle of an afternoon, “Oh my god, oh my god, all of you, now, just GO AWAY!”). But one promise I have forever stayed true to is that my children will never hear me say a negative word about my appearance. Not one. Because I think that as much as some women may dislike their appearances, all the more omnipresent is the fact that we’re kind of taught that we have to. It’s how to be a woman. Permitting yourself four almonds for a snack, and worrying about “muffin tops” and back fat. So much of it is a learned behaviour, if even by osmosis, and of course it is, because it’s everywhere.

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But not in our house. There came a point when I realized our eldest was listening to every word we said and then I stopped whining, “I feel fat” and “I’m ugly!” to my husband whenever I was feeling blah (and let me tell you, other than me, there is no one involved in my personal transformation who has benefitted more than my husband, who apparently doesn’t miss my insecure neediness. Who knew?). I started delivering non-sequiturs at dinner like, “Man, I sure like my freckles,” and “I think my hair looks really pretty today” (about as naturally, at first, as I might bring up topical ideas like online porn or bullying, the kinds of talks you gotta have).

The think about fake it ’til you make it though, is that it’s kind of true. In my experience, there are only so many times you can say, “I sure love how strong my arms are” or “I really like the way I look in this dress” before you start…meaning it. Before you start actually looking for things about you to like and love, because of course it’s good for your daughters, but the thing about it that you never expected is that it’s also good for you.

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And so this is why I love Roz MacLean’s The Body Book, a simple little paperback with enormous ramifications. Because a mother is going to pick up this book for her child, and they’re both going to enjoy the story’s celebration of bodies of all kinds, shapes, sizes, and abilities: “Some bodies are round./ Some bodies are straight./ Some bodies are wavy./ All bodies are GREAT!!!” She writes about bodies that swim and play, and dance all day, and bodies that love hugs, and bodies that need space, and rocking bodies and rolling bodies, and wibbly bodies, and wobbly bodies too.

All well and good, illustrated with simple cheerful images of blobby bodies in a rainbow of colours all doing what bodies do.

The very best thing about The Body Book though, the most excellent and profound, is that every time that mother reads the book, she’s going to have to deliver the line, “I love my body. Do you love yours too?” A line that, as I’ve stated, is actually one of the bravest, most amazing things that a woman can say.

And I love that once that mother has said it enough, there is a chance she might actually mean it.

August 17, 2016

Abortion Baskin Robbins

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In her essay, “When Life Gives Your Lemons,” Lindy West notes that she’d rarely think about her abortion anymore  if she wasn’t driven to speak out against “zealous high school youth groupers and repulsive, birth-obsessed pastors” who win ownership of the abortion conversation by default—possibly because most other people acknowledge that abortion (and pregnancy and life in general) is messy, nuanced, intensely personal and not very well or cleverly served when batted around like a rhetorical badminton birdie. I identified with a lot of West’s essay, but not this one bit. Because the truth is that I think about my abortion all the time. It’s a matter of geography, and I can’t even help it, Abortion Baskin Robbins being case in point.

It’s a juxtaposition that amuses me, abortion with an ice cream shop. Some might be uncomfortable with the idea, but it’s the word “abortion” spoken aloud that usually troubles people, not necessarily the ice cream. Some might thing I’m being flippant, and the truth is that I actually am, and I’m still a bit high on the liberation I feel at finally being able to say that word, abortion, over and over. Even in an ice cream shop. (Can you imagine how it feels to have the point on which your adult life has hinged be an event that is meant to be literally unspeakable? Can you imagine how empowered you feel when it isn’t anymore?)

But it’s not all flippancy and irreverence—there is meaning there. This spring and summer, Abortion Baskin Robbins is where we’ve turned up as a family after my children’s Thursday night soccer games in a school playground a few blocks north. The fact is that while the last fourteen years taken me to amazing places, geographically speaking I haven’t left the neighbourhood. The sidewalks I travel in my daily life are the same ones I took when I was people I don’t even remember now, including a girl who was once so sad and relieved to obtain an abortion during the summer of 2002. So that my children’s post-soccer ice cream joint is the same place I went to with my friend immediately after my abortion all those years ago. My children order ice cream cones that turn their lips blue, and I can’t help think about the connections between my abortion and my life as a mother, which are everything. The foundations I’ve built my life upon. (Is it any wonder that I’m grateful for the freedom to design my own fate?)

It was a long time ago, distinctly not fun, and I was pretty drugged, and so it’s so surprise that I don’t remember a lot of it well. I’ve probably got some of the details wrong, and lost most of them altogether, and I cannot actually recall what it was to be the first-person protagonist of any of these events, but there are fragments to rise to the surface. The trip for ice cream for one, the advent of Abortion Baskin Robbins (although it wouldn’t be properly named for more than a decade—but what it means to be able to name these things, these pivotal landmarks in our lives). I don’t remember what I bought there, if it was a cone or a sundae or an ice cream cake. If it offered any satiation, or if it helped me feel better. I remember that my friend was with me, the friend who must have taken a day off work and travelled with me on the subway and the bus. (What an incredibly thing to do for someone—I am sure I was not sufficiently appreciative. How could I have been?) And then we went back to her house and I think we had a stack of movies, and I recall that I’d required they all be empowering feminist films. I wanted battle armour. A bunch of other friends came over and we ate indulgent snacks and watched the movies—I think that one was The Legend of Billie Jean. I was completely, unequivocally supported, and even though in my experience of accidental pregnancy I’d felt isolated and impossibly alone, after the termination I had a circle around me. It is possible that it never even occurred to me that I wouldn’t.

(“Abortion is women’s work, I guess,” writes Heidi Julavits in The Folded Clock.)

All this is on my mind because I’m reading a collection of writing about abortion, and realizing that my experience of support was not something to be taken for granted. That it makes all the difference in the world for a woman coming out the other side pretty unscathed, and not having to carry around a terrible secret shame for the rest of her days. It’s the reason why I’m able to link a medical procedure to ice cream instead of trauma. It’s why I’m able to say the word out loud now. It’s the reason I was able to get on with my life and steer it in a directly of goodness and fulfillment. I cannot even fathom what it would have been to have to go through all that alone, or ashamed. I don’t want to begin to speculate on what would have happened to me.

Update: 20 minutes after posting this, I ran into anti-abortion protestors on the street. I had five minutes to pick up my kid at daycamp, but had to stop. Again, I cannot imagine what it would be like to endure such unnecessary nonsense, to have to defend my life choices to a twenty-something twit who wouldn’t know an ovary if it punched him in the face, if I didn’t have an Abortion Baskin Robbins in my history. These people have no idea what they’re messing with. (Why do you magnify your images so much, I ask him. Because we want people to see them, he said. Doesn’t it mean something quite significant, I told him, that otherwise you’re grossly inflating the situation [quite literally] they can’t?)

July 20, 2016

Everything happened in those five years after my abortion.

shrill“Everything happened in those five years after my abortion. I became myself. Not by chance, or because an abortion is some kind of mysterious, empowering feminist bloode-magick rite of passage (as many, many—too many for a movement ostensibly comprising grown-ups—anti-choices have accused me of being), but simply because it was time. A whole bunch of changes—set into motion years, even decades, back—all came together at once, like the tumblers in a lock clicking into place: my body, my work, my voice, my confidence, my power, my determination to demand a life as potent, vibrant, public, and complex as any man’s. My abortion wasn’t intrinsically significant, but it was my first big grown-up decision—the first time I asserted unequivocally, “I know the life that I want and this isn’t it”; the moment I stopped being a passenger in my own body and grabbed the rudder.” —Lindy West, Shrill (which I am loving. Particularly the part at the end of this essay, “When Life Gives You Lemons”, when she writes about how if it weren’t for “zealous high school youth groupers and repulsive, birth-obsessed pastors” she would never think of her abortion at all.)

July 7, 2016

Head in the Stars

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Today UofT Magazine tweeted about scientists who inspire us, which reminded me to finally write this post which has been on my mind for awhile. About a month ago, my daughters got Stargazer Lottie (who was inspired by a space-obsessed six-year-old girl AND has been “the first doll in space”), which came with a “Notable Women in Astronomy” poster. But none of the notable women were Canadian, and it occurred to me that I knew of a very notable Canadian woman in astronomy, who was Dr. Helen Sawyer Hogg. Whose work I only knew, granted, because she’d had a page in my Grade 8 science textbook and my friend and I used to make fun of her name. Which is ridiculously stupid, but the point is that I never forgot her name, and googled her years later and discovered her story was fascinating. (Do textbook writers know the indirect routes that knowledge might take, I wonder? They would probably be surprised.)

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Dr. Helen Sawyer Hogg received her doctorate degree in astronomy in 1931, which is remarkable in itself. Her husband was also an astronomer and the two of them would work together until his death in 1951. Although Hogg’s work was not as valued as she was somebody’s wife, and she was often expected to do it without pay. Her first child was born in 1932 and Hogg kept the baby at work beside her in a basket while she studied star clusters at the Dominion Astrophysical Observatory in Victoria, BC. , where her husband was employed as a research assistant. Later that year she received a grant which was exactly enough to pay for a babysitter, and I am fascinated by the idea of how liberating that must have been—and also what it must be to be consumed by cosmic things and have a baby in a basket at once. How does a person reconcile such a vast difference of scale?

Her story would never cease to be cool. After her husband’s death, she took over many of his classes at the University of Toronto, where the family had moved in the mid-1930s. She also assumed ownership of his astronomy column for the Toronto Star, which she wrote for decades (and which was collected into a bestselling book called The Stars Are for Everyone).

There is no full biography of Dr. Hogg. Editions of a science biography for children was published by Michael Webb in the 1980s and 1990s, and while it’s pretty informative, I’m hungry for so much more depth. And so it seems I am going to have to do some of my own digging. Helen Sawyer Hogg’s archives are at the Thomas Fisher Library at UofT, and I think I’m going to have to make some plans to start going through them. In search of what, I am not sure. A creative project? A biographical article? But there is something here, I am sure of it. I look forward to reporting back on just what I might happen to find.

April 5, 2016

On Putting Politics Aside

IMG_20160401_194028On Friday I was listening to CBC Rewind, and heard then-Toronto Maple Leafs owner Harold Ballard on the radio in 1979 telling journalist Barbara Frum to shut up and that females didn’t belong on the radio. And hearing that helped me articulate why I had been taking the heroic eulogizing of disgraced Toronto mayor Rob Ford so personally, why I hadn’t been able to respectfully stay silent while Ford was memorialized (even if he was memorialized with such statements as, “He was a profoundly human guy.” Indeed).

Now, I knew about Harold Ballard. From childhood, I have known he was an asshole, and though I didn’t know why he was thought to be so, and I suppose any reason anybody would have told me about wouldn’t have been concerned with his views toward women. Another important point is that I’ve been extremely fortunate in my life to be surrounded by men (my dad, my friends, my husband) who make the idea that some men think women are literally garbage (or objects to be knocked over, or raped, or joked about raping, or silenced—I could go on for paragraphs about the ways Ford was disrespectful and hateful towards women) completely baffling and foreign to me. But these men exist, and they end up in positions of power, and because it’s not 1979 anymore it’s not all right to go on the radio and say as much, but there are certain men who aren’t containable and so everybody knows.

And everybody lets it go too. It’s harmless. He’s just a character.

I was dismayed when Toronto’s current mayor came into power and his first motion was to thank Ford for his service. Really? Ford was ill, but regardless, here was an opportunity for a new beginning, a chance to do better than an ineffectual, decisive council that fuelled resentment and anger across the city. A chance, perhaps, to say nothing, and in that silence to tell this city, “We are better than that. We will no longer stand for this. This is not who we are.” To honour the women of this city, the people of colour and gay community, all of whom were derogated by Ford throughout his term in council. That was when saying nothing would have been a respectful gesture.

But not now. Not when Ford was able to milk his whiny victim narrative right into the grave and beyond, and everybody played along with him. History whitewashed: that this was a man who loved his city, the best mayor Toronto ever had, a man of the people. None of it remotely the truth, and the truth matters. And if “putting politics aside” means overlooking abusive, offensive comments about women uttered by people in power, I really don’t think I’m capable of doing it. Basically my politics are that women are people worthy of respect, an idea so elementary, basic and foundational that I can’t imagine putting it aside ever.

I hope that in 40 years the story of Rob Ford ends up on an episode of CBC Rewind, and a young woman listening won’t be able to believe that there was ever such a person like that, instead of seeing such an anachronism reflected in the world all around her.

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