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September 30, 2020

Brighten the Corner Where You Are, by Carol Bruneau

“Since Maud Lewis’s death in 1970,” writes Carol Bruneau in the Author’s Note to her new novel, Brighten the Corner Where You Are, “her story has become so mythologized it’s just about impossible to separate hearsay from reality, original information from an ever-deepening well of common knowledge.”

And in Bruneau’s own novel, which is based on research and interviews to imagine the inner life of one of Nova Scotia’s most famous and fascinating painters, she attempts no such thing, inhabiting instead an enigmatic space between that doesn’t bother with such distinctions, or emphasize the contrast between Lewis’s bright and floral artistic vision and the realities of her life which were informed by abject poverty, disability, and possible/likely abuse and violence from her husband, Everett Lewis, whose portrayal by Ethan Hawke in the celebrated 2017 film Maudie was more than a little bit generous.

This middle ground is from where Lewis narrates her story, after her death, but still able to see what’s going on in the world below. Now liberated from her disabled body and her marriage, both of which she describes as cages of a sort, but “What these folks don’t see is that these cages made me the bird I am, made me sing in the way I did…”

With rich and artful prose, and a narrative that first appears simple and straightforward and then is revealed to be just a little bit off-kilter (in the style of Lewis’s paintings), Bruneau complicates the myth of Maud Lewis, depicting her as a chain-smoking, deep-thinking, resilient artist who persisted in her vision in the face of adversity, who was an agent in her own destiny just as much as she was a victim of circumstance and impoverishment. Bruneau lets nobody off the hook for this, certainly not Everett Lewis himself, who hoarded the proceeds from his wife’s painting sales and deprived her of luxuries, among them electricity and a flush toilet.

But how could a person with his background (he grew up impoverished himself) have turned out any other way, Bruneau’s Maud insists. And what about the culpability of a society that accepts that poverty is simply a fact, that some lives are worth more than other, whose glaring inequities are as acute as they ever were while Lewis herself was still living.

This book is beautiful, as rich and uplifting as it is a literary masterpiece.

September 29, 2020


September 28, 2020

The Book Auction to Support Prisoners

The excellent Thea Lim has organized the Book Auction to Support Prisoners (in support of Book Clubs for Inmates, the COVID-19 Prisoner Emergency Support Fund & the Jail Hotline) which kicks off today. There’s an amazing list of signed books and other special offers up for grabs, including my novel Mitzi Bytes. Good books for a great cause!

Visit the website and start bidding!

September 25, 2020


It’s #CupandSaucerFriday, the “light in the darkness” edition. Jean E. Pendziwol has written a dream of a book with I Found Hope in a Cherry Tree, illustrated by Nathalie Dion, a book whose message underlines my belief (which I stole from Ali Smith’s Autumn) that the stories we tell become what the world is, for better or for worse. And the distinction is up to you, because your actions matter. And hope matters, wherever you find it.

September 25, 2020

How to Be a Champion, and Not a Sycophant

Some of my most important mentors have been the people who said no to me, the people who couldn’t accommodate my request, who didn’t want to help, who had better things to do than answer my email. From these people, I have learned that I too can set my own boundaries and limits, that none of us are required to be everything to everyone.

And so similarly was I impressed last spring when I approached a fellow author-friend for a blurb for my forthcoming novel, and she responded with a caveat—she would agree to read my book, but not necessarily to endorse it. Because how could she know if she hadn’t read it yet, and as a person who aspires for everything to mean what it means, this was a particularly powerful moment.

This story has a happy ending too, because this person really liked my book. And how much more her endorsement meant to me because it wasn’t granted automatically, because it meant something. But even if she hadn’t endorsed it, I would have admired that too. A sign that honesty and integrity are not as rare as one might think. And yes, my ego would have taken a bit of a bruising, but every public-facing person benefits from such an exercise from time to time.

Last week I wrote about the importance of making space for promoting books and reading, but this doesn’t require one to have to love everything. “The standards we raise and the judgments we pass…” Virginia Woolf refers to in “How Should One Read a Book,” and those standards and judgments are important. Not because they are the law, because they aren’t, and different readers and critics will have different standards and judgments, which is just the way it should be (and this is the great thing about making space—there can be enough of it to go around).

If you are making space and not adhering to your standards and judgments—raving about books you thought were terrible, blurbing books you’ve never read, recommending titles about which your take was mostly “meh,” holding your nose to post about a title your favourite publicist has sent you which is not your cup of tea, writing about a book that was rubbish but the author is super nice—then the space you are creating is not going to be very meaningful. And sometimes these kinds of situations are difficult to avoid, particularly if you are new to a community or less sure of your taste or less confident as a critic. But I would advise you to find yourself in these situations as little as possible to preserve your own literary reputation, your sense of self, and on behalf of the cause of better books, which is a cause we all can believe in.

Here’s how you can do it.

  • If you can’t say no outright to review/blurb requests (it takes courage to be that bold) then you can make excuses. A lack of time is something nobody is going to argue with. Be vague. Don’t reply to emails. They’ll get the point. (There are people who will claim I am being unfair here, and that you owe it to authors to be honest and upfront. I have tried this. It has never gone well, and I will never do it again.)
  • Build your wheelhouse. Most historical fiction, books about young men coming of age, novels with child narrators and fiction about philosophers I’ve never heard of are outside mine, which makes it easy for me to ignore these books without compunction.
  • If that author on Instagram is super nice (even if she is me, although I am not that nice) and her book just didn’t jive with you, you don’t need to post about it. Even if she put it in her mailbox with her own two hands. The favour you did her was trying out the book at all. It’s not your fault if it didn’t work. And perhaps you can write a critical post that highlights the book’s redeeming features, but if none of those features can be found, just let it go.
  • Be as brave as my friend and don’t agree to blurb a book you haven’t read yet. If you do agree to blurb a book that turns out to be terrible, fail to meet the deadline.
  • Understand that a book may not be to your taste, but someone else might enjoy it. And that is terrific. Because you got to be honest with yourself and your audience and the book still got love. There is enough to go around without you bending over backwards.
  • Know that it is not your job to take care of everybody
  • And understand that your word is only ever going to mean anything if you mean the things you say. Your platforms matter. Use them wisely, smartly, and don’t water them down. And yes, we could be all throwing up our hands about declining ways to get the word out about books (and we do! And we are!) but that makes it all the more important to preserve the integrity in the places/platforms that are still available.

September 23, 2020

If Sylvie Had Nine Lives, by Leona Theis

Okay, imagine the craft and form of Caroline Adderson’s Ellen in Pieces, a premise and scope like Kate Atkinson’s Life After Life, and an attention to the details of ordinary life that recalls the work of Carol Shields? (There’s also a Bronwen Wallace People You’d Trust Your Life To vibe that I can’t quite put my finger on…)

If Sylvie Had Nine Lives, by Leona Theis, is SO GOOD, a novel-in-stories (for real. It works.) that begins in 1974 as nineteen-year-old Sylvie is just three days away from marrying Jack, for better or for worse…

And the book that follows explores the many outcomes and possibilities created by Sylvie’s choices, several forks in the road, and why they matter, or why they don’t. What if life is not a river, the novel’s brief intro suggests; what if it were a delta instead?

Sylvie leaves Jack, and moves in with a roommate whose violent boyfriend’s advances she manages to refuse. Or Sylvie marries Jack and saves his life when he falls into the lake. Or she leaves Jack a few years down the line, pregnant. She marries her best friend from high school has two kids. She marries nobody and starts her own business. She and Jack spend their twentieth wedding anniversary watching the OJ Simpson Bronco chase. Sylvie remains single and becomes a university professor. And so on, these stories showing very different outcomes of Sylvie moving through the decades, getting older, the very same character (one with a propensity for terrible choices) contending with different circumstances.

This premise could be considered a gimmick, but the writing is just so excellent that the whole book shines, and the stories culminate the same way they might in a more traditional narrative. Perhaps some readers could become frustrated with each new story destabilizing what came before, but I just found it really interesting—and it works on a meta level too with Sylvie considering several times the different roads and doors she might have chosen. It is interesting also that the reader would mind at all if the “truth” of a fictional person’s story was undermined—if you’ve read the last page of Kate Atkinson’s A God in Ruins, you’ll know what I’m talking about. Isn’t is amazing that it matters so much? And it’s a sign that the author has achieved something that it does matter.

I’ve not read anything by Leona Theis before, but she’s been shortlisted for the CBC Literary Award, appeared in The Journey Prize Stories, and had the amazing Elizabeth McCracken select her story “How Sylvie Failed to Become a Better Person Through Yoga” as winner of the American Short Fiction contest in 2016, which is the coolest honour I can think of. And this novel lives up to the anticipation of such a biography—the book is wonderful. Definitely my first favourite book of the fall season.

September 22, 2020


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September 21, 2020

Looking forward to Waiting for a Star to Fall

36 days until Waiting for a Star to Fall arrives on bookstore shelves!

I’m very happy that the novel has appeared on Fall book previews at CBC Books, the Toronto Star, and this weekend at the Globe & Mail.

I’ve been looking forward to this book for a very long time now, and it’s nice to know that I’m not the only one.

Pre-order your copy today!

September 18, 2020

How to Do Self-Promotion

“There is nothing wrong with self-promotion!” someone tweeted at me a few weeks ago, an attempt at encouragement that demonstrated that they don’t know me very well, because clearly, I already know this . If I could afford to buy billboards for my selfies, I probably would. I really do hope that you will pre-order my new book (coming October 27 from Doubleday Canada!), is what I’m saying, but also that all self-promotion is not good self-promotion. There is a certain kind of grace required.

This all started because I have the best part time job ever, and I work with the best people , who fill my life with goodness and have been so supportive of my work for the past nearly-ten years. And my job involves getting excited about Canadian books, which is the greatest pleasure, and comes pretty naturally to me. But I am careful not to use this particular platform to promote my own work. I have other platforms after all, and it would be more than a little gauche. For me to include my book on the site’s Fiction Preview, for example, a project I care very much about and work hard on compiling.

So I didn’t, and my friend/colleague Kiley didn’t notice (it was a very busy summer!) until my book ended up on the Toronto Star and CBC Books’ Fall Previews the other weekend. And then she tweeted from the 49thShelf account about my forthcoming book, and how I hadn’t included it on our list. I replied that it’s kind of tacky to put your own book on your own list, and that it is to be hoped instead that somebody else might be anticipating my book, someone who isn’t even me—a gamble that had paid off (phew!) because at least two media outlets were.

Um, and yes, props to my fantastic publicist at PRH, of course. I suppose it’s easier to be kind of laissez faire when you have such people in your corner. It’s not all karma, is what I’m saying. But some of it actually is.

And what I mean by this is that the best way I know to do self-promotion is to create the space, instead of focusing on my own book specifically. This is a long-term goal, of course. You don’t start this six weeks before your pub date. Instead, you use whatever platforms you have—both digitally and in the actual world—with the intention of creating meaningful conversation, in my case about books and reading in general. Supporting a culture of literature in the places I hang out in, connecting with others who do so. And this culture matters. As Virginia Woolf wrote 95 years ago of the importance of readers in her essay “How Should One Read a Book?”—“The standards we raise and the judgments we pass steal into the air and become part of the atmosphere which writers breathe as they work.”

So how to create this space? Maybe you have a book blog. Maybe you interview writers on Youtube. Maybe you started an online literary magazine. Maybe you post about the books you love on Facebook. Maybe you run a reading series. Maybe you post photos of your library haul on Instagram. Maybe you talk about books exuberantly to the people you encounter in your everyday life. Maybe you support independent bookstores/ Maybe you read conspicuously in public. Maybe you do things to support the spaces that were created by other people, attending literary events, buying books, reading book reviews. Maybe you listen to books podcasts, and then tell other people about the books podcasts. Maybe you write Goodreads reviews, and leave reviews on Amazon—although even typing this makes me nauseous because nothing associated with Amazon is good for anybody, so if these are your tactics, perhaps think of one more.

The point of this space you’re creating is still not to promote your own book. Forget about your own book, for now. This is not about you. The point of this space you’re creating is to make more room in the world for books and readers, and even just a little tiny bit more space means something significant. And you’re benefiting from this space, because you are a reader, and you live in the world, and you’ve done your part to make the world a little closer to the kind of world you want to see—where books and reading matter.

And then, yes, because there is more space, there will also be more room for you and your book. Because you’re steeped in the atmosphere of books and reading, it will not seem so awkward to make your own book a part of the conversation. And because you’ve cultivated connections and built relationships, you won’t be the only person talking about your book either, which is the kind of promotion that really matters, which is really just living the dream.

But first, you have to make that space. Talk about and share the books you really love. You are not in competition with other writers—a world where people love and value books is good for everyone, even if the books they’re loving and valuing aren’t yours. There is room enough for everyone, especially if you’re making space. The success of any writer can be a success for all writers.

Of course, feel free to take all this with a grain of salt because modest success is all I’ve ever known anyway. I’m a blogger after all, inherently on the margins. But still.

When you hear someone asking for a book recommendation, resist the urge to suggest your own book (because of course you’re going to suggest your own book). Not because there is anything wrong with self-promotion, but because it’s just too easy and obvious to create any meaningful connection. You really do have to go the long way around, but it’s worth it. Because it’s real.

September 16, 2020

The Smallest Lights in the Universe, by Sara Seager

Space made news this week with the discovery of possible life on Venus, and what was most exciting for me about this development was that on the team of researchers who’d made this discovery was Dr. Sara Seager, MIT Astrophysicist and author of Smallest Lights in the Universe, which I was reading last week. Can you imagine discovering alien lifeforms and releasing an emotionally powerful memoir all in the same season?

But then Sara Seager doesn’t do anything in an ordinary fashion, as the reader discovers. She write about her unconventional childhood growing up in Toronto, how her passion for astronomy grew, how she found her way to marriage and family, and how she endured the loss of her husband, who had kept their domestic life afloat while Seager had her head in the outer-reaches of space, developing theories of exoplanets that had seemed like fiction when she began her work in the 1990s. She writes too about her recent diagnosis on the autism spectrum, and her singular point of view in this regard is what makes her memoir so fascinating. When her first husband was interested in her, she writes, she initially rejected his advances, because she just wasn’t that into people, and her strongest feeling toward her fellow humans was “tolerance. I also loved the straightforwardness with which she writes about motherhood, which she was never ambivalent about, but which was hard to balance with a busy career, and even moreso after she became a solo parent. These kinds of ideas have been expressed so many times, but Seager manages to do so devoid of the usual cliches and with a fresh and interesting perspective. Further, her quest to learn what can be discovered in the outer reaches of the universe, her belief in other possibilities, in different worlds, is the kind of perspective than seems urgently necessary now, when we need curiosity and imagination more than ever.

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