October 31, 2016
Experimental Film, by Gemma Files
I spent Thanksgiving weekend—as summer turned into fall, the leaves turned into reds and oranges, as everything started to wither and die—reading Gemma Files’ Experimental Film, which was so fitting for the season. I absolutely loved it, and was not the only one to do so—the novel won the Shirley Jackson Award in the summer and the Sunburst Award for Excellence in Canadian Literature of the Fantastic in September. It’s a book about horror movies, and the history of Canadian cinema, and motherhood, and parenting a child with autism, and there are ghosts and it gets creepy, and it gave me bad dreams—which I mean as a testament to the book’s power. I liked it so much, and found it had uncanny connections to Maria Semple’s Today Will Be Different, which I read right after—both protagonists are socially awkward, intellectually brilliant and unmoored in their own lives. In fact, I’d really like to go out for drink with both of them.
I was grateful for the chance to ask some questions about the book to Gemma Files for a feature at 49thShelf. I hope you’ll check it out and enjoy her thoughts on film and literature, the haunting capabilities of both, about how the movie Candyman inspired the book’s structure, the influence of Shirley Jackson, and what it means for literature to be weird.